Wednesday, August 13, 2008

Too Little Time

It occurred to me recently that no matter how much I liked a novel, there was little chance I would read a second book by the same writer. Years ago I would luxuriate in completing the entire oeuvre of books by a Ngaio March or Reginald Hill, or Sjowal and Wahloo. But no more. If I read only two books a week, I just don't have the pleasure of spending that scant time with the same writer.
At one point, I read five books a week. That was before I worked, had responsibility for two aged parents, was trying to write myself, had a grandson, a moldy, oldie house, etc.
Do most older readers feel that way? Do you avert your eyes from the shelves with books by writers you have read in the past, trying to find ones you haven't? Do you feel obliged to keep moving less you find you no longer can?

Tuesday, August 12, 2008

For Your Consideration: "Hungry Enough" by Cornelia Read


Several stories from A Hell of a Woman (edited by Megan Abbott, Busted Flush Press) have been included in anthologies (Sandra Scoppettone's "Everybody Loves Somebody (A Prisoner of Memory: And 24 of the Years Finest Mystery and Crime Stories, Gorman and Greenburg) or nominated for various awards as the best fiction of the year ("Uncle" by Daniel Woodrell {Anthony and Edgar awards}. Cornelia Read's Story "Hungry Enough" is nominated for a Shamus Award.

Busted Flush Press has allowed me to share Cornelia Read's story here. Cornelia Read has written a bit of back story for us.



The Backstory to “Hungry Enough”

By Cornelia Read

When the awesomely talented Megan Abbott asked me if I’d like to contribute a story for the Hell of a Woman Anthology she’d be editing for Busted Flush Press, I was a little freaked out. Deeply honored to be asked, of course, but all the same kind of terrified since I hadn’t written any short fiction since sophomore year in college—twenty-odd years ago.


The assignment was to take a female character who would’ve made a sideline cameo in traditional noir fiction and give her center stage--a directive that sat well with my long-held “why the hell can’t girls be in the treehouse, too?” political credo.

But then, what to write? As usual when this question crops up in my life, I made some coffee and went back to bed with a good book, in order to distract myself from the yawning maw of my inner creative abyss.

Not a few mornings-in-bed-with-coffee later, a line of dialogue drifted into my head, a phrase my mother has often effervescently uttered at parties: “I absolutely adore driving drunk!”

Those words were followed shortly thereafter by the rejoinder of my friend Katy Foster: “Of course you do. Because it’s so damn easy.”

And I had a snapshot of the woman who’d said all that in one go—a gorgeous blonde in a pale-blue Mercedes convertible, driving through LA in the late Fifties with her best brunette friend beside her. They’d just had a birthday luncheon of martinis somewhere... and then I remembered Hillary Huber, the brilliant voice actor who has read both my novels for Blackstone Audio, telling me I had to come to LA so she and a friend could take me to lunch at Musso and Frank’s, because it was the perfect old-school upscale noir kind of place to have martinis when in that fair city.

So I’m still in bed with my coffee at this point, propped up against this big window with every available pillow behind me, just kind of watching the scene unfold. I could hear the two women’s voices, watch lines of palm trees drift past as Kay-Kay the blonde drives lazily up So-Cal boulevards.

I could see her clearly—the kind of pneumatic-but-wasp-waisted woman Dior made so much of with his New Look, and who would shortly be irrevocably knocked from the altar by the likes of Twiggy and Veruschka.

I knew Kay-Kay’s car was a gift from her rich-producer husband, in a color she would never have picked for herself, but he hadn’t asked her because it was a surprise offering of contrition--one he’d wanted her to find in their driveway with a jaunty bow across its dewy hood one recent morning.

I knew just how she’d met the husband, too... straight out of a story Michael Dougherty (my first-of-four stepfathers) often used to tell about a former secretary who’d worked for him in LA during the late Fifties, when he did PR for Johnny Carson and Edward R. Murrow and other denizens of the then-nascent medium of television.

Michael’s secretary had walked up to the edge of a palatial turquoise-hued swimming hole in Bel-Air in her bikini and heels, pointed at the man adrift on a raft at the water’s center, and said, “Hey you... out of the pool!” An action which resulted in the man’s sending his third wife to Reno, some four days later.

Thus, Kay-Kay.

And her friend, the brunette Julia? Sharp-tongued, too smart for an LA starlet... one guest spot on Perry Mason to her credit... recently reduced to taking a secretarial job with a private eye named Philip Mumble-Mumble in the down-at-heels Cahuenga Building....

Suddenly I saw her as an earlier incarnation of Charis Nuti-di-Biasi, my great friend from boarding school who looked, even at just-fifteen, like a Florentine Catherine Deneuve.

Charis had tried the starlet thing herself in LA in the early Eighties. She used to call me late at night twice a year or so to regale me with tales of the sheet of plate glass suspended above Sylvester Stallone’s bed and the uses to which it was put, or Catherine Oxenberg’s having slipped a large wedge of Camembert into her purse at an Oscar party for a later-night session of solo binge-and-purge, or the large circular chamber in Wilt Chamberlin’s house whose floor was unexpectedly a water-bed (apparently known far and wide as his “Do-It Room.”)

She had asked me once, around two a.m. during the course of such a call (me in some rust-belt town back east, sweltering out the summer dark... Syracuse? Pittsfield?), whether I thought she’d ever be famous.

“You’re beautiful, of course,” I’d answered.

“Of course, Nicky,” she said, using my boarding-school name. “But?”

“You’re not hungry enough.”

"What does that even mean,” she asked, “hungry enough?”

“If this doesn’t work out for you, you’ll just go to London or Paris or marry one of those boys who’s always pestering you about it. And you’re up against a thousand-thousand girls who don’t have anything else to fall back on—no Greyhound ticket home.”

