UNFORGIVEN is probably the one for me, too, though GRAN TORINO, MILLION DOLLAR BABY, MYSTIC RIVER, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, and THE OUTLAW JOSEY WALES are also awfully good.
UNFORGIVEN, for sure. I luckily saw again recently at The Autry Museum in 35mm as an introduction to my son also attending. It's lost none of its power. THE OUTLAW JOSEY WALES remains a long-time favorite, too. BRONCO BILLY remains a wonderful love letter to the screwball comedy and the western. MILLION DOLLAR BABY was simply devastating and I've only seen it once (don't miss understand, I love it, but am still trying and failing to work myself up to watch it a second time). SPACE COWBOY is fun and is a joy to watch James Garner and Clint together on the screen once again. A PERFECT WORLD, WHITE HUNTER BLACK HEART, HIGH PLAINS DRIFTER are underrated fare. In any other year, MYSTIC RIVER would have garnered more praise, but LOTR: THE RETURN OF THE KING steamrolled everything in '04. The less said about THE ROOKIE the better, but I for one have really enjoyed Eastwood very much as a director. Heck, I enjoyed J. EDGAR, too. Thanks, patti.
p.s., if you're interested, I wrote an appreciation piece for PLAY MISTY FOR ME (his first stint in the director's chair) last month.
Wow there's a lot I haven't seen. He's kind of a stealth candidate for great director. I don't think people paid much attention to hi skills until Bird. I do love Outlaw Josey Wales. So much to still see.
Definitely UNFORGIVEN, with MILLION DOLLAR BABY right up there. I do admit to a warm spot in my heart for BRONCO BILLY. And I really liked PLAY MISTY FOR ME.
I loved Gran Torino because it was set in Detroit. I also loved Million Dollar Baby, Bird, and the first of the WW2 movies. Never saw Iwo Jima. I wonder if he makes too many movies though and why so few Westerns.
I know. I find war movies upsetting and one was enough at the time. I will try to remedy that. Never saw THE ROOKIE, I don't think. Graham, how are you!
Saw JOSEY WALES on a return to the US after 2 years in the UK. It was like a welcome home. UNFORGIVEN, though, tops it as an all-time favorite. What a story; his scene with the prostitute outside the shed breaks my heart.
I haven't seen many of his films as director but out of the ones I have seen I'll settle for HIGH PLAINS DRIFTER and THE BRIDGES OF MADISON COUNTY, and yes, ABSOLUTE POWER based on David Baldacci's novel, for Gene Hackman and Ed Harris.
I guess you mean Clint as a director. My favorite acting role for him is Rowdy Yates on Rawhide, followed by Dirty Harry. The Man With No Name is right up there, too. As a director I agree with most of the pack: Unforgiven, Play Misty For Me, The Outlaw Josey Wales.
