Um Peixe Grande read aloud

If you clink the link saying Listen to the Podcast, the story is read aloud by a terrific reader. A great thrill for me. I have never heard anyone read my stories before and it was quite an experience.

http://www.plan-b-magazine.com/um-piexe-grande-by-patti-abbott/

Friday's Forgotten Books, Friday, April 11, 2014

Next Friday, April 18, B.V. Lawson (In Reference to Murder) will be collecting the links, right here. 

A Fatal Inversion by Barbara Vine, reviewed by Deb Pfeifer

First published in 1987, A Fatal Inversion was the second book Ruth Rendell released under her alternate pen name of Barbara Vine.  Unlike the majority of the Ruth Rendell books--police procedurals featuring DCI Reg Wexford of the Kingsmarkham police force—the Barbara Vine novels focus less on the solution to a specific crime and more on the unintended and far-reaching consequences of past actions, often committed by people with social, emotional, or mental limitations, on present situations.  Although they contain much of Rendell’s atmospheric descriptions of natural and architectural beauty and keen insights into the psyches of damaged individuals, the Barbara Vine novels are also darker and more psychologically fraught than most of the Rendell books, with muted endings that are both downbeat and inevitable.  In these ways, A Fatal Inversion is very much a “typical” Barbara Vine work.

A couple digging in a pet cemetery to bury the remains of their beloved dog uncover the skeletons of a woman and an infant.  Authorities determine the bones to have been in the ground about a decade and start an investigation.  The news of the discovery of the bones has a shattering impact on three men:  Adam, Rufus, and Shiva.  None of them has had any communication with the others for over ten years, but each thinks back on the summer of 1976 when they were about twenty years old and lived in a commune-like setting at Wyvis Hall, a large manor house that Adam unexpectedly inherited from his great-uncle.  The decision by this great-uncle to skip Adam’s father (the presumed heir) and will an enormous house (with its related responsibilities and upkeep) to the far-too-young, inexperienced, and underfunded Adam is an inversion in the order of things that will shatter many lives.

As each of the men remembers elements of that long-ago summer, we also learn of their lives in the present.  Adam has become a fussy man, neurotically obsessed with the health of his infant daughter who he loves in equal proportion to the contempt he feels for his sensible wife.  Rufus is a successful, charming Harley Street doctor, unaware that his “secret” drinking is a secret to no one but himself.  Shiva, born and raised in England but always aware that his skin color and Indian ancestry mark him as someone different and the focus of neighborhood racism, has never fulfilled his earlier potential as a promising medical and pharmacy student.

There were also two women at Wyvis Hall during the summer of 1976:  Vivien, Shiva’s sometime girlfriend, a maternal earth-mother type, and Zosie, whose mental instability is obvious to the reader but not so much to the others—perhaps because of their youth or perhaps because Zosie’s hippie/waif look so much embodies the standard of beauty of her era.  Zosie is briefly Rufus’s girlfriend, but transfers her affections to Adam who falls head-over-heels in love with her, even when she commits a shocking act (another “inversion” to the natural order) that will have terrible consequences for everyone.

Vine carefully and cleverly uncovers the secret of Wyvis Hall and what happened during the summer of 1976, moving between the present and the past with ease.  She does some very clever technical work, since we essentially are reading six different viewpoints:  Each of the three men in the present and each of their memories of the past.  She keeps us guessing as to the identity of the two skeletons and how they got into the ground.  In the end, one would have to say that “punishment” (such as it is) for the guilty is not meted out in proportion to the level of responsibility each one assumes for what went on that summer.  And, possibly, the guiltiest person of all ends up in the happiest of circumstances.  Such is the world of Barbara Vine.


Sergio Angelini, FEAR, L. Ron Hubbard
Joe Barone, TOO LATE TO DIE, Bill Crider
Brian Busby, WASTE NO TEARS, Hugh Garner
Bill Crider, NO CHANCE IN HELL, Nick Quarry
Curt Evans, Ruth Rendell and Gladys Mitchell
Ed Gorman, THE DARK SIDE OF THE ISLAND, Jack Higgins
Rich Horton, Sylvia Cary, Frances Parkinson Keyes
Jerry House, THE DARINGS OF THE RED ROSE, Margery Allingham
Randy Johnson, TWO ARCHER SHORTS, Ross Macdonald
Nick Jones, TOO MUCH, Donald Westlake
George Kelley, UPON THE SEA OF STARS, A Bertram Chandler
Margot Kinberg, A PRIVATE VENUS, Giorgio Scerbanenco
Rob Kitchin, HURRICANE PUNCH, Tim Dorsey
B.V. Lawson, MURDER AT THE VILLA ROSA, A.E.W. Mason
Evan Lewis, GREEN ICE Raoul Whitfield
Steve Lewis/William Deeck, MISS HOGG AND THE MISSING SISTER, Austin Lee
Todd Mason, REDUX: Breaking Barriers
Neer, ONE OF US MUST DIE, Anna Clarke
J.F. Norris, THE CORNISH COAST MURDER, John Bude
James Reasoner, MODESTY BLAISE: GRAPHIC NOVEL, Peter O'Donnell and Dick Giordano
Richard Robinson, GONE NO FORWARDING, Joe Gores
Ron Scheer, RIMROCK JONES, Dane Coolidge 
Kevin Tipple , A PATCHWORK OF STARS, Kaye George
TomCat, THE DELL MAPBOOKS
Prashant Trikannad, PUBLIC MURDERS, Bill Granger

