I have so many many great memories of Dave Brubeck's music. It was a real part of my youth. I have three of his CDs. He always struck me as a classy very bright decent guy.
I'd say anything by Count Basie, that always does the trick for me. Ray Charles' album "Genius + Soul= Jazz" is great, also. And the very early be-bop stuff from the early '50's, like Dizzy Gillespie.
These guys are cool on so many levels there's not time to express them all. Paul Desmond was one of the funniest men you'd ever come across, hit wit as dry as his sax playing. Brubeck has done as much to help young musicians as anyone. Joe Morello touring all those years practically blind, and Gene Wright staying in the background, solid as a rock so everyone else could play with time and tonality anyway they wanted to. Brilliant, top to bottom.
That doesn't answer your question. TAKE FIVE would certainly be in the top Ten of any list I compiled, though I think my favorite piece of jazz is Buddy Rich's arrangement of LOVE FOR SALE.
You nailed it, Patti ... music in 5 time (Take Five) ... love it ... took months for me to lose the 4 time and learn this on the drums. I could practice another lifetime and never come close to being half as smooth as Mr. Morello ...
Patti - Brubeck certainly did know how to play! I like Charlie Parker very much, too, and although they're not similar, really, I love Miles Davis as well.
I dated a boy in high school that loved DBQ but I was too immature at the time to go with him to see them. I remember telling him that was music for old people. Always will regret that I missed it.
I have about 80 or so albums by the various Brubeck Quartets and other assemblies, including TRUTH IS FALLEN with chorale (some moving lyrics, some delightfully bad...Iola Brubeck is the lyricist on most of her husband's songs that have been published/performed as songs)...and for the Brubeck Quarter with Wright, Morello and Desmond, there are quite a few compositions I'd put ahead of the fine drum solo that is "Take Five"..."40 Days" and "Bluette" and "Blue Shadows in the Street" and "Countdown" (Morello on tympani!) and "Koto Song" (Desmond, who tried never to play the same solo twice, is always moving on this--the 1975 DUETS album, with just Desmond and Brubeck, is one of many brilliant performances) and "Truth" (as performed by the Mulligan/Dawes/Six quartet with Desmond sitting in).
George Russell Smalltet, including Bill Evans: "Concerto for Billy the Kid" (meaning Evans)...the modal improvisation album, JAZZ WORKSHOP, where Evans learned modal improvising so he could teach it to the Davis group so they could use it on KIND OF BLUE
George Russell: LIVING TIME (the suite that was released on CBS as a Bill Evans album...he was the featured soloist)
The Modern Jazz Quartet: hard to choose among the sixty or so albums I have from them, but "Softly as a Morning Sunrise" and other tracks off THE LAST CONCERT are hard for me to overrate. Also, the recent Apple Records rerelease of UNDER THE JAZZMIN TREE and the only slightly less stellar SPACE was Way overdue. "Exposure" and the Jimmy Giuffre Trio collaborations on THIRD STREAM MUSIC. Yow. (They did a fine album with Desmond, shortly before his death, too.)
Charles Mingus Band: "Hora Decubitus" on MINGUS MINGUS MINGUS MINGUS MINGUS. The rest of the album, too, but even that isn't quite up to HD.
Duke Ellington, Max Roach, Charles Mingus: MONEY JUNGLE the album. Very difficult to pull a single track.
Dizzy Gillespie Orchestra: "Manteca" and "Cubano Be Cubano Bop" (George Russell as a new pro composer/arranger) and the entire suite THE NEW CONTINENT (Lalo Schrifin).
Duke Ellington Orchestra: so much. The 1943 Carnegie Hall reading of "Black, Brown and Beige"..."Harlem Airshaft" in nearly any reading.
Count Basie Orchestra: KANSAS CITY SUITE is a sentimental favorite, all Benny Carter...but so much else, as well.
Toshiko Akiyoshi Orchestra: The INSIGHTS album, particularly "Sumie"..."Long Yellow Road"..."Road Time"..."March of the Tadpoles"
Gah. I must get back to work. There's a whole lot for all of us left to explore...Cecil Taylor...Gerry Mulligan and his various bands, particularly with Art Farmer (and later with Brubeck)...the Farmer/Golson Jazztets...
