As good a writer as Megan is, she may be an even better interviewer. I've read several she's conducted and she has a way of cutting through to the good stuff in a limited amount of time.
One quibble, and it may be semantic. All three talk about unlikable characters, and how some people say they won't read a book with no one to like. Is it really that people have to like the character, or empathize with him or her? Using Tony Soprano as an example, by my third time through the series I had no delusion about liking Tony; he's a sociopathic bastard, and a whiner to boot. Still, I found myself feeling empathy for him at times. ("He's going to have to kill Richie for this." "Big Pussy has to go.")
I think empathy is much important to the reader-character relationship than likability.
Good point, Dana. Despite Walt White being the biggest badass in the world, the writers make us see how it evolved so we feel some empathy for him from time to time.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
4 comments:
Thanks for the heads up.
As good a writer as Megan is, she may be an even better interviewer. I've read several she's conducted and she has a way of cutting through to the good stuff in a limited amount of time.
One quibble, and it may be semantic. All three talk about unlikable characters, and how some people say they won't read a book with no one to like. Is it really that people have to like the character, or empathize with him or her? Using Tony Soprano as an example, by my third time through the series I had no delusion about liking Tony; he's a sociopathic bastard, and a whiner to boot. Still, I found myself feeling empathy for him at times. ("He's going to have to kill Richie for this." "Big Pussy has to go.")
I think empathy is much important to the reader-character relationship than likability.
Good point, Dana. Despite Walt White being the biggest badass in the world, the writers make us see how it evolved so we feel some empathy for him from time to time.
Thanks for sharing this one, Patti.
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