On indefinite hiatus from election blues (FFB will continue)

Tuesday Night Music

Monday Night Music

The Dreaded TBRs

What book has been on your TBR pile the longest? For me it is DOWN AND O UT IN PARIS AND LONDON, which I have had since the 70s without reading. I remember a friend, now gone, telling me it was his favorite book so when I saw it at a used book sale I picked it up. I think since it had not spoken to me itself, I felt no read commitment. But why have I hung on to it so long when many other unread books have came and went. It's because every time I start to discard it I read how it mean something to someone. Just recently someone in BY THE BOOK said just that. Or I think  of the fellow who recommended it and feel I owe it to him to read it. Though I don't.

What has been on your TBR pile the longest? Do you expect to ever read it? Why have you held on to it this long?

Friday Night Music

Friday's Forgotten Books, November 4, 2016

(from the archives)
R. Narvaez

I Am Thinking of My Darling, Vincent McHugh
A virus. The City. Civic chaos. Government collapse. The stuff of zombie flicks and terrorist scenarios in 2010. But back in the ’40s, such a plot could still be light-hearted. In Vincent McHugh’s 1943 novel I Am Thinking of My Darling, a virus infects New York City—but it's a happy virus! The infected follow their bliss, feverishly losing their inhibitions (for you Trekkies, think "The Naked Time" episode). The problem is that no one wants to work. Honestly, who would?

Acting planning commissioner Jim Rowan returns home from a trip to DC to find cheerful chaos quickly spreading across town—and his actress wife Niobe missing. She’s infected and on the lam, looking to live out a succession of character roles in a kind of Method fervor. Meanwhile, in an emergency management meeting (consider what that term evokes today), the mayor announces he has the virus—and would rather play with model trains than lead the City. To avoid panic, Rowan is secretly made acting mayor.

The plots riffs genially from there, with Rowan hot on the trail of his slippery wife, cabbing from City Hall to Harlem across a Cityscape in Mardi Gras mode—all the while consulting with civil services to keep things running and with scientists to find a cure. (The fact that the virus apparently originated in the tropics, implying that people there are inhibition-less, may be another artifact of the past.) A polymath (when being a polymath was simpler), Rowan narrates in sensual, informed detail about now-bygone architectural wonders, regional accents, lab science, and jazz music.

This book, with its glad-rag view of a long-lost era, has been a favorite of mine since it was recommended to me decades ago. (I still have my first copy, bought in the now-bygone Tower Books in the Village). McHugh, a poet and a staff writer for The New Yorker in the ’30s, employs a prose style that winks slyly at Chandler and pulp. (Once Rowan is inevitably infected, he’s like Marlowe on E.) Darling also features a nice amount of sexual frankness that may surprise modern readers who forget that people in the ’40s had sex. The novel was made into the very '60s movie What's So Bad About Feeling Good?, but by then the times had already been a-changed enough that the conceit no longer had the right kind of jazz.

Sergio Angelini, ROMANCE, Ed McBain
Joe Barone, ORIGINAL SIN, P.D. James
Les Blatt, KILLER DOLPHIN, Ngaio Marsh
Brian Busby, JIMMY DALE AND THE PHANTOM CLUE, James Packard
Bill Crider, THE LONG SHIPS, Bengtsson Q. Frans
Martin Edwards, DAWN OF RECKONING, James Hilton
Richard Horton, GUARD YOUR DAUGHTERS, Diana Tutton 
Jerry House, THE ADVENTURES OF PROFESSOR THINTWHISTLE AND HIS INCREDIBLE AETHER FLYER, Dick Lupoff and Steve Styles
George Kelley, SPACE, TIME AND CRIME, edited by Mirian Allen Deford
Margot Kinberg, TWISTER, Jane Woodham 
Rob Kitchin, THE PICADILLY MURDER, Anthony Berkley 
B.V. Lawson, THE BULRUSH MURDERS, Rebecca Rothenberg
Steve Lewis/William Deeck, BENEFIT PERFORMANCE, Richard Sale 
Todd Mason, BEWARE OF THE CAT, ed. Michel Parry 
J.F. Norris, THE JOSS, Richard Marsh
Matt Paust, SUN MOUNTAIN, Richard Wheeler
James Reasoner, THE PROUD GUN, Gordon D. Shirrefs
Richard Robinson,THE MAN KZIN WARS,  by Larry Niven, Poul Anderson, Dean Ing.
Gerard Saylor, CONTAINMENT, Vanda Symon 
Kevin Tipple, WARNING SIGNS, Jan Christensen
TomCat, COME TO PADDINGTON FAIR, Derek Smith 
TracyK, Vertigo: Boileau-Narcejac