What's the Worst Thing That Can Happen, Al Tucher, A TWIST OF NOIR
The Good Doctor, Adam Haslett, YOU ARE NOT A STRANGER HERE
Clouds in A Bunker, David Cranmer, PULP INK
Burning End, Ruth Rendell, THE BEST OF THE BEST SHORT STORIES 1986-1995
Something is Out There, Richard Bausch, MURDERLAND
Uncle, Daniel Woodrell, A HELL OF A WOMAN
Dark Adapted Eye, Katherine Tomlinson, SHOTGUN HONEY
Whiteout on Van Buren, Don Winslow, PHOENIX NOIR
An Invisble Minus Sign, Denise Mina, DEADLY HOUSEWIVES
Everything I Want, Megan Abbott, SPEED CHRONICLES
The Garage Sale of the Three Lindas, Marly Swick, THE SUMMER BEFORE THE SUMMER OF LOVE
Everybody Loves Somebody, Sandra Scoppettone, A HELL OF A WOMAN
Harpooned, Sandra Seamans, MYSTERICAL-E
Burn Patterns, Michael C. White MARKED MEN
World of Gas, Bonnie Jo Campbell AMERICAN SALVAGE
Snakes in the Briar Patch, Chad Eagleton, Cathode Angel
Sea of Grass, Jim Wilsky, ROSE AND THORN
The Pool, Keith Taylor from LIFE SENTENCES
Locked Out, Art Taylor, PLOTS WITH GUNS
Giving Blood, John Updike from THE MAPLES
Two and Half Miles, W.D. County, SPINETINGLER
ReBecca, Vicki Hendricks, FLORIDA GOTHIC STORIES
What is Your Emergency, Chris Rhatigan, GRIFT MAGAZINE
Here We Are in Paradise, Tony Earley
2. 984, 000 Pounds of Pressure, Anonymous Nine. Crime Factory: The First Shift
You Boys Be Good, Antonya Nelson
A Blunderbuss for a Broken Heart, Chris LeTray Pulp Modern 2
Spending Light, John Stickney, NEEDLE, Issue 2
365- February
A New Life, Kyle Minor, DISCOUNT NOIR
A Composer and His Parakeets, Ha Jin GOOD FALL
Where Are You Going, Where Have You Been, Joyce Carol Oates
Girls in Their Summer Dresses, Irwin Shaw
The Last Spin, Evan Hunter
The Birthday Party, Graham Greene
Blue, Rachel Seiffert, FIELD STUDY
Tonto Woman, Elmore Leonard, THE COMPLETE WESTERN STORIES
Only Good Ones, Elmore Leonard, THE COMPLETE WESTERN STORIES OF ELMORE LEONARD
Super Trooper, Nigel Bird, OFF THE RECORD
The Incident at Owls' Creek Bridge, Ambrose Bierce
Food Man, Lisa Tuttle, BEST OF CRANK
The Babysitter's Code, Laura Lippman, PLOTS WITH GUNS
Graveyard Shift, James Reasoner, Hard-Boiled
Portrait of An American Family, Benoit Lelievre, SHOTGUN HONEY
Thanks for the Ride, Alice Munro, Dance of the Happy Shades
A MAtter of Principal, Max Allan Collins, FAVORITE KILLS
Cold Snap, Thom Jones COLD SNAP
Piano Man, Bill Crider, ON DANGEROUS GROUND
The Ladder, Adrian McKinty, CRIME FACTORY: FIRST SHIFT
THe Confessor, Lonni Lees, SHOTGUN HONEY
Plaything, Daniel Hatadi, DEADLY TREATS
Going to Shrewsbury, Sarah Orne Jewett, THE COUNTRY OF THE POINTED FIRS
Sunlight Nocturne, Bill Cameron, DEADLY TREATS
Escapes, Joy Williams, ESCAPES
Ugly Pictures, Terrie Moran, THE AWARENESS
Just Another Saturday Night, William Link, EQMM
Pride, P.J. Parrish, DETROIT NOIR
Bonus, Jim Ray Daniels, DETROIT TALES
Casanova Succumbs to Two-Ton Tina, Rob Kitchin, A TWIST OF NOIR
The Lost Child, Jean Thompson WHO DO YOU LOVE
365-March
365 March
Unfortunate Misfortunes of a Man Named Lud, John Weagly, FIRES ON THE PLAIN
Lamb to the Slaughter, Roal Dahl
The Navy Man, Kyle Minor, IN THE DEVIL'S TERRITORY
