FFB: THE YELLOW DOG, Georges Simenon

(reviewed by Ed Gorman)

The early Maigret detective novels by Georges Simenon bear the stamp of the busy pulp writer Simenon he was before finding his voice and mission with the cranky even surly Commissaire.

In The Yellow Dog, a particularly well-plotted crime novel, Maigret travels to the small coastal town of Concarneau where a local wine merchant has been murdered under mysterious circumstances. According to a witness the man was strolling home on a windy night and paused to walk up steps leading to the narrow sheltered porch of a long empty house. Moments later the man fell backwards, dead from the shots.

Once there Maigret meets the four men and one waitress who seem to know much more than they're willing to share with him. He also sees a large yellow dog that keeps appearing at the crime scenes to come. Maigret feels a kinship with the animal which is more than he can say for anybody he meets in the town. 

Where did the dog come from? Why does he keep showing up at such odd moments? Does he belong to the person who by book's end kills more people?

This is a serial killer novel. Simenon even casts the local newspaper as one of the villains. The editor has a history of exploiting bad news to the point of making each local tragedy worse. And the killings are no exception. Simenon suggests that it is sop for Frenchmen to a) have mistresses and b) go about armed. Both are factors in the investigation. 

Most of the elements of classic Maigret are here. The weather is as vivid as the characters; Simenon buttresses his sociological look at French life with bleak humor; and his pity for decent people life has treated badly borders on the religious along with his contempt for pomposity and self-importance and cruelty. 

There is always a claustrophobic feel to the Maigrets; this allows the reader to experience what the Inspector himself does. As a forlorn chronicler of humankind Simenon is still without peer.

(We miss you, Ed)

Short Story Wednesday: "For Esme with Love and Squalor" J.D. Salinger

 

 

https://www.youtube.com/watch?v=2Iw7vSDCtRE 

First published in THE NEW YORKER in 1950, this is the story of a GI near the end of the war who meets a precocious young girl and her precocious brother in a restaurant after observing them at choir practice. He has an engaging conversation with her, finally promising to write a story for her. The second scene is the story he writes and the squalor is the shell shock he is experiencing as the war winds down. He receives a letter from her and enclosed is her dead father's watch, the face broken in transit. 

This one is collected in NINE STORIES. Literary writers today aren't as easy to read as the ones of an earlier generation: i.e. Updike, Cheever, Mailer, Bellow, McCuller, Cather, etc. Their style of writing did not call as much attention to itself and the point was usually fairly discernible. At least to me. What do you think?

Todd Mason

George Kelley 

Kevin Tipple 

Jerry House

Monday Monday

 Josh and Julie took me to see a local production of SINGING IN THE RAIN, which was amazingly good. The staging was so impressive in contrast to what you would have seen two decades ago. Today I go to see SIX.

Beautiful weather. It hasn't rained in a long time. And today it cooled off. 

I never have to have a colonoscopy again. Yay! Unless of course, there are troublesome symptoms. 75 is the cutoff.

Sad to see SUCCESSION, BARRY, TED LASSO and MRS. MAISEL go, All I have left is TOP CHEF, which is at the end and PORTRAIT ARTIST OF THE YEAR.

Enjoyed YOU REALLY HURT MY FEELINGS with Julia Louis Dreyfus. Four people in the audience. Kevin gives 9/10 to SPIDERMAN IN THE MULTIVERSE. I think that is his highest score ever. 

READING SCORCHED GRACE (A crime-solving nun) and THE DICTIONARY OF LOST WORDS.

                                                       Josh and Julie

FFB: IN THE MORNING I'LL BE GONE

 

IN THE MORNING I'LL BE GONE, Adrian McKinty

This is the third book of what McKinty calls THE TROUBLES TRILOGY. This won the Ned Kelly Award and I enjoyed it immensely. It's a locked room murder inside a story of the troubles. I have not read the first two books so that probably factors in to a certain lack of knowledge of the character and his problems with the Royal Ulster Constabulary,

Sean Duffy has a chance for reinstatement in the local forces if he is able to find the whereabouts of an infamous IRA member. The two were childhood friends so this gives him a certain insight into the terrorist. His deal with those who can tell him Dermot's whereabouts is to solve the locked room murder of their daughter a few years back. And watching Duffy solve this crime is enjoyable. McKinty writes very clearly and yet doesn't repeat himself. It's a pleasure to be led through the clues by such a good plotter.