Ed Gorman Day

Very early on, before I was properly writing crime stories, Ed Gorman reached out to me through my blog, offering encouragement and eventually a spot in two or three of his yearly anthologies. He wrote reviews of forgotten books most weeks, he sent me several of his books that he thought I would like. I think he shared this sort of relationship with many, many people. He offered to feature my books on his blog. In other words, a man who hadn't much time-- made time for a fledgling writer. I will miss him every day because I regard the people who write for FFB as my family. We never met in person but that's not really necessary any more.  Now here are some other words.

A PHONE CALL FROM ED
Max Allan Collins

Thirty-five years ago or so, I got a phone call. I was in my basement office in the middle of something, but I answered it. There was no caller ID then, though I wasn’t getting all that many phone calls, anyway.
This very distinctive, friendly but strangely shy voice identified himself as Ed Gorman. He lived in Cedar Rapids, Iowa (about sixty miles from my home, Muscatine) and was a writer himself, although he told me this in a modest, dismissive, almost embarrassed way.
Any call from a would-be writer sent up a warning signal. I had already been at it long enough that I was getting calls from local and area writers (and sometimes farther afield than that) wanting help that usually consisted of reading their book and/or giving them advice on getting published.
But this call didn’t seem to be like that. Ed Gorman was calling specifically to tell me how much he loved my QUARRY novels. At that time there were only four of them, published in 1976 and ‘77, and while the stirring of a cult reputation for the books was out there, this was different.
This obviously very literate, self-effacing, intelligent man knew all about the books and really, really liked them. He had been compelled, he said, to give me a call about them - which was something he’d been thinking about doing for a long time.
We talked for about an hour, and hit it off, both having rather dark senses of humor, but then he rather abruptly said he had to sign off. He had something he had to do. I asked him what, and he said, “I’m getting married in half an hour.”
In a way that’s all you need to know about Ed Gorman. He was a writer who wanted to tell other writers that he admired them, and why. He was funny and quirky and uniquely Ed – that he had chosen to call me out of the blue about QUARRY right before he was off to get married to the beautiful, wonderful Carol, seems so very wrong and so perfectly right.
We began talking on the phone regularly – so regularly, and for such long conversations, that I used to get in trouble with my beautiful, wonderful wife about the phone bill. I learned that Ed had been primarily a literary writer, with short stories appearing in various publications of that sort (it was much later that he revealed he’d also
written short stories for low-end men’s magazines). He said he wanted to branch out into novels.
As he came to know, and as I have said before in public, one of my proudest accomplishments as a writer was helping turn Ed Gorman into a novelist. He particularly took to one piece of advice. I said, “Think of every chapter as a short story. That won’t intimidate you – after all, you’re already a short story writer. And, anyway, with a chapter, you need the same coherent beginning, middle and end as a short story.” Very soon he sent me a novel.
It was good. There was a problem with the ending that I told him about, and he took it well, and gratefully. Then I learned he had thrown the book away and started over. I felt terrible about it, and for the only time in our friendship, I balled him out. I am someone who never throws any piece of writing away, a chronic recycler, and what he’d done appalled me. But he was impulsive and eccentric and his own harshest critic, so his action was as in character as it was rash.
Ed and Carol visited Barb and me in Muscatine, and we did the same with them in Cedar Rapids. Carol and Barb are writers too, very good ones, so the conversations over the years were four-way, not the boys over here and the girls
over there.
It took me a while to learn that Ed rarely traveled, and that he was in fact something of a hermit. Because we both lived in Iowa, and had writing styles that were not dissimilar, I for a time had the honor of being accused of using “Ed Gorman” as a pseudonym. What a writer that would make me.
“Is it true,” people would ask me, “that you’ve actually met Ed Gorman?” I actually had.
The thing is, being around people made Ed nervous. This still strikes me as strange because he made his pre-writing-career living as an ad man, PR guy and also writer of political speeches (politics being a lifelong interest, even obsession).
Stranger still is how charming and effortlessly social he was on the telephone. Scores of writers are bound to now come forward and say how well they knew him, but admit that they never met him.
I saw him quite a bit, at least comparatively speaking. With Carol and Barb, we met at restaurants; he and Carol came to book signings of mine (he very rarely did his own); we did a number of appearances together (doing Q and A as well as signing, at the late lamented Mystery Cat in C.R.
and elsewhere). Despite his extreme discomfort with crowds, he came with Carol to periodic screenings of my films at the Cedar Rapids Film Festival (sitting way in back).