To which she replied, “Fuck off, Nicky,” before bursting into peals of Marlboro-edged laughter.

So.

“Hungry Enough”

by Cornelia Read


I absolutely adore driving drunk,” said Kay. “It’s so damn
easy.”

The top was down on her little two-seater Mercedes—one of

those burnished days, after a week of rain.

She surprised me by careening right onto Hollywood Boulevard,

off Cherokee.

“Darling girl,” I protested, “the Cahuenga Building went

that-a-way. I’m an hour late as it is.”

The wind was ruining our hair.

She plucked a strand of platinum from her lipstick. “One

tiny stop, Julia. I have a few things for you at the house.”

Kay’d offered me birthday lunch at Chasen’s, her treat. I held

out for Musso and Frank’s so I had the option of walking back

to work.

“You gave me your solemn oath,” I said. “Only reason I

agreed to that fifth martini.”

“Wouldn’t you rather arrive sober than punctual?”

“I need this job, Kay.”

“You need a husband, Julia,” she said. “You’re twenty-five

years old.”

“I seem to recall having already suffered through this lecture.

Somewhere between cocktails three and four.”

“Honey,” she said, “it’s practically 1960 and you’re dying on

the goddamn vine.”

“I happen to like the vine. Marvelous view. Fee fi fo fum, et

cetera, et cetera . . .”

“Three years in Los Angeles, and what do you have to show

for it?”

I had one ingénue turn on Perry Mason and a succession of

glossy headshots to show for it, as Kay knew perfectly well. She,

meanwhile, had a rich producer husband.

“Another Greyhound bus pulls into this town every five

minutes,” she continued, “packed to the gills with fresh-faced

little mantraps—”

“—I cannot believe you’re willing to be seen driving this tacky

thing,” I said. “Powder blue with white upholstery?”

“Says she who takes dictation from the man in a powder blue

suit,” said Kay. “Promise me you’re not sleeping with him. He

wears socks with clocks on them, for chrissakes.”

“Promise me this color scheme wasn’t your idea.”

“Of course not. I found it in the driveway last week, complete

with jaunty bow over the hood. Another little kiss-and-make-up

incentive from Kenneth.”

Kenneth, her rich producer husband, snared last year at

a Sunday brunch swim party in Bel-Air. He’d been sunning

himself on a raft in the water’s shallow end. Kay sauntered up in

a bathing suit and heels, crooked one finger, and said, “Hey you,

out of the pool.”

Tuesday morning, his third wife chartered a plane to Reno.

I caught her eye in the rear-view mirror. “Darling, this car

practically shouts divorcée—”

“—A girl can dream, can’t she?”

“For chrissake, Kay-Kay,” I said, “If you’re that unhappy, why

not leave him?”

“Because I finally have some leverage, Julia, now that I’ve

seen what that plate glass is for.”

This was an inch-thick slab suspended above their bed on

golden cables. Kay had recently discovered her husband lying

beneath the transparent platform while baby-oiled young blond

men wrestled one another atop it. Defecation earned them bigger

tips at the end of the night.

“Did I tell you,” she said, “that he actually thought I’d go

down on him while those appalling creatures moiled around in

their own filth?”

“Whereupon you told him he was out of his ever-loving

mind and stalked out of the room,” I replied, leaving out the part

about how she showed up at my place that night with a bottle of

Seconal, already half-consumed.

She turned to flash me a grin, then held up her wrist to flash

something blue-white, flawless, and far more enduring. “Look

what arrived with my breakfast tray, just this morning.”

“Harry Winston?”

“Cartier,” she said. “He’s learning.”

She hauled the wheel left again, shooting us down a

palm-tree-lined boulevard.

I shrugged. “So you’ll put up with it. You’re one of the wives

now.”

“This year,” she said.

I rolled my eyes. “And whose job it is to swab down the sheet

of glass, afterwards?”

“Search me,” she said, “but I hope to hell it’s that little shit

Carstairs.”

Carstairs was Kenneth’s secretary—a snippy little man

who was still quite blond, possibly British, and ten years past

earning his keep unclothed. He and Kay loathed one another.

Trying to get him fired was her primary form of entertainment,

after shopping.

We pulled up to a stoplight. The man in the Cadillac next to

us wrenched his neck, getting an eyeful of Kay.

She ignored him with intent, one sly finger twisting the pearls

at her neck. “I’m not ever going to be goddamn famous, now, am

I?”

“’Course you won’t,” I said. “Fame is reserved for those freshfaced

little man-traps who can’t go home on the Greyhound.”

“I’m better looking.”

“Fairest one of all,” I said. “But you aren’t hungry enough.

You never were.”

“And you’re too goddamn smart.”

“Have to be,” I said. “I’m a goddamn brunette.”

“Mere lack of will. Doesn’t mean a life sentence.”

“I prefer that collar and cuffs match, thanks ever so.”

She stomped on the brakes and swerved right, bringing the

car’s powder-blue nose to a halt six inches shy of her driveway’s

cast-iron gates.

A uniformed flunky sprinted forth to swing them wide.

Kay checked her makeup in the side mirror, ignoring the

man’s salute.

She punched the gas before he was quite out of the way,

spraying his shins with gravel.

I looked back and waved, mouthing a belated “thank you.”

“I’m serious about your future,” said Kay. “Had we but

known at Barnard you’d end up mooning over some cut-rate

detective—”

“—or that you’d end up playing beard for the man you

married?”

She laughed at that, rich golden peals that trailed behind us

till the end of her curving drive.

“What a monstrous pile it is,” Kay said, cutting her eyes at

the Deco-Moorish façade she lived behind.