You've heard, I hope, the entirety of the DIALOGUES FOR JAZZ COMBO AND ORCHRESTRA, composed by Howard Brubeck and performed by the NY Philharmonic under the direction of Leonard Bernstein and the Brubeck/Desmond/Morello/Wright quartet?
Brubeck and Morello, when I met them, were great gentlemen, and not jaded nor tired of fan inquiries at all. Brubeck was startled that anyone might ask him about his ballet, THE MAIDEN IN THE TOWER, most of what got to semi-final form can be heard on the COUNTDOWN: TIME IN OUTER SPACE album.
I never had a problem enjoying the Beatles and the DBQ...and the Weavers and Johnny Cash and Cleveland Orchestra...only the 101 Strings and such were more on my nerves than not (well, them and Journey and Alabama and wallpaper jazz and such...bad stuff in every mode).
And, of course, it's a cheap irony that the biggest hit Dave Brubeck had was officially a Paul Desmond composition that is meant to be a Joe Morello showcase.
All four men contributed compositions, particularly to the TIME series of albums.
What's the Worst Thing That Can Happen, Al Tucher, A TWIST OF NOIR
The Good Doctor, Adam Haslett, YOU ARE NOT A STRANGER HERE
Clouds in A Bunker, David Cranmer, PULP INK
Burning End, Ruth Rendell, THE BEST OF THE BEST SHORT STORIES 1986-1995
Something is Out There, Richard Bausch, MURDERLAND
Uncle, Daniel Woodrell, A HELL OF A WOMAN
Dark Adapted Eye, Katherine Tomlinson, SHOTGUN HONEY
Whiteout on Van Buren, Don Winslow, PHOENIX NOIR
An Invisble Minus Sign, Denise Mina, DEADLY HOUSEWIVES
Everything I Want, Megan Abbott, SPEED CHRONICLES
The Garage Sale of the Three Lindas, Marly Swick, THE SUMMER BEFORE THE SUMMER OF LOVE
Everybody Loves Somebody, Sandra Scoppettone, A HELL OF A WOMAN
Harpooned, Sandra Seamans, MYSTERICAL-E
Burn Patterns, Michael C. White MARKED MEN
World of Gas, Bonnie Jo Campbell AMERICAN SALVAGE
Snakes in the Briar Patch, Chad Eagleton, Cathode Angel
Sea of Grass, Jim Wilsky, ROSE AND THORN
The Pool, Keith Taylor from LIFE SENTENCES
Locked Out, Art Taylor, PLOTS WITH GUNS
Giving Blood, John Updike from THE MAPLES
Two and Half Miles, W.D. County, SPINETINGLER
ReBecca, Vicki Hendricks, FLORIDA GOTHIC STORIES
What is Your Emergency, Chris Rhatigan, GRIFT MAGAZINE
Here We Are in Paradise, Tony Earley
2. 984, 000 Pounds of Pressure, Anonymous Nine. Crime Factory: The First Shift
You Boys Be Good, Antonya Nelson
A Blunderbuss for a Broken Heart, Chris LeTray Pulp Modern 2
Spending Light, John Stickney, NEEDLE, Issue 2
365- February
A New Life, Kyle Minor, DISCOUNT NOIR
A Composer and His Parakeets, Ha Jin GOOD FALL
Where Are You Going, Where Have You Been, Joyce Carol Oates
Girls in Their Summer Dresses, Irwin Shaw
The Last Spin, Evan Hunter
The Birthday Party, Graham Greene
Blue, Rachel Seiffert, FIELD STUDY
Tonto Woman, Elmore Leonard, THE COMPLETE WESTERN STORIES
Only Good Ones, Elmore Leonard, THE COMPLETE WESTERN STORIES OF ELMORE LEONARD
Super Trooper, Nigel Bird, OFF THE RECORD
The Incident at Owls' Creek Bridge, Ambrose Bierce
Food Man, Lisa Tuttle, BEST OF CRANK
The Babysitter's Code, Laura Lippman, PLOTS WITH GUNS
Graveyard Shift, James Reasoner, Hard-Boiled
Portrait of An American Family, Benoit Lelievre, SHOTGUN HONEY