For a number of years Barb and I, and writers Bob Randisi and Marthayn Peligrimas, would meet Ed and Carol for quarterly get-togethers at the Ox Yoke Inn in the Amana Colonies. These were lively, frequently hilarious bitch sessions about the writing life. Bob was a great friend of Ed’s (they started Mystery Scene together), and is a great friend of mine. Writers know a lot of other writers, but mostly it’s friendly acquaintances. Bob, Ed and I were real friends.
At Terry Beatty’s wedding some years ago, Ed – who loved Terry and his work – made an unprecedented move by attending the reception. I might be slightly overstating, but Ed was damn near the life of the party. Laughing, chatting, circulating. I was astonished.
Later I asked him, “What happened to Ed Gorman, the guy who can’t stand being in even the smallest crowd?” He told me he’d been a nervous wreck at the reception, a total screaming mess inside. I had witnessed an amazing performance.
Once, responding to my efforts to get him to a Bouchercon, Ed told me didn’t like driving long distances because he’d been in a car crash. I asked him why he didn’t fly there. He said he’d also been in a plane crash. I asked him why he didn’t take a train. He said he’d been in a train crash. Asking him why he always took the stairs in tall buildings, he said he’d once been in an elevator when it fell. There’s also a story about an escalator, but you get the drift.
Was he kidding me? I’m not sure. Really I don’t think so. He was a self-described bundle of neuroses, yet as grounded a writer as I’ve ever known. He worked hard and well and fast, and never compromised his craft and art. Now and then he would rail on about some writer whose work he disliked, but never in public, and no one had more generous, enthusiastic things to say about other writers and their work than Ed. Mystery Scene was in part about getting writers who were otherwise being ignored their due by way of articles and reviews. He worked with Black Lizard and founded Five Star to get books and writers back into print.
I think it’s fair for me to say that no other writer in our genre ever did more for his brother and sister writers.
In 1992, around Thanksgiving, I got a double career whammy when my DICK TRACY contract was not picked up, and my Nathan Heller novel contract was unexpectedly cancelled. I shared my woes with Ed. Suddenly I had short story assignment after short story assignment from Ed and his great friend, Marty Greenberg. Ed and Marty keep me afloat for six months while I regrouped. They were also responsible for turning my wife Barb into a writer, largely with assignments for stories in the CAT CRIMES anthologies.
Ed was the most widely read writer I’ve ever encountered. He knew mystery fiction inside out, and he shared with me his great love for Mickey Spillane, John D. MacDonald and Rex Stout, among many others. But he knew science fiction just as well, and he had read all of the classics and literary novels from all sorts of eras, and bestsellers, too. I suspect he was a speed reader, but maybe he was just obsessive.
He was film literate, too, though his opinions often flew against critical opinion. He never cared for John Ford, for example, with the exception of THE SEARCHERS. He loved Robert Ryan — his favorite screen actor. My head is as filled with his opinions about popular culture as my own (simplified by our many, many areas of agreement). One area of disagreement: he didn’t like the Beatles but loved the Stones. I always told him he didn’t have to choose
Ed, of course, had a dark side. This came across as black comedy for the most part, and I heard for many decades his prediction that we were nearing the end of mystery-fiction publishing. It was over! Sometimes his gloom got to me, and Barb would say, “Were you talking business with Ed again?” I started making a habit of making him laugh when I could see that he was letting bleakness get to him. Of course, we’d always laughed together, each an easy mark for the other.
He was always complimentary about my work and gave me glowing reviews, and he was the first to really recognize any value in QUARRY, and he kept that up over the years. Surprisingly often, he would call and say that the night before he’d re-read one of the books, and make my day with effusive praise. I’ve never had a phone call like that from anybody else.
If for some reason you’ve never read Ed Gorman (which I doubt, if you’re coming to this blog), I have always been partial to the Jack Dwyer series, in part because I got to read the first one, Rough Cut, in manuscript. His horror novels, as Daniel Ransom, are first-rate. He was a terrific western writer, as well – Guild is a favorite of mine. The Poker Club became a good little film, though not as good as its novel source. And he was the best short story writer of my generation – seek out his collections.
In the last twenty years or so, I talked less with Ed on the phone – though still fairly frequently – as e-mails and blogs kicked in. His voice always had something apologetic in it, like he was afraid he was interrupting. He never was.
Those phone calls – and a phone call was where it all began – are precious to me now in my memory. How we laughed and laughed. What I’d give for another call from Ed right now. Me and a hundred other writers. But I’m the only one he called on his way to his wedding.