Also enjoyable is McKinty's use of Joseph Kennedy Jr. on a trip to Belfast. And the final scenes, which take place during Margaret Thatcher's stay in a Brighton Hotel, are exciting. I liked the style of writing and the cast of characters a lot. We get some of Duffy's life but not enough to slow the action down. I also really like the single POV in this book. It does make following a plot easier. Highly recommended for crime fiction lovers.

Short Story Wednesday: AT THE GATES OF THE ANIMAL KINGDOM, Amy Hempl

 Amy Hempl is considered a master of the minimalist short story. Many of her stories are less than 3000 words and still manage to convey characters and story. "Rapture of the Deep" is about a temp sent to spend Halloween with a bedridden woman who is afraid to have her house unguarded with kids coming to the door. All the things they might do in revenge, which she outlines. Their conversation mostly concerns the rings the invalid has on her fingers. Then the temp confides the death of a man she was engaged to by "Rapture of the Deep" which is what happens when someone scuba diving goes too deep and loses consciousness. The temp leaves, taking some Halloween candy and paper clips with her and remembers too late the remote is out of the woman's reach. The stories are slight but leave the reader with something to think about. 

Todd Mason

George Kelley 

Kevin Tipple 

TracyK 

Jerry House

Monday, Monday

 A quiet week with too many doctor appointments. Nothing serious but once you have cancer, even one not requiring anything too horrible, you are constantly being checked. And this week a colonscopy, which would be bad enough but I am sure I will flash back to the last one where Phil was diagnosed with colon cancer. 

Very nice weather although we went from forties to almost ninety in a week. Reading THE DICTIONARY OF LOST WORDS for my book group. So far, it is too twee for me but maybe that will disappear as our heroine ages. I got 2/3 through STAY TRUE but got bored with the examination of nineties music, which seems to be most of it. Read an article about Alice Sebold in the NEW YORKER, which was terrifying. She was the author of LOVELY BONES and LUCKY and her false (inadvertent) testimony put a man behind bars for 20 years. 

TV-So sad SUCCESSION ends tonight. MRS MAISEL ended well but after a lackluster final season. TED LASSO and BARRY are also ending. Still watching PORTRAIT PAINTER OF THE YEAR, which as someone with 0 artistic talent, I find fascinating. 

What about you? 

The Pierre Chambrun series by Hugh Pentecost

 I love looking at some of the older forgotten book posts and this one really peaked my interest. AGAIN.

(From Kaye Barley in the archives)

The Pierre Chambrun series by Hugh Pentecost

Hugh Pentecost. I thought I had remembered the PERFECT forgotten books. Perfect! Couldn’t wait to squeal about an author who I haven’t heard mentioned in forever. You can imagine how my chin hit the floor as I read Lesa Holstine’s November 28th blog post when the name Hugh Pentecost jumped off the page at me.

But, Lesa and I do tend to enjoy a lot of the same books, so perhaps not too surprising. Except this was a series which ended in 1988! How ironic is it for the two of us to want to re-read and remember these books at exactly the same time, and want to bring them to “Friday’s Forgotten Books?” It gives even more emphasis to the fact that they deserve to be remembered. Lesa did her usual excellent job in bringing these books to life and stirring some interest.

If you haven’t already read the Pierre Chambrun series, I too encourage you to try to find them and give them a try. I think my love of and curiosity regarding all things having to do with hotels must stem from discovering Kay Thompson’s ELOISE at an early age. I find myself drawn to books which have hotels as a “character.” Especially a luxury hotel, which is a world unto itself. Upon discovering this series, I was in heaven. I continue re-reading the novels and short stories simply to lose myself in the Beaumont Hotel.