Thanks for the Ride, Alice Munro, Dance of the Happy Shades
A MAtter of Principal, Max Allan Collins, FAVORITE KILLS
Cold Snap, Thom Jones COLD SNAP
Piano Man, Bill Crider, ON DANGEROUS GROUND
The Ladder, Adrian McKinty, CRIME FACTORY: FIRST SHIFT
THe Confessor, Lonni Lees, SHOTGUN HONEY
Plaything, Daniel Hatadi, DEADLY TREATS
Going to Shrewsbury, Sarah Orne Jewett, THE COUNTRY OF THE POINTED FIRS
Sunlight Nocturne, Bill Cameron, DEADLY TREATS
Escapes, Joy Williams, ESCAPES
Ugly Pictures, Terrie Moran, THE AWARENESS
Just Another Saturday Night, William Link, EQMM
Pride, P.J. Parrish, DETROIT NOIR
Bonus, Jim Ray Daniels, DETROIT TALES
Casanova Succumbs to Two-Ton Tina, Rob Kitchin, A TWIST OF NOIR
The Lost Child, Jean Thompson WHO DO YOU LOVE
365-March
365 March
Unfortunate Misfortunes of a Man Named Lud, John Weagly, FIRES ON THE PLAIN
Lamb to the Slaughter, Roal Dahl
The Navy Man, Kyle Minor, IN THE DEVIL'S TERRITORY
Cops and Robbers, Jean Stafford, MOTHERLOVE
Tort, Ken Bruen, EQMM
Melinda, Judy Doenges, O'HENRY AWARDS
Honeymoon, Arturo Vivante, SOLITUDE
Hard Rain, Katherine Tomlinson, NOHO NOIR
Bobby Conroy Comes Back from the Dead, Joe Hill, THE LIVING DEAD
Death is Daily, Craig Garret , FIRES ON THE PLAIN
Ice, Lily Tuck, 2011 O'Henry Collection
The Basher, Jason Starr, Wall Street Noir
Your Fate Hurtles Down at You, Jim Shepard, 2011 O'Henry Collection
The Neglected Garden, Kathe Koja, WEIRD STORIES
Windeye, Brian Evenson, 2011 O'HENRY COLLECTION
Triangulation, Anonymous-9, THE BIG CLICK
The Genius, Frank O'Connor
Why I Live at the PO, Eudora Welty
How to Talk To Your Mother, Lorrie Moore, SELF HELP
Jungle Bob, Ron Scheer, FIRES ON THE PLAIN
Last Song of Antietam, Patrick Lambe, ON DANGEROUS GROUND
On the Gull's Road, Willa Cather
Leaf in the Wind, Gene Wolfe, STORIES
Pack of Cards, Penelope Lively
Ember Days, Nick Ripatrazone, PLOTS WITH GUNS
The Chrysanthemums, John Steinbeck
Stay Awake, Dan Chaon, STAY AWAKE
Smantha's Diary, Diana Wynne Jones, STORIES
Unwell, Carolyn Parkhurst, STORIES, (Gaiman and Sarrantonio)
Naked Angel, Joe Lansdale, L.A. NOIRE
The Bees, Dan Chaon, STAY AWAKE
Blue Rose, Peter Straub
365 -April
Land of the Lost, Stewart O'Nan, STORIES Push Comes to Shove, B.V. Lawson, NEEDLE What He Was Like, William Maxwell, Running Hard, R. Thomas Brown, ALL DUE RESPECT Mr. & Mrs. Dove, Katherine Mansfield (online) The Beginning of Grief, Adam Haslett Family Ties, Craig McDonald, GRIFT Rosie's Chicken & Biscuits, Axel Howerton, FIRE ON THE PLAINS Not Quite Final, Richard Bausch, Who Has Seen the Wind, Carson McCullers, Confession, Stella Pope Duarte, PHOENIX NOIR Bonanza, Jo Ann Beard, THE BOYS OF MY YOUTH Flying Solo, Ed Gorman, DAMN NEAR DEAD 2 Triage, Alice Elliott Dark She Don't Eat No Meat, Kurt Gowran, NEEDLE No Rest for the Weary, Sandra Seamans, FOTP The Traveler, Wallace Stegner, THE COLLECTED STORIES Mortals, Tobias Wolff, THE NIGHT IN QUESTION Here Comes Santa Claus, Bill Pronzini Titanic Victim Speaks Through Waterbed, Robert Olen Butler, He Loved Her So Much, Sandra Scoppettone, LOVE KILLS How to Become a Writer, Lorrie Moore, SELF HELP I Danced with the Prettiest Girl, Dagoberto Gilb, Zolaria, Caitlin Horrocks, THIS IS NOT YOUR CITY The Squatter, Andy Henion, PLOTS WITH GUNS Romero's Shirt, Dagoberto Gilb, THE MAGIC OF BLOOD Pie Dance, Molly Giles, YOU'VE GOTTA READ THIS. Greatness Strikes Where it Pleases, Lars Gustaffson The Infamous Bengal Ming, Rajesh Parameswaran, A Hand on the Shoulder, Ian McEwan, THE NEW YORKER A Good Man is Hard to Find, Flannery O'Connor Hard Times, Ron Rash, BURNING BRIGHT Peconic Nightmares, R. Thomas Brown, BEAT TO A PULP The Best of Everything, Richard Yates