She walked away from the Mercedes without bothering to

close her door.

Someone would take care of it. Someone always did.

“I’ve got to call my service,” she said, as we walked inside, our

heels clicking against marble and echoing back from the domed

entry ceiling.

“Why the hell do you have a service?”

“Because Carstairs manages to lose every message intended

for me.”

She peeled off her white gloves, tossing them in the general

direction of a gilt-slathered side table. I kept mine on.

“I can’t stay all afternoon, Kay.”

“Go upstairs to my dressing room,” she said. “I’ve laid out

some things for you to try on.”

“I don’t need your clothes.”

“I spent the morning with that little woman at Bullock’s,

picking out a few ‘delightful frocks’ for delivery here in your size.

Allow me that one small pleasure.”

“And if I should happen to come upon Kenneth, ogling

something untoward above your marital bed?”

“Tiptoe past without making a fuss. I’ll throw in a fur”

“For chrissake, Kay.”

And solemnly swear you won’t have to kiss my ass for

a week.”

“Make it two.”

“Greedy guts,” she said, as I started up the stairs.

As it turned out, her husband couldn’t have ogled anything

at all.

There wasn’t much left of his face, after the slab of glass had

swung down to catch him under the chin.

The pair of golden cables at its footboard-end had given out.

The closer one lay curled along the carpet at my feet. Three of its

four strands had been neatly sliced, the last left to fray until it

snapped.

Kenneth wouldn’t have seen it coming, nor would his pack

of wrestling boys. There were four sockets in the ceiling, little

brass-lined portholes cut into the plaster. Two were now empty.

The cables had been severed up in the attic, out of sight.

I lifted the phone on Kay’s side of the bed, pressed the second

line’s unlit button, and dialed GLEnview 7537.

There was a click before my employer picked up on the third

ring, grumbling.

“Philip?” I said. “I know I should have been back hours

ago—”

“—This is why I never wanted a secretary,” he cut in. “Too

much damn trouble.”

“It gets worse. I’d like to take you up on your offer of a

birthday gift, after all.”

“A little late to have something engraved.”

“I’m with Kay. We need your help with a bit of a situation.”

He took down her address when I explained what that

situation was.

“Twenty minutes,” he said. “Promise me you won’t touch

anything.”

“I’m wearing gloves,” I said.

“That’s my girl.”

Philip rang off, but I kept the receiver to my ear.

“Don’t hang up just yet, Carstairs,” I said. “Have Kay wait for

me on the terrace. Fix her a drink so she’ll stay put.”

He exhaled.

I knew he hadn’t yet called the police. The scent of ammonia

was still too heavy in the room.

“After that,” I said, “Come back up here with fresh rags. You

missed a spot on the glass.”

Philip walked into the library an hour later. I’d sent him

upstairs alone.

“Happy birthday,” he said, “though I’ll hold off on wishing

you any returns of the day.”

The room was all Gothic walnut, excised whole from some

down-at-heel peer’s estate—the dozen muddy portraits of

faithful dogs and dead grouse included.

Carstairs made sure there was always a fire in the grate, air

conditioning calibrated to offset its heat as needed.

“Nasty little scene to stumble across, upstairs,” said Philip.

“Horrible,” I said.

“Has it hit you yet?” he asked.

I shook my head.

He took my hand in both of his. Pressed it a bit too hard.

“It will,” he said, “and I want you sitting down when

it does.”

He glanced over at Kay, stretched out asleep on a leather sofa.

“Your friend seems to be bearing up rather well.”

“I made her take a Seconal.”

“Only one?”

“We had gin for lunch.”

I let him pull me toward the fireplace.

“You’re shaking.” He put an arm around my waist, lowered

me gently into a wing chair, then sat in its mate a few feet away.

“The boys are gone?” I asked.

“Carstairs handled it. He’s had some practice.”

“And you’re sure they won’t say anything?

“Would you, Julia?”

I looked at the fire. “Of course not.”

He nodded. “I’ve told him to phone Kay’s doctor. Then the

police. Then her lawyer.”

My hands got jittery in my lap. “Philip, she didn’t do this.”

“I’m happy to believe that,” he said. “You may have a bit

more trouble convincing the detectives.”

My gloves felt wet.

He looked at his watch. “Tell them that the pair of you came

by the office before she brought you here. That was a little after

two. I gave you the rest of the afternoon off.”

“A little after two,” I said. “What time did we get here?”

“You don’t know. You called me the moment you found him,

of course. I told you to let me handle it from there.”

“Kenneth keeps some decent Scotch in that desk, if you’d like.”

He shook his head. “Tell me how long you’ve known about

the state of Kay’s marriage.”

“A month. Something like that.”

“And how long had she known, before confiding in you?”

“Less than an hour. She drove straight to my apartment that

night.”

He thought about that. “Four weeks ago, Sunday?”

“I suppose it was.”

“You called in sick the next day.”

“I apologize for that, Philip.”

“No need,” he said.

“We were up all night.” I looked to make sure Kay was still

asleep. “She had a miscarriage.”

“How far along?”

“Not very. She hadn’t told Kenneth yet.”

“Did she want the baby?”

“Even after she walked in on him,” I said. “Maybe more.”

“She thought it would help?”

“Women so often do, don’t they?”

“I’m happy to report I have no personal experience in that

arena.”

“Lucky you,” I said.

He rose from his chair and walked behind it. “What do you

really think—was it Kay, or was it Carstairs?”

“I’ve already told you what I really think.”

“So you have,” he said.

“For God’s sake, Philip, can you imagine Kay with a hacksaw?”

“I can’t imagine Kay filing her own nails.”

And she’s been with me since morning.”

“I doubt it was done today,” he said. “Could have been any

time over the last month.”

