Last night, I lost all my blog links so I may have missed a few posts here. Please let me know. I will be in and out today.
Ah, yes, femme fatales. Not only are they fine to gaze upon they are also a crime writer's best friend. Make a list of your favorite hardboiled and noir movies and you likely find a fatale femme in many if not most of them.
I
mentioned "gazing upon"them. Well, in a unique twist there's a 1957
movie in which the femme sets a small town ablaze and nobody has even
seen her for a long, long time.
The
movie is "Decision at Sundown" and it's one of the justly famous
Randolph Scott westerns directed by Budd Boetticher. The hallmarks of
these pictures were the low budgets, the excellent scripts and the
inability to sometimes tell the bad guys from the good.
Here
we have Scott returning to ruin the wedding of the powerful man Scott
believes stole his wife before she disappeared. Scott was in the war and
when he returned he found she'd run off with the man who was about to
be married.
Scott
has reasoned in his loneliness, rage and misery that his wife was so
ashamed of what she'd done that she couldn't face the judgment of the
townspeople let alone that of her husband.
Scott
plans to spoil the man's wedding by killing him, pushing him into a
gunfight. The Sheriff tries to run him out of town but Scott and an old
friend hole up, Scott waiting for the right moment.
What
could have been a standard cowboy story becomes a fascinating drama as
Scott gradually learns that the "innocent" wife he so loves had always
cheated on him. The powerful man was only one of many.
We
are near the end of the second act before Scott learns that his grief
and madness--and Scott does a good job of portraying both--has been for a
woman he knew nothing about.
A true femme fatale.
Ed Gorman is the author of both the Dev Conrad and Sam McCain series. You can find him here
Ed Gorman is the author of both the Dev Conrad and Sam McCain series. You can find him here
I read an awful lot of novels with multiple POVS, with fancy jumps in time and place, with a magician's hat of tricks. So sometimes it is very, very nice to reach back to say 1953 and read a straight forward narrative that succeeds on its good plot, great characters, and most of all, great writing. THE HOT SPOT filled that bill.
Madox is not the type of villain you find in most current books. He's a drifter, just looking for a cushion, or an easy way out of his dead-end job working for a car dealer in a small town. When he pulls off a heist that will give him this cushion, things appear to go wrong immediately until the boss's wife throws him a safety line. He's not sure why (is it just for the sex?) but he grabs it and worries about the why of it down the road. That's the kind of guy he is.
He quickly falls for the female accountant next door who has troubles of her own, and it is her troubles that eventually bring Madox down.
This is a beautifully written story told in the first person. The femme fatale deviates from the typical one in that he is never lured in by her sexuality ( in fact he criticizes her "blousiness" at ever turn) but rather by the gift of her alibi and her situation as the boss's wife. It is the girl he loves that brings him the most misery.
So who is the femme fatale? Highly recommended.
Lawrence Block, Mona (Gold Medal #1085,
1961)
I'm sure we all have our own mental picture of a "femme
fatale" in a noirish book or movie, whether it is Barbara Stanwyck in
Double Indemnity or a more recent version. In some cases
the woman fleeces the innocents. In others, the more interesting ones to
my mind, the "victim" is like Joe Marlin here, our narrator and
a self-proclaimed con man. It's somehow more
satisfying when the conner gets conned himself.
Mona (reprinted by Hard Case Crime as
Grifter's Game, a better title) was, I believe, the first
mystery by Block published under his own name. Even though you might think
you know where the book is going Block manages, even at that early date, to ring
some changes on the theme. If the setup seems far fetched, well he tells you
that himself. Marlin flees a hotel bill in Philadelphia and lands in
Atlantic City but as he can't check into a good hotel without luggage he grabs a
couple of monogrammed suitcases at the train station, only to discover a whole
lot of heroin inside. Later that day on the beach he "accidentally" meets
a beautiful if unhappily married young woman and they fall for each other.
Much to Joe's surprise (but not the reader's) her husband is...well, read it
yourself.
Once Marlin discovers he's been had Block changes the
usual scenario for something you probably won't see coming. It certainly
made for an ending I didn't expect. As always, the book is tremendously
readable. One of the best parts for me was reading about life in
1960. You could stay in the very best hotel in Philadelphia for ten
dollars a night. The prices in general are eye-opening. Everyone
smokes, everywhere - on an airplane, in a restaurant while eating, you name
it.
This might not be the typical femme fatale story but it is
one well worth your time, especially for fans of Lawrence Block, which should
include all of you.
Jeff Meyerson
The FEMMES FATALES
Brian Busby, NO PLACE IN HEAVEN, Laura Warren
Bill Crider, A TOUCH OF DEATH, Charles Williams
Randy Johnson, SO YOUNG, SO WICKED, Jonathan CraigGeorge Kelley, FATALE, Jean-Patrick Machette
B.V. Lawso, THE CHINESE FEMME FATALE, Anne E. McLaren
Evan Lewis, THE VOICE, Cleve F. Adams
Todd Mason, BEYOND THE NIGHT: SIX TALES, Cornell Woolrich
J.F. Norris, TWISTED CLAY, Frank Walford
James Reasoner, THE BITCH, Gil Brewer
Ron Scheer,THE LADY DOC, Caroline Lockhart
And other reviews
Joe Barone, HELL HOLE, Christ Grabenstein
Martin Edwards, WHERE EVERY PROSPECT PLEASES, Robertson Halkett
Curt Evans, THE ORIGIN OF EVIL, Ellery Queen
Rick Horton, THROUGH SPACE TO MARS, Roy Rockwood
Nick Jones, THE ART OF NEIL GAIMAN, Hailey Campbell
Margot Kinberg, A BLUNT INSTRUMENT, Georgette Heyer
Rob Kitchin, DOG ON IT, Spencer Quinn
Gerard Saylor, THE THIN MAN, Dashiell Hammett
Kevin Tipple,/Barry Ergang, NOT SLEEPING, JUST DEAD, CharlesAlverson
The FEMMES FATALES
Brian Busby, NO PLACE IN HEAVEN, Laura Warren
Bill Crider, A TOUCH OF DEATH, Charles Williams
Randy Johnson, SO YOUNG, SO WICKED, Jonathan CraigGeorge Kelley, FATALE, Jean-Patrick Machette
B.V. Lawso, THE CHINESE FEMME FATALE, Anne E. McLaren
Evan Lewis, THE VOICE, Cleve F. Adams
Todd Mason, BEYOND THE NIGHT: SIX TALES, Cornell Woolrich
J.F. Norris, TWISTED CLAY, Frank Walford
James Reasoner, THE BITCH, Gil Brewer
Ron Scheer,THE LADY DOC, Caroline Lockhart
And other reviews
Joe Barone, HELL HOLE, Christ Grabenstein
Martin Edwards, WHERE EVERY PROSPECT PLEASES, Robertson Halkett
Curt Evans, THE ORIGIN OF EVIL, Ellery Queen
Rick Horton, THROUGH SPACE TO MARS, Roy Rockwood
Nick Jones, THE ART OF NEIL GAIMAN, Hailey Campbell
Margot Kinberg, A BLUNT INSTRUMENT, Georgette Heyer
Rob Kitchin, DOG ON IT, Spencer Quinn
Gerard Saylor, THE THIN MAN, Dashiell Hammett
Kevin Tipple,/Barry Ergang, NOT SLEEPING, JUST DEAD, CharlesAlverson




