22 comments:
This piece certainly is one of them. Grover Washington Jr.'s Mister Magic comes to mind, along with John Klemmer's Touch.
I have so many many great memories of Dave Brubeck's music. It was a real part of my youth. I have three of his CDs. He always struck me as a classy very bright decent guy.
I'd say anything by Count Basie, that always does the trick for me. Ray Charles' album "Genius + Soul= Jazz" is great, also. And the very early be-bop stuff from the early '50's, like Dizzy Gillespie.
These guys are cool on so many levels there's not time to express them all. Paul Desmond was one of the funniest men you'd ever come across, hit wit as dry as his sax playing. Brubeck has done as much to help young musicians as anyone. Joe Morello touring all those years practically blind, and Gene Wright staying in the background, solid as a rock so everyone else could play with time and tonality anyway they wanted to. Brilliant, top to bottom.
That doesn't answer your question. TAKE FIVE would certainly be in the top Ten of any list I compiled, though I think my favorite piece of jazz is Buddy Rich's arrangement of LOVE FOR SALE.
Waltz For Debbie, Bill Evans.
You nailed it, Patti ... music in 5 time (Take Five) ... love it ... took months for me to lose the 4 time and learn this on the drums. I could practice another lifetime and never come close to being half as smooth as Mr. Morello ...
Absolutely love the man's music!
Love it. Thanks, Patti.
This is tops for me, especially as an alto sax player. Shoot, the entire album is a gem. Also, these:
Miles Davis - So What
John Coltrane - Blue Train
Charles Mingus - Boogie Stop Shuffle
Stan Getz - The Girl From Ipanema
Miles Davis - Spanish Key
Vince Guaraldi - Cast Your Fate to the Wind
Miles Davis - Maiysha
Pat Metheny - The Roots of Coincidence
Vince Guaraldi - Linus and Lucy (really)
Patti - Brubeck certainly did know how to play! I like Charlie Parker very much, too, and although they're not similar, really, I love Miles Davis as well.
I am compiling a nice list here. I need to empty off my MP3 and reload with these. If I can remember how to do it.
John Coltrane's A LOVE SUPREME and the entire KIND OF BLUE album by Miles Davis. So many others, but these are the first two that jumped into my mind.
Definitely KIND OF BLUE. Also Cannonball Adderley's JIVE SAMBA and Lee Morgan's SIDEWINDER.
I saw DBQ play "Time Out" in concert in 1961. Three of them actually left the stage and "took five" during that long drum solo. What a memory...
I dated a boy in high school that loved DBQ but I was too immature at the time to go with him to see them. I remember telling him that was music for old people. Always will regret that I missed it.
Pretty much mine, too, Patti.
