She could do just about any silly old material - e.g. WHAT A LITTLE MOONLIGHT CAN DO - and make it sound as if it was important. And it was not just about her absolute mastery of timing and phrasing - there's something about that timbre of hers that just grabs you.
I have recently fallen in love with ANY OLD TIME, recorded with Artie Shaw. She comes in at 1:22, and not that I want to speak ill of the recently dead but that first line of Billie's has more content than the entire Whitney Houston discography.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
8 comments:
There are nights I sit in my home office after writing and just let all my Billie Holiday iTunes play. Pure pleasure.
Nobody ever had a more distinctive voice.
I loved the way they used her music in ROCKET GILBRALTAR, when the dying Burt Lancaster listened to her music in his room.
Jeff M.
Patti - What a lovely treat! That woman and an unforgettable voice!
Big fan here, too. I often think of how she supposedly said she never sang a song the same way twice.
I think if you feel the music as much as she seemed to, it might be possible.
She could do just about any silly old material - e.g. WHAT A LITTLE MOONLIGHT CAN DO - and make it sound as if it was important. And it was not just about her absolute mastery of timing and phrasing - there's something about that timbre of hers that just grabs you.
I have recently fallen in love with ANY OLD TIME, recorded with Artie Shaw. She comes in at 1:22, and not that I want to speak ill of the recently dead but that first line of Billie's has more content than the entire Whitney Houston discography.
http://www.youtube.com/watch?v=-GxPpTf97VI
Fabulous. I was worried she would never come in. You forget those bands wanted you to listen to them too.
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