Hugh Pentecost was the pseudonym of Judson Philips (1903-1989). Philips was a founding member of the Mystery Writers of America and served as its third president, in addition to being Grand Master in 1973. Pentecost’s luxurious Beaumont Hotel is the leading character in 22 books. When asked if the Beaumont was based on the Plaza, the Ritz, or another luxury New York City hotel, Mr. Pentecost replied that although he knew these grandhotels well, none of them were as well known to him, nor as well loved, as his own Beaumont, which was as real to him as his own home.

While we don’t ever find Eloise scampering the halls of the Beaumont, there’s a host of interesting characters with their own stories and secrets to keep us entertained. At the start of the series, which was begun in 1962, we’re introduced to Pierre Chambrun who is the much admired, well loved, lord and master over the Beaumont. We’re also introduced to a cast of supporting characters – most of whom are still employed by the hotel when the series ends in 1988. There are few character changes; but the changes are important to the series, and I think perhaps one of the reasons for its successful, long life. They include replacing Mr. Chambrun’s original insignificant secretary with the intriguing Ms. Ruysdale. The involvement between Chambrun and Ruysdale is developed slowly and intricately during the series until the very last line in the very last book leaving no mistake as to the nature of their relationship.

Another important change is losing a likeable key character, Alison Barnwell, public relations manager. Alison marries and she and her husband move away from the city to open their own hotel. By replacing Alison with Mark Haskell, the series gains its “voice.” It's through Mark that the rest of the stories are told. The relationship between Mark and Pierre is very much like that between Nero Wolfe and Archie. A relationship which would not have been as wholly believable with a female character during this time period. One additional recurring character who remains a favorite is the elderly Mrs.Victoria Haven. Penthouse resident. One time stage star, and legendary beauty. A woman of great dignity, intelligence, mystery and humor. My favorite books in the series are the ones which include Mrs. Haven. Into this close, closed and tight knit community fall the adventures of the rich and famous, infamous, innocent or not so, scrupulous or unscrupulous, always intriguing visitors with mysteries begging to be solved.

Short Story Wednesday:THE COLLECTED STORIES OF ERNEST HEMINGWAY

The Collected Stories of Ernest Hemingway (reviewed by Ed Gorman)

If you grew up in the Forties or Fifties it was impossible to imagine that the literary luster of Ernest Hemingway would ever dim. I've never known of a writer as imitated (usually badly) as ole Papa.

He loved it. He carefully crafted the public persona of adventurer and man's man the press and the people loved. Novels such as A Farewell To Arms and For Whom The Bell Tolls outsold the books of his contemporaries.

But time and taste caught up with him and we now see that Hemingway's novels weren't quite as good as we once thought. He certainly had no Gatsby to brag of nor even a Grapes of Wrath by the despised Steinbeck; Papa believed he was a terrible writer. For me the only novel of his worth reading now is The Sun Also Rises. It's not a great novel but it's fascinating one and much truer to the real Hemingway than the novels he wrote afterward.

But then there are the short stories. Back in the day his collected stories were referred to with great reverence as The First Forty-Nine. Many of them were reprinted dozens if not hundreds of times around the world, textbooks included. They still deserve the reverence paid them back then.

From his story of death and dying ("A Clean, Well-Lighted Place") to his sad and ironic tale of a soldier who came back from the First World War too late for the parades ("Soldier's Home:) to the stories set in Upper Michigan this is American literature at its finest. This was Hemingway before he became Papa--the confused boy-man who went to war and then set himself up in Paris to write.

In numerous stories here he proves himself the equal of Faulkner (whom he saw as his main competition--he'd already arrogantly written off his old friend (and the guy who got him his Scribner contract) Fitzgerald) in experimenting with point of view. The line, as several critics
mentioned at the time, went from Stephen Crane to Mark Twain to Hemingway, that pure American voice. If you read Crane's The Blue Hotel before you reading Hemingway's Collected Stories you'll hear the echoes throughout start the book.