Cops and Robbers, Jean Stafford, MOTHERLOVE
Tort, Ken Bruen, EQMM
Melinda, Judy Doenges, O'HENRY AWARDS
Honeymoon, Arturo Vivante, SOLITUDE
Hard Rain, Katherine Tomlinson, NOHO NOIR
Bobby Conroy Comes Back from the Dead, Joe Hill, THE LIVING DEAD
Death is Daily, Craig Garret , FIRES ON THE PLAIN
Ice, Lily Tuck, 2011 O'Henry Collection
The Basher, Jason Starr, Wall Street Noir
Your Fate Hurtles Down at You, Jim Shepard, 2011 O'Henry Collection
The Neglected Garden, Kathe Koja, WEIRD STORIES
Windeye, Brian Evenson, 2011 O'HENRY COLLECTION
Triangulation, Anonymous-9, THE BIG CLICK
The Genius, Frank O'Connor
Why I Live at the PO, Eudora Welty
How to Talk To Your Mother, Lorrie Moore, SELF HELP
Jungle Bob, Ron Scheer, FIRES ON THE PLAIN
Last Song of Antietam, Patrick Lambe, ON DANGEROUS GROUND
On the Gull's Road, Willa Cather
Leaf in the Wind, Gene Wolfe, STORIES
Pack of Cards, Penelope Lively
Ember Days, Nick Ripatrazone, PLOTS WITH GUNS
The Chrysanthemums, John Steinbeck
Stay Awake, Dan Chaon, STAY AWAKE
Smantha's Diary, Diana Wynne Jones, STORIES
Unwell, Carolyn Parkhurst, STORIES, (Gaiman and Sarrantonio)
Naked Angel, Joe Lansdale, L.A. NOIRE
The Bees, Dan Chaon, STAY AWAKE
Blue Rose, Peter Straub
365 -April
Land of the Lost, Stewart O'Nan, STORIES Push Comes to Shove, B.V. Lawson, NEEDLE What He Was Like, William Maxwell, Running Hard, R. Thomas Brown, ALL DUE RESPECT Mr. & Mrs. Dove, Katherine Mansfield (online) The Beginning of Grief, Adam Haslett Family Ties, Craig McDonald, GRIFT Rosie's Chicken & Biscuits, Axel Howerton, FIRE ON THE PLAINS Not Quite Final, Richard Bausch, Who Has Seen the Wind, Carson McCullers, Confession, Stella Pope Duarte, PHOENIX NOIR Bonanza, Jo Ann Beard, THE BOYS OF MY YOUTH Flying Solo, Ed Gorman, DAMN NEAR DEAD 2 Triage, Alice Elliott Dark She Don't Eat No Meat, Kurt Gowran, NEEDLE No Rest for the Weary, Sandra Seamans, FOTP The Traveler, Wallace Stegner, THE COLLECTED STORIES Mortals, Tobias Wolff, THE NIGHT IN QUESTION Here Comes Santa Claus, Bill Pronzini Titanic Victim Speaks Through Waterbed, Robert Olen Butler, He Loved Her So Much, Sandra Scoppettone, LOVE KILLS How to Become a Writer, Lorrie Moore, SELF HELP I Danced with the Prettiest Girl, Dagoberto Gilb, Zolaria, Caitlin Horrocks, THIS IS NOT YOUR CITY The Squatter, Andy Henion, PLOTS WITH GUNS Romero's Shirt, Dagoberto Gilb, THE MAGIC OF BLOOD Pie Dance, Molly Giles, YOU'VE GOTTA READ THIS. Greatness Strikes Where it Pleases, Lars Gustaffson The Infamous Bengal Ming, Rajesh Parameswaran, A Hand on the Shoulder, Ian McEwan, THE NEW YORKER A Good Man is Hard to Find, Flannery O'Connor Hard Times, Ron Rash, BURNING BRIGHT Peconic Nightmares, R. Thomas Brown, BEAT TO A PULP The Best of Everything, Richard Yates
22 comments:
Letters from Iwo Jima is an important cultural document b/c it's the rare film that shows "the other side." A+ for that one.
More thoughts on Eastwood's efforts soon . . .
UNFORGIVEN is probably the one for me, too, though GRAN TORINO, MILLION DOLLAR BABY, MYSTIC RIVER, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, and THE OUTLAW JOSEY WALES are also awfully good.