From Dave Zeltserman

 I suspect dozens of other writers are going to be writing similar tributes as mine, and 10000s of readers are going to feel the same way about Ed as a writer as I did. That was because as a person, Ed was one of those rare people who’d go out of his way to help you, and he was just such a damn nice guy, and as a writer not only did he craft  beautiful prose but he filled his stories with a such unique human quality no matter how dark the story. Ed was proud to be a genre writer, and excelled at it in all genres that he wrote: Westerns, mysteries, thrillers, and horror, and both short stories and novels. I don't know if this was much of a secret but Ed didn't much care for literary 'artiste' types. To Ed, the point of writing was to tell exciting stories that drew the reader in, and few did it better than Ed. Partly because of Ed's love of these genres, and partly because of his overall decency, there are few out there who championed newer writers like Ed did.

I never got a chance to meet Ed in person, and during the 15 years that I knew Ed we only talked a few times over the phone, but during those years we exchanged 1000s of emails over just about everything: books, politics, movies, television, the state of publishing, what was going on with our lives, Orson Welles, you name it, and just as Ed’s strong humanist qualities and decency came through in his writing, they likewise did with his emails. Just a great guy. And a great writer. That’s the easiest way to sum Ed up. Someone you can love like an older brother even though you never met him. Someone who’s passing makes the world just that much colder.

Ed, rest in the peace you so much deserved. Like everyone else, I don’t know if there’s anything after this life, but if there is, I’d like to think you’re right now with your buddies Tom Piccirilli and Marty Greenberg, hanging out with Hammett, Stout,  Cain, and the other greats trading stories.