Final Scene: ETERNAL SUNSHINE OF THE SPOTLESS MIND

Theme Music: THE MUPPETS

Your contract with the author.

In a book I'm reading, the central character, a teenage girl, is dissatisfied with the abrupt ending of a book she was loving. She

said the author broke his contract with the reader.

Do you feel an author has a contract with his/her readers? Does he/she have completely autonomy in telling the story or is their an unwritten contract that certain obligations much be met?

Tuesday Night Music: Levon Helm

Moments That Made the Movies

Really enjoying this book, which takes a group of movies and looks at a specific scene that you as a viewer probably take away with you. For instance, the scene in LAURA where Dana Andrews falls asleep in front of the painting of Laura, waking to find her there.
Or this one from 20,000 YEARS IN SING SING.

What scene from a movie defines it for you?

RIP: MICKEY ROONEY

Jeff Goldblum

A few weeks ago I saw LE WEEKEND, a film about a older British couple on a weekend in Paris,  and was amused by Jeff Goldblum's performance. He was playing a character very like himself, but who does it better? He was the smart narcissist that really had a heart beneath all the pomp. He managed to seem completely absorbed by both the person across from him and himself, seemingly flirting with both. It's as if the person across from him functions as a mirror .

Great little movie. Smart, surprising, surly.

He also played himself equally well in THE GRAND BUDAPEST HOTEL

A lot of actors used to play themselves (Cary Grant, John Wayne, Clark Gable) but it is rarer today.

My favorite Goldblum performances are in BETWEEN THE LINES, THE FLY, THE BIG CHILL and his time spend on the TV show TEN SPEED AND BROWN SHOES.

What actors play themselves to perfection?

On Writing: David Simon

Saturday Night Music: Lester and Coleman

Take a Look at the Tobacco-Stained Mountain Goat- Kickstarter Project via Andrez Bergen

https://www.kickstarter.com/projects/754267967/tobacco-stained-mountain-goat-the-graphic-novel

How About a Dance Scene? BILLY ELLIOTT

Check out my review of ENEMY at Crimespree Magazine.

Friday's Forgotten Books, Friday, April 4, 2014

 The next special Friday on FFB, listed to the left, will be on May16 and reviewed books will be crime fiction from the 1950s.  (written then, not set then)

Of course, any review is welcome. If you haven't read a book from the fifties recently, you may find one lurking in your archives.

Six years of forgotten books this month. It's been a privilege to work with so many great reviewers.

Set the Night on Fire by Libby Fischer Hellmann (2010)

This is one of the few books I’ve read in recent years that uses sixties’ radicalism in a crime fiction plot. And uses it to good avail. Hellmann tells an interesting story with just the right amount of attention to the climate of the sixties to anchor it. Her characters are fleshed out well, and we come to care about them in the past and in the present.

Dar Gartner is newly released from jail after serving a long prison sentence for an act of radicalism. In trying to put a new life together in Chicago, he also touches base with some members of his old group of friends. Friends who begin to die after his re-entry into their lives. His life seems in jeopardy as well.

One of the friends who dies is the father of Lila Hilliard. Hilliard, along with Lila's brother, perish in a house fire seemingly caused by faulty Christmas tree lights. Except Lila remembers unplugging the lights before she went out. As she investigates her father’s business affairs and the fire, her own life is threatened and she realizes there were things about her father and his tale of her long-dead mother that never quite added up. 

So Lila and Dar begin circling each other, Lila is wary at first until in desperation they collectively put the puzzle together. Both are at risk and neither knows precisely where the threat is coming from, but both eventually conclude it's coming from past activities of the group of friends. 

The reader travels back to the late sixties and watches the group of women and men living together, making the decisions that will affect the rest of their life. Through their circle, we're treated to insight into the types of young people drawn to radicalism and what price they were willing to pay to reform society. And also, what lengths they were willing to go to to cover their trail and how that history impacts the present.