“All the more reason it had to be Carstairs, then.”

“Not sure I’m following your logic.”

“Philip, Kay sleeps in that bed—”

“—Still? You’re sure about that?”

“I am,” I said. “Yes.”

“Any proof other than your say-so that she hadn’t set up camp

down the hall?” he asked. “Under the circumstances, one might

presume she’d have wanted to ix-nay the arbor of connubial bliss

with a stout ten-foot pole. Can’t imagine they’re short of alternate

quarters, given the size of this place.”

“Kay takes breakfast in bed every morning. Dry toast, black

coffee, and half a grapefruit—broiled. I’m sure someone on staff

could verify finding her there.”

“Even so,” he said, “those last strands looked strong enough

to hold, as long as nobody put extra weight on the glass.”

“But what if they hadn’t been strong enough, despite

appearances to the contrary? Philip, there’s no way she could

have been certain. The glass might’ve just as easily killed Kay and

Kenneth both, while they slept.”

“I suppose so.”

He crossed his arms and leaned on the top of his chair,

looking at the fire.

“Kay would have done it this morning, if at all,” I said. “You

know I’m right.”

“And you’ll tell the police she’s been with you since breakfast?

Helping out at the office?”

“She was at Bullock’s,” I said, “choosing dresses for me.”

“Which left Kenneth free to pursue outside interests for

several hours. Safe to say he had Carstairs make the arrangements,

without help from the rest of staff. Boys delivered quietly at the

service entrance, shuttled upstairs with none the wiser?”

“Carstairs must have brought the things from Bullock’s

upstairs himself,” I said. “He wouldn’t have let anyone else

through to Kay’s dressing room.”

“Ducks in a row for Kay, then,” said Philip. “Unless this was

an elaborate suicide, Carstairs takes the rap.”

It all hit me then—the bulldozed pulp of Kenneth’s face and

everything else, straight through to that moment.

I thought I would be sick,

right there on the rug.

Philip wandered over to Kay, still asleep on the sofa.

“We’ll make sure the police get a good look at her hands,” he

said. “Not a mark on them, and severing that cable must have

been a bear.”

He turned back toward me.

I peeled off my gloves and raised both hands, turning them

slowly for his inspection, front to back.

Philip tried not to look relieved.

“I’ll bring Carstairs in here,” he said. “Make sure he’s trussed

up and ready to go.”

He was wrong, of course. The cables had been a cinch to cut,

four weeks ago Monday.

I’d chipped the polish on one fingernail, but the second fresh

coat of red had been dry a good hour before Kay woke up, back

in my apartment.

She’d have done the same to keep me from harm: without

question, without hesitation and without my knowledge. Kay is

my oldest friend, as I am hers. We take care not to burden each

other with the onus of gratitude.

Conscience now clear in that regard, I turned from the fire to

watch her sleep—my hands still, my nausea at bay.

Philip paused in the doorway, one foot across the threshold.

We both heard the siren in the distance.

“Wouldn’t hurt the appearance of things if you cried a little,”

he said, not looking back. “Plenty of time before they get all the

way up the drive."



Congratulations to the Beloved Ken Bruen








who recently announced his upcoming marriage.

Much happiness and joy to the man who gives both readers and other writers so much of himself.

Monday, August 11, 2008

From Jean-Pierre Jacquet


Jean-Pierre Jacquet is the amazing artist who illustrated so many of the stories in Hardluck Stories. Here it is in Jean-Pierre's own words.

"At the MoMA, visit the exhibition "Dreamland: Architectural Experiments since the 1970s", in the Architecture and Design Galleries, third floor, through October 27. A film of mine, "Flagrant Délit", which I did ages ago with Madelon Vriesendorp and Teri Wehn-Damisch, is part of the exhibit.."

I wish I could get to it, but you New Yorkers can. Lucky, dogs as usual.

My Town Monday: On the Road: Halifax



There were so many wonderful things I could say about our trip to Halifax, but, as usually happens for me, one thing dominated our trip. When we came into the downtown section of Halifax, we immediately noticed there were very few older buildings. This surprised us because we knew it to be an old city, dating from the 1700s. When we climbed up the hill to the Halifax Citadel the next day, it became even more apparent. Just a scattering of buildings from before the last century. It didn't take long to discover the reason.

Halifax was devastated, by what became known as The Halifax Explosion, on December 6, 1917 when French munitions ship collided with a ship setting out for Belgium in the narrow section of the Halifax Harbor, the second largest harbor in the world. This man-made explosion was second only to the detonation of the atomic bomb in its scope. About 2000 people died, killed by fires and collapsing buildings and over 9000 were injured. The explosion emptied the harbor of water, creating a tidal wave that raced up the hills of the city. Most of the downtown disappeared and the streets no longer exist. Much damage occurred also in Dartmouth across the harbor.

Since the explosion occurred in the winter, the blast caused stoves, lamps and furnaces to tip or spill, spreading fires throughout the devastation, particularly in Halifax's north end, leaving entire streets on fire. Fuel reserves were high in preparation for the winter. Many people who had survived the blast were trapped in these fires. As firemen from surrounding communities arrived, they were unable to use their equipment, as hoses and hydrants were not standardized. Firemen, soldiers and other volunteers had most of the fires contained by evening miraculously. Some 325 acres of Halifax was destroyed however. Many people who had gathered around the ship either to help or watch were amongst those killed in the blast, or were subsequently hit by the resulting tidal wave. Those who had been watching from the windows of their homes and businesses were either killed instantly or severely injured by the flying glass as their windows shattered inwards.

The following day, the city was ravaged by a blizzard, making futher relief work even more difficult.