Other tributes

Cap'n Bob
David Cranmer
Bill Crider
Cedar Rapids Gazette
Cullen Gallagher
Locus Online
Martin Edwards
Jerry House
George Kelley
B.V. Lawson 
Steve Lewis
Mike Nevins
Matt Paust 
Todd Mason
Mystery Fanfare 
 Rap Sheet Tribute
Charlie Stella
Ed Gorman's Sam McCain novels 
Western Fiction Review: Interview

Book Reviews;;
HARLOT'S MOON (by Sergio Angelini)
WOLF MOON, Cullen Gallaghe; GUILD, 
Barry Ergang, MURDER ON THE AISLE 
ELIMINATION, Terrie Farley Moran (Criminal Element)
Patti Abbott, GHOST TOWN 
James Reasoner, NIGHT CALLER (Daniel Ransom/Ed Gorman)
TracyK, SLEEPING DOGS

Forgotten Movies: VILLAGE OF THE DAMNED

I don't think I had seen this since I saw it as a kid at the theater. It holds up pretty well because the script is succinct and doesn't try to do too much. The inability to mount special effects probably saved it because the remake doesn't look too promising.

An English town falls into a trance and some months later every woman of child bearing years gives birth to children who look alike and are gifted intellectually. This has happened in other places too but only this group of kids survive.

George Sanders defends them for a while, seduced by their brilliance, but eventually everyone realizes it's us or them. It's not hard to draw parallels with today's fears of having strangers in our midst. A sequel CHILDREN OF THE DAMNED is supposed to be good also.

Bet all of you have seen this one. 

Halloween Music

THE TURN OF THE SCREW

Is it harder to scare people on the page than on the screen? I think so.  Especially if the screen is one in the dark theater. I can't recall ever jumping at something I read. More like a shiver down the back than a jump or scream.

What is the scariest book or story you ever read? I would choose TURN OF THE SCREW by Henry James. It scared me as a kid. I like the ambiguity of the story. James wasn't fond of the typical ghost apparently.  Runnerup would be CUJO but I am scared of dogs anyway.

Saturday Night Music

AMERICAN HONEY Reviewed

http://crimespreemag.com/american-honey-reviewed/

Friday's Forgotten Books, October 28, 2016

PLEASE REMEMBER TO JOIN US ON WEDNESDAY, November 2 WITH REMEMBRANCES, REVIEWS, ETC, ABOUT ED GORMAN ON WHAT WOULD HAVE BEEN HIS 75TH BIRTHDAY!




STRANGLEHOLD, Ed Gorman (from the archives)

A few years ago, I read Ed Gorman's first book in the Dev Conrad series (SLEEPING DOGS) and asked him if he planned on writing another one. He said he was mulling it over. It felt like a perfect fit for Ed then and the second book just solidifies that feeling. Ed knows the world of political campaigns well and his portrait of it is completely convincing.

Dev is a political consultant, called in by campaigns to straighten out messes more often than not. Not as a "cleaner" or anything sinister, but more to give advice, succor, and to straighten out the kind of trouble a life in politics seems to encourage. Dev is a guy easy to spend time with. He reminds me of Jim Rockford or Travis McGee.

This time his client is a Congresswoman who's acting strangely and worrying her family and staff in the midst of a campaign. She's disappearing for hours at a time. Much of her support comes from her wealthy stepmother who doesn't like the behavior she's witnessing and is used to calling the shots. The candidate had a troubled youth and there's worry she's returned to her errant ways.

Dev follows the trail to some nasty adversaries and into the Congresswoman's back story, which is an interesting one. As I said, Ed Gorman knows politics and every note is pitch perfect here.

What I love about Ed's books are three-fold. He is a great instructor (for anyone learning to write) in the art of moving a plot along without any lag time. At the same time, he is able to work in little asides: humor, cynicism (and who over fifty doesn't have that) and his knowledge about how politics work--all without even seeming didactic or dull. Thirdly, and I have said this before, Ed likes women. He writes about them well; his protagonist treats them well. Do you know how rare this is lately?

If I was in trouble, Dev Conrad (or Ed Gorman) would be the first one I sought out. Look for this book: Stranglehold. The time is right for a look at politics through Ed Gorman's eyes. His vision is clear.

