One of the all-time movie title sequences by the great Saul Bass. I like what the Art of the Title site had to say about it in their recent spotlight post:
"Bass had experimented with graphic animation techniques as far back as The Seven Year Itch in 1955, but the title cards themselves had always remained static. North by Northwest is often credited as being the first sequence to use kinetic type — or simply, type in motion. It is also one of the first examples of situational type in film, where the text is integrated into the environment by matching its perspective, a technique famously revisited by Picture Mill for David Fincher’s Panic Room in 2002.
Although Bass was already an established designer by 1959, North by Northwest is likely his first truly modernist title sequence, adopting a clean, minimal style and a veneer of graphic sophistication previously unseen in his title work or elsewhere in mainstream film. It’s a style that he carried into his next two projects, Psycho and Ocean’s Eleven, and would revisit almost 30 years later for Goodfellas in 1990.
Patti, this film has maximum reruns on TCM India too. My memorable scene in the movie is where Grant's character goes on a bidding binge to get himself arrested by the cops.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
6 comments:
I've seen this movie so many times. More so than any other Hitch film.
Me, too. I think they run it more than any other one on TCM.
One of the all-time movie title sequences by the great Saul Bass. I like what the Art of the Title site had to say about it in their recent spotlight post:
"Bass had experimented with graphic animation techniques as far back as The Seven Year Itch in 1955, but the title cards themselves had always remained static. North by Northwest is often credited as being the first sequence to use kinetic type — or simply, type in motion. It is also one of the first examples of situational type in film, where the text is integrated into the environment by matching its perspective, a technique famously revisited by Picture Mill for David Fincher’s Panic Room in 2002.
Although Bass was already an established designer by 1959, North by Northwest is likely his first truly modernist title sequence, adopting a clean, minimal style and a veneer of graphic sophistication previously unseen in his title work or elsewhere in mainstream film. It’s a style that he carried into his next two projects, Psycho and Ocean’s Eleven, and would revisit almost 30 years later for Goodfellas in 1990.
Thanks for the added info. It is truly a thrilling beginning.
Patti - What a terrific Hitchcock film!! I always liked this one very much. But then, I'm a Hitchcock fan...
Patti, this film has maximum reruns on TCM India too. My memorable scene in the movie is where Grant's character goes on a bidding binge to get himself arrested by the cops.
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