I had never heard about this explosion before but the docent at the Halifax Maritime Museum assured me, many Canadians haven't either. Cities built entirely of wood had a habit of burning down. Sometimes it's a cow, sometimes it's two boats.

We loved Halifax and the surrounding area. Consider a trip to Halifax soon.

Check out more My Town Monday posts at the wonderful Travis Erwin's blog: http://traviserwin.blogspot.com/

Saturday, August 09, 2008

Calling on Your Collective Memory

Before we leave here tomorrow, does anyone know of a series or even a crime writer whose stories are set in Halifax or Nova Scotia? A book store owner said there was none but admitted he didn't read crime. If there is any, I want to grab one before we leave. Thanks.

Friday, August 08, 2008

The Summing Up, Friday, August 8, 2008

Thanks so much to Brian, who did such a great job. Any errors/omissions here will be corrected when I return to my own desktop computer. Laptops befuddle me.

Patti Abbott, Beyond the Bedroom Wall, Larry Woiwode

Stephen Blackmoore, The Adventures of Pinocchio, Carlo Collodi

Victoria Blake, The Wasp Factory, Ian Banks

David Cranmer, By Line: Ernest Hemingway, William White

Bill Crider, Stone Angel, Marvin H. Albert

Damon, A Spell for Chameleon's Piers Anthony & The Sleeping Dragon, Joel Rosenberg

Ed Gorman, The Blank Wall, Elizabeth Sanxay Holding

Charles Gramlich, Kyrik, Warlock, Warrier

Lesa Holstine, The Lily Bard Books, Charlaine Harris

Randy Johnson, Conjure Wife, Fritz Leiber

B.V. Lawson, Los Alamos, Joseph Kanon

Brian Lindenmuth, Homicide A Year on the Killing Streets, David Simon

Terrie F. Moran, Adams vs. Jefferson: The Tumultuous Election, John Firling

Steve Mosby, Balling the Jack, Frank Baldwin

Juri Nummelin, Root of Evil, James Cross

Ian Rankin, I Was Dora Suarez, Derek Raymond

Darlene Ryan, The Jessica James Mysteries, Meg O"Brien

Sandra Ruttan, Polly Deacon series, H. Mel Malton

Will Thomas, The Big Bow Mystery, Israel Zangwill

Robert Ward, They Don't Dance Much, James Ross

Sharon Wildwood, Chosen for Death, Kate Flora

Woodstock, Stay of Execution, Stewart Alsop

Friday's Forgotten Books

Please check out Brian Lindenmuth's blogsite for today's forgotten books.



http://mysterybookspot.com/brianlindenmuth/

Monday, August 04, 2008

TRY THIS ON FOR SIZE

http://www.youtube.com/watch?v=NiGtFkd6K_E

Let Me Leave the Country With Some Hope

This is one site that makes me worry. http://www.themonkeycage.org/

Can you give me some reason to hope that Obama is not going down in flames like Kerry did in 2004 over the Swift Boat charge? I need some hope to take to Halifax with me. What can I do to help Obama other than donate, wear a tee shirt, put a sign up?
It is unfathomable to me that the American people are so afraid of electing a black man President that they would reelect George Bush for a third term. His approval rating is in the 20s, yet they are willing to return him to office through the guise of John McCain. The American people are willing to suffer more economic disasters, fight more wars, contribute more to global warning, to pretend that its 1955 forever. And electing an older and perhaps less intelligent (if that's possible) George Bush.
What can I do to help elect Obama? What should he do to avoid the Kerry effect? HELP!

My Town Monday, Detroit












On Vacation, but let me leave you with this:

Famous Detroiters


• Tim Allen, actor and comedian
• Anita Baker, singer
• Kristen Bell, actress
• Selma Blair, actress
• Sonny Bono, singer and U.S. representative
• Alice Cooper, singer

• Francis Ford Coppola, film director and producer
• Dave Coulier, actor and comedian
• Pam Dawber, actress
• Sherilyn Fenn, actress
• Henry Ford, inventor
• Aretha Franklin, singer

• Max Gail, actor
• Julie Harris, actress
• Thomas Hearns, boxer
• Green Hornet, radio character that debuted on WWJ Radio
• Alex Karras, actor and football player
• Casey Kasem, radio star

• Piper Laurie, actress
• Elmore "Dutch" Leonard, author
• Charles Lindbergh, pilot
• Lone Ranger, radio star who debuted on WWJ Radio
• Joe Louis, boxer

• Madonna, actress and singer
• Eminem (b. Marshall Mathers), singer
• Ed McMahon, television host
• Harry Morgan, actor
• Ted Nugent, singer
• Rosa Parks, activist

• George Peppard, actor
• Iggy Pop, singer
• Della Reese, actress and singer
• Martha Reeves, singer
• Kid Rock (b. Robert James Ritchie), singer
• Smokey Robinson, singer
• Diana Ross, actress and singer
• George C. Scott, actor

• Bob Seger, singer
• Tom Selleck, actor
• Tom Skerrit, actor
• Blair Underwood, actor

• Robert Wagner, actor
• Jack and Meg White (the White Stripes)
• Robin Williams, actor and comedian
• Stevie Wonder, singer and songwriter
•Lily Tomlin

Check out more My Town Monday posts at Travis Erwin's blog: http://traviserwin.blogspot.com/



Saturday, August 02, 2008

Reading Forgotten Books: Dust Devils by James Reasoner

There is much to be learned by someone trying to write a novel in James Reasoner's Dust Devils. There is also much to be enjoyed for someone looking for a good story. Sandra Ruttan pointed out its assets for a reader many weeks ago, so let me point out what it's taught me as would-be novelist.

1. Reasoner tells his tale with almost no back story. By the end of the book, you know everything you need to know about the protagonist without dragging the story back to the past.