Mark Baker, SUNSET EXPRESS, Robert Crais
Yvetter Banek, "Skeleton Crew"
Les Blatt, MURDER IN PICADILLY, Charles Kingston
Brian Busby, RECALLED TO LIFE, Grant Allen
Bill Crider, Four by Alistair MacLean
Martin Edwards, DUMB VENGEANCE, Stella Tower
Richard Horton "An Ace Double" 
Jerry House, SORRY, WRONG NUMBER, Allen Ullman, Louise Fletcher
George Kelley, CORNERED and THE LONG RIDE, James McKimmey
Margot Kinberg, THE FIXER, John Daniell
Rob Kitchin, A GENTLE AXE,  R.N. Morris
B.V. Lawson, AH, SWEET MYSTERY, Celestine Sibley
Steve Lewis/William Deeck, DEATH ON THE SET, Victor MacClure
Todd Mason, "Helen Hoke: Anthologies
J.F. Norris, THE LISTENER, Algernon Blackwood
Matth Paust, FAHRENHEIT 451, Ray Bardbury
Reactions to Reading, WHAT STRANGE CREATURES, Emily Arsenault
James Reasoner, MURGUNSTRUMM, Hugh B. Cave
Richard Robinson, Birthday Swag 
Kevin Tipple, STUFF TO DIE FOR, Don Bruns
TomCat, THE INVISIBLE CIRCLE, Paul Halter
TracyK, QUOTH THE RAVEN, Jane Haddam

Do You Remember When the Mask Was the Main Thing in a Costume?

Man's Best Friend

Continuing on the theme of friendship, we watched two shows last week where dogs starred . "Grandpa" was an episode of HIGH MAINTENANCE, an HBO anthology. It is told entirely from the dog's POV. He falls in love with his dog walker and like all romances, it has its ups and downs.

Then we watched DUMB WITNESS, a Hercule Poirot, where a fox terrier has the key to the mystery. I have never had a dog but this one was a temptation.

What are some other books/movie dogs that stand out for you?

Tuesday Night Music: American Honey

Forgotten TV: REMINGTON STEELE

 The death last week of Michael Gleason reminded me of an old favorite.

REMINGTON STEELE was on TV from 1982 to 1987 and starred Stephanie Zimbalist and Pierce Brosnan. It was a light romantic detective series. Their chemistry worked for a while-and then it didn't. But in the early years, it gave us lots of pleasure. More a romance than a detective series, it still managed to put out 20 some episodes a year with concrete plots.

It began like this:

Try this for a deep, dark secret. The great detective Remington Steele? He doesn't exist. I invented him.

I always loved excitement, so I studied and apprenticed, and put my name on an office. But absolutely nobody knocked down my door. A female private investigator seemed so . . . feminine. So I invented a superior. A decidedly masculine superior.

Suddenly, there were cases around the block. It was working like a charm. Until the day he walked in.

With his blue eyes and mysterious past, and before I knew it, he assumed Remington Steele's identity.

Now I do the work and he takes the bows.

It's a dangerous way to live, but as long as people buy it, I can get the job done.

We never mix business with pleasure. Well, almost never. I don't even know his real name.

We know what happened to Pierce Brosnan but what happened to Stephanie Zimbalist? 

Monday Night Music: Copperhead Road

Friendship

Friendship is a common theme in children's literature but less so in adult literature. I just read ANOTHER BROOKLYN where four teenage girls in seventies Brooklyn sustain each other through a lot of difficulties. But they are still children. In books for adults, there is, of course, OF MICE AND MEN and THE GROUP but what else. In KRAMER V KRAMER, Ted  and Margaret forge a friendship, which was somewhat novel at the time. The idea that a man and a woman could be friends and not romantic interests.

The Lansdale books about Hap & Leonard stand out. And the Walter Mosley and Robert Parker series.What else?

Sunday Night Music: Dream Baby, Dream