UNFORGIVEN, for sure. I luckily saw again recently at The Autry Museum in 35mm as an introduction to my son also attending. It's lost none of its power. THE OUTLAW JOSEY WALES remains a long-time favorite, too. BRONCO BILLY remains a wonderful love letter to the screwball comedy and the western. MILLION DOLLAR BABY was simply devastating and I've only seen it once (don't miss understand, I love it, but am still trying and failing to work myself up to watch it a second time). SPACE COWBOY is fun and is a joy to watch James Garner and Clint together on the screen once again. A PERFECT WORLD, WHITE HUNTER BLACK HEART, HIGH PLAINS DRIFTER are underrated fare. In any other year, MYSTIC RIVER would have garnered more praise, but LOTR: THE RETURN OF THE KING steamrolled everything in '04. The less said about THE ROOKIE the better, but I for one have really enjoyed Eastwood very much as a director. Heck, I enjoyed J. EDGAR, too. Thanks, patti.
p.s., if you're interested, I wrote an appreciation piece for PLAY MISTY FOR ME (his first stint in the director's chair) last month.
Wow there's a lot I haven't seen. He's kind of a stealth candidate for great director. I don't think people paid much attention to hi skills until Bird. I do love Outlaw Josey Wales. So much to still see.
UNFORGIVEN is up there. But THE OUTLAW JOSEY WALES is probably my favorite. MILLION DOLLAR BABY is in there as well.
The Outlaw Josie Wales and High Planes Drifter are ones I've liked more than a few times. I've only seen Unforgiven once but I liked that very much.
I also really liked A Perfect World (though it's a broken film, maybe because) & White Hunter, Black Heart.
The Truth: MYSTIC RIVER is not as great as people said.
Definitely UNFORGIVEN, with MILLION DOLLAR BABY right up there. I do admit to a warm spot in my heart for BRONCO BILLY. And I really liked PLAY MISTY FOR ME.
Jeff M.
I am sad to think MYSTIC RIVER may not hold up. Misty was terrific.
After Letters from Iwo Jima and of the other ones I've seen, I'd go with (not in any real order):
High Plains Drifter
The Eiger Sanction
Play Misty for Me
Hony Tonk Man
Pale Ruder
Unforgiven
A Perfect World
Midnight in the Garden
Gran Torino
Haven't sene anything since Gran Torino. Clint's films may have quirks & flaws, but nothing unforgiven . . .
p.s. Add Bird, which I liked better years after first seeing it.
So many I haven't seen (I feel a movie marathon coming on...)
Gran Torino was pretty great. Loved that character.
I loved Gran Torino because it was set in Detroit. I also loved Million Dollar Baby, Bird, and the first of the WW2 movies. Never saw Iwo Jima.
I wonder if he makes too many movies though and why so few Westerns.
patti, I do recommend seeing FLAGS OF OUR FATHERS and LETTERS TO IWO JIMA as a set. Each makes the other bookend piece better, I think.
I really like HIGH PLAINS DRIFTER. THE OUTLAW JOSEY WALES is really well-told. May of the others are also good.
Then there's THE ROOKIE.
I know. I find war movies upsetting and one was enough at the time. I will try to remedy that. Never saw THE ROOKIE, I don't think. Graham, how are you!
Saw JOSEY WALES on a return to the US after 2 years in the UK. It was like a welcome home. UNFORGIVEN, though, tops it as an all-time favorite. What a story; his scene with the prostitute outside the shed breaks my heart.
I haven't seen many of his films as director but out of the ones I have seen I'll settle for HIGH PLAINS DRIFTER and THE BRIDGES OF MADISON COUNTY, and yes, ABSOLUTE POWER based on David Baldacci's novel, for Gene Hackman and Ed Harris.
I'm also partial to A Perfect World, in which I think director Eastwood gets the best out of Kevin Costner.
1. THE BRIDGES OF MADISON COUNTY
2. BIRD
3. THE OUTLAW JOSEY WALES
I really like MILLION DOLLAR BABY.
I guess you mean Clint as a director. My favorite acting role for him is Rowdy Yates on Rawhide, followed by Dirty Harry. The Man With No Name is right up there, too. As a director I agree with most of the pack: Unforgiven, Play Misty For Me, The Outlaw Josey Wales.
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