For readers and writers alike, this is one book that should be in every serious collection. There was no more vital and powerful voice than Hemingway's in his early stories (and I don't include The Old Man And The Sea which I never much liked; way too self-consciously Important). Today they're just as pure and perfect as they were when first published. All hail Hemingway.

 Jerry House

TracyK 

Todd Mason 

George Kelley

Monday, Monday

My reading for the last few days was BEWARE THE WOMAN, which was terrifying and beautiful. Of course, I am her mother.

Saw four good movies, two at the theater: BLACKBERRY and RIO BRAVO.

Two Erich Rohmer movies on Criterion Channel: A TALE OF WINTER, THE GREEN RAY. They are very similar in plot: a discontented female is looking for love in France. These movies are very slow and yet you stay with it. Who else gives women a chance to whine and cry?

TV: SUCCESSION, BARRY, TED LASSO, PORTRAIT ARTIST OF THE YEAR (Tubi), THE DOGHOUSE (HBO MAX). 

Happy birthday to my daughter-in-law, Julie Nichols, a great mother, daughter, wife. Julie works for Michigan Legal Services, representing people who can't afford an attorney.

What about you?

FFB: A PERFECT MATCH, Jill McGown (reviewed Richard Robinson)

 

Friday Forgotten Book: A Perfect Match by Jill McGown

Originally Posted on December 18, 2015 by Rick Robinson

A Perfect Match by Jill McGown, Fawcett Crest 1983 mass market paperback, mystery, first in Detective Inspector Lloyd & Judy Hill series.

“The September dawn crept over the sky like water on blotting paper, spreading a fine, thin light to supplement the yellow glow of the street lighting. In the town centre shopping precinct, photo-cells registered the increase, and the anti-theft store lights clicked softly, obediently switching themselves off.”

Once again, a recent Friday Forgotten Book review encouraged me to find a copy of a book. This book, to be specific, and, as it was at hand, just having come in the mail, I read it and here are my thoughts.

This is the first in a series, and I never know quite what to make of a first-in-series book. Is the author experimenting with setting and characters? Is this a plot that came to the author like a bolt of lightening, some inspired idea, an epiphany ? Or has the writer cobbled something together between lunch and dinner? With a first in series novel, you never know. So I sat, I read and here’s what I think.

Stansfield is a small English town an hour’s drive, perhaps a bit more, from London. Detective Inspector Lloyd Hill works on major crimes, but murder isn’t common. So it’s an unpleasant surprise when the body of a woman, dead, naked, strangled, is found in the woods near the boating lake just outside of town. The relationships between the victim, the family with whom she has been staying, her solicitor, his wife, the mechanic at the local garage, the estate agent working to sell the boating property to the town are all very tangled. In fact, the primary element in this mystery is tangled relationships. I suggest the reader pay close attention to that early on, or things will seem even more complicated than they turn out to be, and that’s complicated indeed.

I liked the book enough to try the next in the series, though it’s a bit off-putting when I guess the murderer very early on. Not that the author didn’t try to trick me away from my early conclusion, but I wasn’t convinced.

Another thing I should mention is that some of the relationships I mentioned are between the Inspector and his “charming young detective sergeant” Judy Hill. I assume that continues in following books. So if you’re opposed to a bit of “relationship” in your mystery books, you’ve been warned.

 

Short Story Wednesday: OUT OF THE WOODS, Chris Offut

 

Christ Offut is the author of many short stories and novels and several memoirs. I read MY FATHER, THE PORNOGRAPHER, a memoir a few  years back.

I think I have read some of these stories elsewhere.

I really like his style. The stories are spare, lean. Very little use of adverbs or adjective and yet we feel immersed in the Kentucky or in Nebraska, where he happens to set the story. 

In the two stories here, these are men and women living hardscrabble lives. Language is sparse too,

In the title story, a new family member is sent to fetch a brother-in-law hospitalized, four states away. He has been shot by a woman. The trip is a long one and when he gets there the man is dead from an embolism. Gerald asks to see the woman whose gunshot led to the death. Her story of the incident is as nutty as you might expect in a story like this. He persuades the sheriff to let him take the body home and on the way home, he invents a story that might be easier to hear to his new family. Exactly the kind of story I find satisfying because the writing elevates it, the characters seem real, the setting sparkles. 