2. The book sweeps along at a good clip, but unlike a lot of books I pick up, it doesn't feel like breakneck pacing was the primary concern. There's time for reflection, time to look around at the Texas scenery and ambiance. I know people love to claim, they couldn't put the book down, but to me, that's not always a good attribute. Reasoner gets it exactly right in Dust Devils. There were no wasted scenes. No dead ends.

3. This is a quiet story despite the action. The pacing and mood suit its setting; only the occasional action scene breaks the moodiness. And when it does, it feels organic, inevitable.


4. The dialog feels effortless; the characters act accordingly; there were the right number of characters for a shortish book. These are all issues to struggle with. And here you can see how well it works when it's done masterfully.


5. Here's how to create a femme fatale that's believable. She is credible, scary, sexy.
I would have admired this book under any circumstances, but at this point in time, it really was the perfect lesson on how to write a noirish crime story well.

Read it even if you don't need any lessons.

The Summing Up for August 1, 2008

The Summing Up for Friday’s Forgotten Books, August 1, 2008

Steve Allan, What Makes Sammy Run, Budd Schulberg

Joe Boland, Meeting Evil, Thomas Berger

Max Allan Collins, The Twisted Thing, Mike Hammer, Mickey Spillane

David Cranmer, Contrary Pleasure, John. D. MacDonald

Bill Cameron, The Mystery of the Witches Bridge, Barbie Oliver Carleton

Bill Crider, The Hereafter Gang. Neal Barrett, Jr.

Clair Dickson, Missing Persons, Fay Faron

Sean Doolittle, Fun with Occasional Music, Jonathan Lethem

Ed Gorman, Earthquake Weather, Terrill Lankford

Timothy Hallinan, Coffins' Got the Dead Guy on the Inside, Keith Snyder

Lesa Holstine, Not a Penny More, Not a Penny Less, Jeffrey Archer

Randy Johnson, Adam Link Robot, Eando Bender

James McGoran, Serenade, James M. Cain

Medora, The Razor's Edge, W. Somerset Maugham

Terrie Farley Moran, One Thousand White Women, Jim Fergus

Derek Nikitas, God is a Bullet, Boston Teran

James Reasoner, Dead Men’s Letters, Erle Stanley Gardner

Matt Beynon Rees, The King Must Die, Mary Renault

James Lincoln Warner, The Three Mulla-Mulgares by Walter de la Mare

James Winter, On the Road, Jack Kerouac


Thanks again.

Friday, August 01, 2008

Friday's Forgotten Books, August 1, 2008












First, a piece of business, please email Brian Lindenmuth if you will be posting a review next Friday, August 8th when I will be visiting sunny (hopefully) Halifax. (If you haven't already corresponded with me, that is). He'll post either the review or your link on Fantasy Bookspot. We'd love your review--short or long-- because we are sparse on them starting NOW...
email: blindenmuth@gmail.com

His blog: http://www.mysterybookspot.com/brianlindenmuth/ Thanks Brian.


Friday's Forgotten Books, August 1, 2008

Sean Doolittle, author of
The Cleanup and Rain Dogs.

Gun, With Occasional Music, Jonathan Lethem

I'll talk about a book which probably doesn't qualify as forgotten, even if its author is more commonly known for the later works--Motherless Brooklyn, for example, or The Fortress of Solitude--that elevated him to more rarified levels of acclaim. While I admire the aforementioned books, I'm still partial to Jonathan Lethem's debut novel, a dystopian sci-fi/hardboiled/noir mashup called Gun, With Occasional Music.

How to describe this book? It would help if my library weren't packed up in moving boxes as I write this, but without the source material at hand I'll do my best from memory (and a little help from the Internet). Gun takes its basic structure from the classic hardboiled PI novel: the protaganist, Metcalf, is a Marlowe-like character hired by a man who claims he's been framed for murder.

Only Lethem's story is set in a futuristic version of Oakland, California, where the government monitors public emotion to the point that morning radio no longer delivers news reports (which are apt to be distressing), but rather musical interpretations of the news (how does Metcalf know, in the opening pages, that his day promises trouble? He wakes up to the sound of ominous orchestra strings). Citizens carry their karma on ATM cards and serve time suspended in "cryojail" when their supply runs out. Super-intelligent babies talk tough and hang around in bars. Animals have evolved, and Metcalf's investigation leads him to trouble with the local crime syndicate's top muscle: an armed and dangerous kangaroo named Joey Castle.

In lesser hands, all of this might add up to something wildly inventive, vastly entertaining, and entirely gimmicky. But Lethem's up to something more incisive. (How does a private investigator operate in a culture where asking questions is illegal, and memories are taboo? How does a culture operate when the most commonly prescribed pharmaceuticals have names like Acceptol, Avoidol, and Forgettol?) T
he result is wildly inventive, vastly entertaining, and substantial enough that I've written all of this more than a decade after first reading the book, and it turns out I've only had to consult the Internet slightly.