The race of Lila and Dar to piece together the plot against them and act swiftly enough to save their lives makes this a thrilling read.

This was a very fine and compelling story.


Sergio Angelini, THE TODD DOSSIER, Robert Bloch
Yvette Banek, NOBODY WORE BLACK, Delano Ames
Brian Busby, OVERNIGHT ESCAPADE, Stephen Mark
Bill Crider, A CANDLE FOR THE DEAD, Hugh Marlowe
Martin Edwards, ROSE'S LAST SUMMER. Margaret Millar
Jerry House, STRANGE GATEWAYS, E. Hoffman Price
Rick Horton, A SPORT AND A PAST TIME, James Salter
Randy Johnson, TREACHERY AT ROCK POINT, Peter Dawson
Nick Jones, RUSSIAN ROULETTE, James Mitchell
Margot Kinberg, WOLF HALL, Hillary Mantel
Rob Kitchin, THE LONG GOODBYE, Michael Lister

B.V. Lawson, A DRAM OF POISON, Charlotte Armstrong
Evan Lewis "Hop Cargo" Robert Leslie Bellem
Steve Lewis/William Deeck, FOLLOW THIS FAIR CORPSE, Laurence Dwight Smith

Todd Mason, 100 GREAT FANTASY SHORT SHORT STORIES, edited by Terry Carr, Isaac Asimov and Martin H. Greenberg
Neer, MURDER AT THE PAGEANT, Victor L. Whitechurch
J.F.. Norris, THE CASE AGAINST MYSELF, Gregory Tree
Erica Obey,  THE RED CARNELIAN, Phyllis A. Whitney
James Reasoner, THE LONELY GUN, Gordon D. Shirreffs
Richard Robinson, FINAL NOTICE, Joe Gores
Kevin Tipple/Barry Ergang, TOO LATE FOR TEARS, Roy Huggins
TomCat, MY TRUE LOVE LIES, Lenore Glen Offord

Happy Birthday, Doris Day

Few actresses have conducted themselves with more grace.

YAs

YAs continue to be mysterious to me. When I see TO KILL A MOCKINGBIRD on a list, it makes no sense. Sure kids should and do read it, but it would probably resonate more with adults. I guess the explosion began with the S.E Hinton books of the 1970s. For the first time, books exclusively about teenagers sold very well. Some adults read them (like me because I wanted to see why kids liked them) but on the whole their audience was YAs. And then the Harry Potter books came along and middle school books were read by adults.

What makes a book YA? Simply having a protagonist that is a teen? Is the plot more simple? The writing?Go into a book store and the sheer volume of kids' book will blow you away.

I just finished THE FAULT IN THE STARS, which I liked a lot. And only in certain sections did it seem a book written for teens (mostly when they were playing computer games).

Same with THE BOOK THIEF. Megan's last several books, sometimes labeled YA, seem far too mature for teens. Although when my kids were ten or eleven, they were reading adult books. As did I in an era when there were not YA books though.

I think the truly invested teen reader will probably move onto adult books more quickly than the reluctant one.

What is your favorite YA if you have read any?And now we have a new category the new adult reader.

Theme Song: I LOVE YOU ALICE B TOKLAS

First Wednesday Book Review Club: THE HUSBAND'S SECRET, Liane Moriarity

At heart this is a domestic novel set in Australia. But Liane Moriarty was clever enough to put enough twists and turns to keep a reader who likes suspense engaged. It entwines several women and their respective families, all connected to the same school, and gives them stories rich and complex enough to allow them interact on several levels.

Of course, the very title seduces you.

One character, mother of three girls, and a woman who prides herself on being on top of things, finds a letter addressed to her from her husband with the warning it is not to be read until after his death. What she does with this letter forms the first part of the novel. But we also having a grieving mother about to lose her beloved grandchild in a move to the US,, and a marriage threatened from an odd angle.

The stories are all interesting enough to keep you turning pages in the second half of the book. And the first surprise is not the only one.

The strength of the book lay in its "what-ifs." The repercussions of human behavior, often the actions that occur without thought or notice,  is at its heart.

For more book reviews, visit Barrie Summy. 

Tuesday Night Music: April in Paris

Forgotten Movies: Pelle, the Conqueror

I have been rating movies for about twenty years. I see about 75 movies a year (at least) and in that entire time, I have only rated one as a 10. And this was the one.

Max Von Sydow plays Pelle, who with his son is forced to emigrate to Denmark after Sweden cannot sustain them. Their life is hard in Denmark. Not speaking the language is a severe deficit. As they come to speak the language, things improve for both of them.

This is certainly a movie full of heart. Directed by Billie August in 1988.