 

Jerry House

Todd Mason--for any Charles Portis fans, follow Todd's links to register for the free webinar tonight 

George Kelley

Kevin Tipple

Monday, Monday

 Although I am still watching SUCCESSION, BARRY and a few regular shows, I have drifted into watching THE DOG HOUSE, a real tear- jerker about dogs and the people they rescue, JEWISH MATCHMAKER, and PORTRAIT ARTIST OF THE YEAR. Oh, and COUPLES THERAPY. Am I losing the ability to follow a narrative?

I finished HELLO, BEAUTIFUL. And my dilemma on what to read next was solved when Megan's new book arrived. 

No movies, but I did go to see ALADDIN at the Fisher Theater in Detroit. Although the music was all new to me, I enjoyed it and most of all enjoyed the staging. Funny to see a musical where only one woman had a speaking part. When did staging become such an important aspect of these musicals. I also saw COSI FAN TUTTE, a student production, but very competent. It was in a brand new auditorium at Oakland University in Rochester where there were NO HAND RAILS. Are they kidding? Do they know the age group that comes to these things? 

How about you guys?

Happy Mother's Day

 

                                                        Miss you every day, Mom.

FFB: Dead ANYWAY, Chris Knopf (from the archives reviewed by Jeff Meyerson)

Chris Knopf, Dead Anyway (2012), Jeff Meyerson

People always ask (I know, I ask too) how you decide what to read next.  Might as well ask, how do you decide what to read, period?  I have a list of favorite authors whose books I read when they come out but for newer writers or ones I don't know I tend to lean on recommendations from friends, reviews here or on other blogs, plus newspaper and magazine reviews.  If they sound interesting to me, I'll check them out.

Chris Knopf had two earlier series set in the Hamptons, but this is the first in a new series.  Apparently Bill Crider reviewed it when it came out last year but somehow his review did not make enough of an impression on my brain until I read his review of the sequel a few weeks ago, linking back to his Dead Anyway review.  Then I thought, this sounds good. And it is.

 

How's this for starting with a bang?  Arthur Cathcart, an overweight 40ish guy working at home doing market research and other high end computer research, married to a gorgeous woman who owns a real estate firm near their home in Connecticut, comes home from a walk to find his wife sitting on the couch and a man holding a gun on her.  The man insists she answers five questions written on a paper, and to emphasize his seriousness, he shoots her husband in the thigh.  She answers the questions only to have the man, clearly a hired killer, shoot her in the head and kill her. Then he shoots Cathcart, who somehow doesn't die.

 

Now you may be able to resist seeing what happens next, but I sure couldn't.  Cathcart is gravely injured and decides (with the help of his physician sister) to stay dead and use his computer skills to discover who killed his wife and why, not easy in the post-9/11 world.  But first he has to recover enough physically and mentally to be able to act.  Along the way he gets some help from a woman named Natsumi Fitzgerald, who throws her lot in with his.

 

I really enjoyed this one and will be reading the sequel as soon as it comes in to the library.  Definitely recommended.

                                                                                                  

 

Short Story Wednesday: LOST IN THE CITY, Edward P. Jones

This is one of my favorite collections of stories, and I have written about it before. The stories are set in D.C. between the fifties and the eighties. Jones writes beautifully about ordinary people, enduring what Black people have for so long endured. This collection won the Penn Hemingway Award. Jones' novel, THE KNOWN WORLD, the story of a Black slave owner, won the Pulitzer Prize. 

"The First Day" is the story of a mother taking her six-year old to school for the first time. The mother takes her to a school near her church, and is told it's the wrong school. Reaching the correct school, the mother is asked to fill out a form. She admits she cannot read and asks for help filling out the form. She has brought all sorts of forms and paperwork with her, not understanding what will be needed, thinking she has to prove her daughter's right to attend school. It occurs to the reader what a deficit this must be in navigating nearly every facet of modern life. It is nearly impossible to believe illiteracy still exists but it's just more hidden, I think.