James Lincoln Warren is a short story writer. Many of his stories have
appeared in Ellery Queen Mystery Magazine and Alfred Hitchcock Mystery Magazine. 
THE THREE MULLA-MULGARS by Walter de la Mare
  Like almost every other person on the face of the earth, I awaited
the final installment of J.K. Rowling's Harry Potter saga with
tremendous eagerness.  I had been late getting onto the Hogwarts
Express bandwagon, hopping aboard only after book IV, but once
converted I became as dedicated a fan as you might find anywhere.
  But as much as I admire Rowling's achievement, there has always beena niggling doubt

in the back of my mind that if these books survive along with the timeless classics of children's literature,

it won't be because of the skill she displayed in her language, but because of
her gift for engaging our imaginations, making her a sort of 21st
Century Edgar Rice Burroughs.  Her prose, evocative as it is, simply
lacks the flowing grace of a Kenneth Grahame or T. H. White, and her
wordplay, albeit extremely clever, is no match for the wit of a Lewis
Carroll or A. A. Milne.
  Children's literature didn't exist two hundred and fifty years ago.
It's the product of the surge of literacy among the masses that began
in the late 18th century with the advent of Sunday schools and
publicly financed education.  Neither is it today what it was
conceived to be when Pooh disguised himself as a rain cloud or Mr.
Toad was enamored of his first motor car.
  But there is one writer who was a match for all of the above in terms
of fecundity of imagination and power of expression.  I have never
read a word of his without being enraptured.  The Encyclopaedia
Britannica's one-liner used to define his place in English letters
follows:
  "British poet and novelist with an unusual power to evoke the
ghostly, evanescent moments in life."
  I refer to the British poet and novelist Walter de la Mare (April 25,
1873 - June 22, 1956). These days, he is best remembered as a poet,
but among his other accomplishments he was an acknowledged master of
children's literature. 
  One of the treasures to be found in the trove of his works is a 1919
novel titled THE THREE MULLA-MULGARS (Alfred A. Knopf), ostensibly an
adventure story aimed at children, but one imbued with a mythopoeic
depth that defies easy description.  Mulgars, we learn on the very
first page, is what monkeys call themselves.  A Mulla-Mulgar is a
Royal Monkey.  Among their goddesses is Tishnar, upon whom de la Mare
expounds in a footnote:
  "Tishnar is a very ancient word in Munza, and means that which cannot
be thought about in words, or told, or expressed. So all the
wonderful, secret, and quiet world beyond the Mulgars' lives is
Tishnar wind and stars, too, the sea and the endless unknown. But
here it is only the Beautiful One of the Mountains that is meant. So
beautiful is she that a Mulgar who dreams even of one of her Maidens,
and wakes still in the presence of his dream, can no longer be happy
in the company of his kind. He hides himself away in some old hole or
rocky fastness, lightless, matted, and uncombed, and so thins and
pines, or becomes a Wanderer or Moh-mulgar. But it is rare for this
to be, for very few Mulgars dream beyond the mere forest, as it were;
and fewer still keep the memories of their dreams when the livelong
vision of Munza returns to their waking eyes."
  THE THREE MULLA-MULGARS is a quest story.  It is filled with whimsy,
terror, moral victory and failure, and poetic imagery of the highest
order.  Although it is not the easiest book to find, a facsimile
edition now exists on line that includes Dorothy P. Lathrop's
luminous illustrations. (www.archive.org/details/threemullamulgar00dela)
 I commend it to you with all my heart.

Derek Nikitas is the Edgar-nominated author of Pyres. He has also published short stories in both literary and crime fiction publications.

God is a Bullet, Boston Teran

Never heard of Boston Teran. Nor God is a Bullet. Not till last year after my first novel, Pyres. Random readers made comparisons. I sought the book, saw a plot hauntingly similar to mine, noted further comparisons to Jim Thompson and Cormac McCarthy’s Blood Meridian. I shelved the book a while, afraid. What if it’s too similar? Will mine lose its thin cred, cease to exist?

But I gave in and turned the first page.

I relish mysteries that extend beyond the borders of the book. Who is Boston Teran? Beats me. He’s written four books, but no pictures, no appearances, few if any interviews. Hardboiled Thomas Pynchon. Or is he a Name Author slumming exquisitely under a likely pseudonym? I mean—Boston? Really? Or is he a spirit of the wastelands betwixt California and Mexico where his hardscrabble characters dwell? His prose would have you believe it—distant and biblical, stolen from some past century, yet suddenly intimate, as if it has possessed his characters.

The Teran Myth claims that much of God is a Bullet is based in fact. We are to believe there are real roving bands of psychopathic satanic outlaw drug smugglers razing their way through the So-Cal sand. Can we believe it? Perhaps. After all, this is Manson Land and Meth Heaven, Mojave Desert and Abandoned Route 66(6?). A sunburnt heart of darkness. But Teran will have us believe those devils are still going strong in 1999. I’d recount the plot, but the thrill of this book is the land and the voice that booms out of it. Teran’s.

Legend has it Teran roamed these lands, mining research, came upon a chap called the Ferryman, with all his obvious mythic connotations. Ferryman showed him the lay of the land and all its intricate traps. Ferryman haunts the book, quite literally. There was a search for an ex-cultist, a border crossing, some bad drug double dealing, sick and twisted cult activity. Supposedly Teran’s life remains in danger. Others have died. He’s in hiding, or already vanished like a latter day Ambrose Bierce. He’s left his papers behind for safe keeping—the true story behind the story of God is a Bullet.

Or am I reading this all wrong? Depends on your interpretation. Go to www.bostonteran.com to see for yourself.

Okay, so—plot. Young girl is kidnapped by a sicko band of satanic outlaws called the Left Hand of Darkness, led by Cyrus. Their depravity knows no bounds. Enter the girl’s cop father Bob Hightower, rescue mission ensues. His traveling companion is Case Hardin—young women, ex-junkie, ex-Left Hand cultist, one of the most viscerally compelling characters I’ve ever had to imagine the face of. She’s a force of violence and philosophy, the apotheosis of the noir mentality. Georgeous in her haggard, beat-down way. Plots twist, but the mission is the heart of the tale. No mind-blowing mystery, just humanity at its most desperate, amped up to eleven.