I have about 80 or so albums by the various Brubeck Quartets and other assemblies, including TRUTH IS FALLEN with chorale (some moving lyrics, some delightfully bad...Iola Brubeck is the lyricist on most of her husband's songs that have been published/performed as songs)...and for the Brubeck Quarter with Wright, Morello and Desmond, there are quite a few compositions I'd put ahead of the fine drum solo that is "Take Five"..."40 Days" and "Bluette" and "Blue Shadows in the Street" and "Countdown" (Morello on tympani!) and "Koto Song" (Desmond, who tried never to play the same solo twice, is always moving on this--the 1975 DUETS album, with just Desmond and Brubeck, is one of many brilliant performances) and "Truth" (as performed by the Mulligan/Dawes/Six quartet with Desmond sitting in).
George Russell Smalltet, including Bill Evans: "Concerto for Billy the Kid" (meaning Evans)...the modal improvisation album, JAZZ WORKSHOP, where Evans learned modal improvising so he could teach it to the Davis group so they could use it on KIND OF BLUE
George Russell: LIVING TIME (the suite that was released on CBS as a Bill Evans album...he was the featured soloist)
The Modern Jazz Quartet: hard to choose among the sixty or so albums I have from them, but "Softly as a Morning Sunrise" and other tracks off THE LAST CONCERT are hard for me to overrate. Also, the recent Apple Records rerelease of UNDER THE JAZZMIN TREE and the only slightly less stellar SPACE was Way overdue. "Exposure" and the Jimmy Giuffre Trio collaborations on THIRD STREAM MUSIC. Yow. (They did a fine album with Desmond, shortly before his death, too.)
Charles Mingus Band: "Hora Decubitus" on MINGUS MINGUS MINGUS MINGUS MINGUS. The rest of the album, too, but even that isn't quite up to HD.
Duke Ellington, Max Roach, Charles Mingus: MONEY JUNGLE the album. Very difficult to pull a single track.
Dizzy Gillespie Orchestra: "Manteca" and "Cubano Be Cubano Bop" (George Russell as a new pro composer/arranger) and the entire suite THE NEW CONTINENT (Lalo Schrifin).
Duke Ellington Orchestra: so much. The 1943 Carnegie Hall reading of "Black, Brown and Beige"..."Harlem Airshaft" in nearly any reading.
Count Basie Orchestra: KANSAS CITY SUITE is a sentimental favorite, all Benny Carter...but so much else, as well.
Toshiko Akiyoshi Orchestra: The INSIGHTS album, particularly "Sumie"..."Long Yellow Road"..."Road Time"..."March of the Tadpoles"
Gah. I must get back to work. There's a whole lot for all of us left to explore...Cecil Taylor...Gerry Mulligan and his various bands, particularly with Art Farmer (and later with Brubeck)...the Farmer/Golson Jazztets...
You've heard, I hope, the entirety of the DIALOGUES FOR JAZZ COMBO AND ORCHRESTRA, composed by Howard Brubeck and performed by the NY Philharmonic under the direction of Leonard Bernstein and the Brubeck/Desmond/Morello/Wright quartet?
Brubeck and Morello, when I met them, were great gentlemen, and not jaded nor tired of fan inquiries at all. Brubeck was startled that anyone might ask him about his ballet, THE MAIDEN IN THE TOWER, most of what got to semi-final form can be heard on the COUNTDOWN: TIME IN OUTER SPACE album.
Old people's music. Wow.
"Softly, As In A Morning Sunrise"...Abbey Lincoln's recording of that one on ABBEY IS BLUE is sweet, too.
Monk. The CBS albums are criminally underrated, or used to be, particularly CRISS CROSS. But the TS ORCHESTRA AT TOWN HALL is fine, too...
At sixteen, I was...sixteen. I was content with THE BEATLES.
I never had a problem enjoying the Beatles and the DBQ...and the Weavers and Johnny Cash and Cleveland Orchestra...only the 101 Strings and such were more on my nerves than not (well, them and Journey and Alabama and wallpaper jazz and such...bad stuff in every mode).
I was remarkably narrow-minded.
I will have a movie on Tuesday. BIRDY.
And, of course, it's a cheap irony that the biggest hit Dave Brubeck had was officially a Paul Desmond composition that is meant to be a Joe Morello showcase.
All four men contributed compositions, particularly to the TIME series of albums.
Post a Comment