When she finally turns to go, the child notices her mothers darned socks and loud shoes, probably for the first time. The details in this very short story nail the tone and sadness so well. 

George Kelley

Kevin Tipple 

TracyK 

Jerry House 

Todd Mason

From the Bookreporter

What a wonderful Mother's Day Gift

Blog

May 8, 2023

Whodunit

• Mother's Day Author Blogs 2023

Megan Abbott is the Edgar Award-winning author of such novels as THE TURNOUT, GIVE ME YOUR HAND, YOU WILL KNOW ME, THE FEVER, DARE ME and THE END OF EVERYTHING. Her latest, BEWARE THE WOMAN, releases on May 30th and dissects the ongoing conversations about ownership and womanhood. Megan’s mother, writer Patricia Abbott, introduced her to countless books as a child and was the biggest influence on her reading habits. Patti gave Megan her first “adult” novel to read, which began her love of mysteries and thrillers, helping to pave the way for her career as a bestselling crime fiction author.

---

 

I come from a family of readers and a house stuffed with books --- great teetering piles of used books, library books, moldy paperbacks and plastic-sleeve bestsellers. And no one influenced by voracious reading habits more than my mom, Patti Abbott (now a writer herself). Through most of my childhood, she read as much as a book a day. In addition to her adult tastes (Philip Roth, Anne Tyler, John Irving), she would read books along with me, even reading them aloud while my brother and I washed the dinner dishes for our weekly allowance --- especially what would become one of my favorites: WHEN HITLER STOLE PINK RABBIT by Judith Kerr.

I have such vivid memories of my mom introducing me to the glories of Maud Hart Lovelace’s Betsy-Tacy series, and later, LITTLE WOMEN, and still later, Norma Klein and, of course, Judy Blume. And no book was forbidden. She seemed to have an uncanny knack for finding the books that would be right for me --- stories about girls and young women, often loners, idiosyncratic, even surly (Francis Hodgson Burnett’s THE SECRET GARDEN) or far darker (Patricia Clapp’s JANE-EMILY).

But, as a crime novelist, perhaps the memory that looms largest is the moment she placed in my hands my first “adult” novel: THE MURDER OF ROGER ACKROYD. My father and mother both consumed mystery series avidly: Ngaio Marsh, Dorothy Sayers, Georges Simenon and, of course, Agatha Christie. My mom must have sensed long before me that I wanted to be a part of their mystery-binging because she assured me that I’d never guess the ending of THE MURDER OF ROGER ACKROYD, and it felt like a dare. Now, I think of it as a Tom Sawyer trick to get me to make the leap from Encyclopedia Brown and the wondrous Harriet the Spy to the adult world. But fall for it I did, and so began my lifelong consumption of mysteries and crime novels.

The family lore became that I did in fact successfully guess Christie’s famous twist before the ending, but I now suspect even that was just a way of luring me on further --- to Daphne du Maurier and Patricia Highsmith; into adolescence, Thomas Harris and Caleb Carr; and then onto James Ellroy and the hardboiled master. I’m so grateful for it, and for her, and to everything she gave me --- a lifetime of books, including all the ones we still share.

Monday, Monday

 I enjoyed the Alan Pakula  (Prime) documentary. He directed a few of my favorite movies (All the President's Men, Klute). Did not know of his horrific death however.

Saw Are You There God, it's me Margaret? with a decent-size audience on a Friday afternoon. It was faithful to the book and charmingly acted. 

Still reading, Hello, Beautiful and various short stories. 

Listening to the new Julia Louis-Dreyfus podcast  (Wiser Than Me) in which she interviews older women (Fonda, Reichl, Allende, Darlene Love). At the end of the interview she calls her mom and they discuss it. Very likable. 

Watching Succession (Max), Barry, (HBO) The Dog House (Max), Israeli Matchmaker (Netflix), The Servant (Apple), Ted Lasso (Apple) A Small Light (Hulu, Discovery, Disney)

A Small Light is the Anne Frank Story told from the perspective of Miep who was the woman who took care of them.