I see the similarities between Teran’s book and mine—but let’s face it, mine pales. I always wanted to write about cultists, but Teran actually did it. I wanted to push the reader to the limit of faith, but Teran pushed beyond. I wanted to bring my characters to life, but Teran’s were real before he first scrawled their names. He walks the line, ring of fire, all that. Takes risks I didn’t dare and pulls them off because he’s got the Prophecy.

His sacrifice? A diverse readership. This is no cozy mystery, no dashing thriller. This is noir with scabs and the whole spectrum of psychological scars. People will read it and say: too dour, too dark, too violent. It’s not a safe series mystery where the iconic detective solves a crime in which he has no personal stake, no lasting repercussions. This is a father on the hunt for his daughter and a woman facing her literal demons. There’s rape and trauma and forced heroin addiction and mutilation and all manner of deprivation and depravity. I don’t mean to say it’s torture porn like Hostel or Saw (which have their own merits, don’t get me wrong). Our allegiances lie with the good guys, and we want to see justice done. We’re not being asked to forget that love exists; quite the opposite. But the path to that destination is through hell.

Call me crass, but that’s how I do. Noir’s not a genre to be trifled with. It ought to have claws. It ought to reflect the true existential horror of some aspects of human existence, not flirt with it and make you feel all warm and fuzzy in the final act. You write real noir, you sacrifice book sales, probably. Lots of folks don’t want to go there, and I don’t blame them. But you write real noir and you write a certain Vital Truth, the kind that can only be found in risk-taking fiction. Boston Teran’s God is a Bullet stands testament.


Paul McGoran has published short stories ("The Thanks You Get") in publications such as Pulp Pusher. He is working on a third novel.

Serenade James M. Cain (1937)

As Serenade opens, protagonist Jack Sharp is banished from Paradise, subsisting in Mexico as a kind of operatic stumblebum. He lost both his golden voice and his European Eden when he deserted his muse over the sin of homosexuality. The agent of his temptation and fall was rich, charming Winston Hawes, his maestro and mentor in Paris.

In his Mexico hell, Jack nevertheless finds his Eve, a three-peso whore named Juana Montes, who straightens his libido, heals his voice, and escapes with him for his second shot at fame and fortune in the good ol’ U.S. of A. Before long, he conquers Hollywood and reaches his ultimate goal, singing at the Met in New York. Naturally, Winston Hawes reappears at the height of Jack’s meteoric rise. Not long after, in a decadent party setting that resembles a drag ball, Juana fulfills her fate and crushes the devil underfoot.

Those who have been awarded a second sojourn in the Garden must, of course, endure another round of purgation in hell. To that end, Jack and Juana flee to South America for the denouement, deteriorating physically and mentally until they reach ground zero – the same Mexican town and milieu where they met. The ending is appropriately melodramatic, but is too long in coming. Cain has tried our patience by now with a lot of mopey agonizing about the lovers’ final breakup.

In spite of its faults, Serenade is brisk and involving, a damn good read. You may be put off by Cain’s theory of homosexuality and by his lead character’s bias against Mexicans, but the former serves his story well, and the latter is ably countered by another character’s defense of Mexicoin Chapter Six.

Serenade falls short of Cain’s most celebrated work in The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. Give him credit, however for tackling a difficult theme as far back as 1937. Here was a noted crime fiction author expounding on the relationship between homosexuality and creativity. An especially bold move, I think, because his many friends and acquaintances had to notice that James Cain’s own musicality and physical description matched those of his protagonist at every point. Despite his three marriages, and despite the charge of homophobia that some have laid at his door, I find myself wondering whether Cain wrote Serenade, in part, as self-revelation. Not at his best in Serenade, Cain was still able.


Matt Beynon Rees is the author of The Collaborator of Bethlehem and A Grave in Gaza

The King Must Die by Mary Renault

I discovered Mary Renault is a used bookstore on a rather ratty lane in West Jerusalem. I was Middle East correspondent for The Scotsman at the time and about to leave for Amman to cover the illness of King Hussein of Jordan. The Plucky Little King (as the CIA called him) was lingering, despite the presence of the international press awaiting a good spectacle at his funeral. So, off the shelf jumped a 1959 edition of The King Must Die, Renault's vividly imagined tale about Theseus, the prince of Athens, condemned to the "bull dancing" ring when he is enslaved on Crete. It's a wonderful adventure which, like Renault's other great historical novels of ancient Greece, is drawn out of detailed research into the period.

I couldn't reisist the title. I started to read it as I waited at the border crossing in the Jordan Valley. It kept me entertained as Hussein died and I was probably the only man in Jordan who neighter depressed nor convince the Middle East was about to erupt into revolution. Because I knew there were a half-dozen other Renault novles for me to read. Each of them proved marvelous, but The King Must Die remains my favorite because of its fortuitous discovery.
More Forgotten Books for August 1, 2008. Thanks to the contributors.

http://billcameronmysteries.blogspot.com/
http://eviljwinter.wordpress.com/
http://joeboland.blogspot.com/2008/07/fridays-forgotten-book-meeting-evil.html
http://www.womenofmystery.net/
http://billcrider.blogspot.com/
http://jamesreasoner.blogspot.com/
http://bofexler.blogspot.com/
http://therapsheet.blogspot.com/
http://randall120.wordpress.com/2008/07/30/adam-link-robot-eando-binder/
http://noirwriter.blogspot.com/2008/07/non-oprah-book-club-what-makes-sammy.html
http://davidcranmer.blogspot.com
http://lesasbookcritiques.blogspot.com/2008/08/fridays-forgotten-books-not-penny-more.html
http://readspace.wordpress.com/2008/08/01/forgotten-book-in-for-a-penny-by-kathryn-wall/
http://newimprovedgorman.blogspot.com
http://www.fantasybookspot.com/medora/?p=70