What are some of the topics/themes you have seen enough in novels?
Sadly Alzheimers has been overdone for me. I know it is the scourge of our time, but boy, I am tired of it turning up as a plot or a subplot in novels. What else? What has been overdone of late?
Alcoholic protagonists, especially in crime fiction. Too often the entire book or series becomes a sequence of "will he drink or won't he?" episodes. After a while, you just want him to get drunk and getn it over with so something else--anything else--can happen.
When I was doing MDM and getting a lot of books and catalogues from the publishers, I noticed that a hell of a lot of plots involved either serial killers, medical thrillers, or women in a new town trying to get their shattered lives in order.
Woody Allen/Charles Bukowski. There is way to much first person storytelling about how the world is crazy and the protagonist has to grit his teeth at everyone else's idiocy.
This is closely related to the bad relationship novel/memoir about how life sucks when you're a young, emplyed, city-dweller with a job that just isn't quite fulfilling.
Alcoholics, drug addicts, lone wolf detectives. To be fair though, I've seen them done well.
From a woman's perspective, I'm always a bit disappointed when I see crime fiction in that 'it's a man's world' light where women are secretaries or girls in the oldest profession.
Every bad thing a character does being blamed on them being abused as a child. It's such a cop out, almost as bad as "and then I woke up."
I'm also totally over the psycho who is smarter than everyone else and has a direct bee line into the mind of the cop/detective chasing him.
And finally (more a stylistic choice than anything else) the dual narrative book where alternate chapters are narrated by the detective and the villain--and the villain/psycho's narration is always in italics.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
15 comments:
Alcoholic protagonists, especially in crime fiction. Too often the entire book or series becomes a sequence of "will he drink or won't he?" episodes. After a while, you just want him to get drunk and getn it over with so something else--anything else--can happen.
Zombies. Please, someone, stop the dang zombie books!
Next, and I'm sure many people won't agree with me, but I'm tired of serial killer plots. Seems like if you've read a couple, you've read them all.
I'm also - though I haven't read one in years - tired of talking dogs and/or cats, unless in children's books or maybe YA books.
When I was doing MDM and getting a lot of books and catalogues from the publishers, I noticed that a hell of a lot of plots involved either serial killers, medical thrillers, or women in a new town trying to get their shattered lives in order.
Woody Allen/Charles Bukowski. There is way to much first person storytelling about how the world is crazy and the protagonist has to grit his teeth at everyone else's idiocy.
This is closely related to the bad relationship novel/memoir about how life sucks when you're a young, emplyed, city-dweller with a job that just isn't quite fulfilling.
Graphic stories about abused children. Let the reader imagine it rather than spell it out.
Definitely serial killers. I don't watch them on television and I don't want to read about them.
Also Jane Austen as a character. Enough already!
Jeff M.
Alcoholics, drug addicts, lone wolf detectives. To be fair though, I've seen them done well.
From a woman's perspective, I'm always a bit disappointed when I see crime fiction in that 'it's a man's world' light where women are secretaries or girls in the oldest profession.
Every bad thing a character does being blamed on them being abused as a child. It's such a cop out, almost as bad as "and then I woke up."
I'm also totally over the psycho who is smarter than everyone else and has a direct bee line into the mind of the cop/detective chasing him.
And finally (more a stylistic choice than anything else) the dual narrative book where alternate chapters are narrated by the detective and the villain--and the villain/psycho's narration is always in italics.
Deb
Louisiana. It's a great setting, but I think it needs a rest.
And so too, New York and LA.
Having the religious character always be bigoted, anti-intellectual, or insane.
Serial killers and the erotic vampire are my major pet peeves in genre fiction.
I've never understood vampires having sex with humans. They're dead. That makes it necrophilia, right?
I'm completely fed up twith the entire "urban fantasy" subgenre while we're talking about the overdone.
crime scene investigation type stuff
Meth-addled "redneck" (a term I loathe) killers. Definitely a theme that's run its coarse for me.
As a plot device, the unfaithful spouse (usually the husband). Lazy writing.
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