What about you?

FFB-GASPING FOR AIRTIME: TWO YEARS IN THE TRENCHES OF SNL, Jay Mohr

Funny how you stumble on fairly obscure books once in a while. I was listening to a Curtis Sittenfeld interview about her new novel ROMANTIC COMEDY. The novel is about a writer working on a show modeled on SNL. She referenced several books that she read in order to understand the workings of the show and this was one of them. Jay Moehr was on the show from 1993-95 and recounts his experiences in GASPING FOR AIR. Apparently not having much success in either getting your scripts on air or on appearing on air quickly is very common. But Moehr doesn't seem aware of that and felt unsuccessful with the few appearances he made. The book details what various cast members and guests and the production wing of the show were like. At just 21, as many first-year cast members are, he was too immature to know how to hone his craft or wait it out. 

Sittenfeld also recommended a documentary SATURDAY NIGHT (Directed by James Franco) which documents the making of an episode in 2008. This was fun to watch too--to see all the jockeying that goes on to get a script accepted for the show. Men during that period certainly seemed to have the upper hand. Witness Bill Hader, Fred Armissen, Seth Meyers, Will Forte, Jason Sudeikis

BEWARE THE WOMAN

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Hey, you! Just dropping into your inbox to let you know my new novel, Beware the Woman hits bookstores on May 30. Scroll down for Preorder Links and Tour Dates below. Beware the Woman is the story of Jacy—newly married, with a baby on the way—and her new husband, Jed, embarking on a trip to visit Jed’s father, Dr. Ash, in a snug cottage in Michigan’s far-flung Upper Peninsula. Once there, Jacy has a mild health scare and her Edenic idyll turns into something far darker... I’m also going to be adapting it for a feature film—more on that soon! ADVANCE CRITICAL RESPONSE Time Magazine highlighted it in their "Best of May" list, noting "Abbott spins an enigmatic tale web of foreboding and unease as she delves into family secrets and gender politics" in a novel "brimming with suspense." Publishers Weekly named it one of the Best Summer Reads 2023. In their (starred) review, PW writes, “spine-tingling suspense… a masterful and provocative deep dive into desire, love, and gender politics. Readers will be left breathless.” Oprah Daily said, “With this bewitchingly creepy tale, thriller queen Megan Abbott keeps readers questioning whether this family getaway is the stuff of anxiety dreams or Bluebeard nightmares.” Booklist (starred review) called Beware the Woman “another knockout performance… A real treat for the author’s many fans and for everyone who treasures that sense of Gothic-tinged trouble both within and without. Think Rebecca in the UP. Abbott's a crime-fiction A-lister now.”  Kirkus Reviews: “Abbott masterfully builds a claustrophobic atmosphere of mistrust and insecurity reminiscent of Get Out.  An unsettling, nightmare-inducing morsel from a master of suspense.” PREORDER LINKS   Preorders are so appreciated! You can preorder Beware the Woman at your favorite bookstore or…  Bookshop Barnes & Noble Amazon Audible Powells  Hudson Booksellers Books a Million Target Walmart… and many other places. THE TOUR BALTIMORE, MD Tuesday, May 30 at 7 PM Greedy Reads – Remington store 320 W 29th St Baltimore, MD 21211 Register here.   PHOENIXVILLE, PA (near Philly) Wednesday, May 31 at 7 PM Reads & Company 234 Bridge St Phoenixville, PA 19460   BROOKLYN HEIGHTS, NY Thursday, June 1 at 7 PM Books Are Magic – Montague store 122 Montague St Brooklyn, NY 11201 Register here.   SCOTTSDALE, AZ Sunday, June 4 at 1 PM Poisoned Pen 4014 N Goldwater Blvd #101 Scottsdale, AZ 85251   DENVER, CO Monday, June 5 at 6 PM Tattered Cover – Colfax store 2526 E Colfax Ave Denver, CO 80206   WICHITA, KS Tuesday, June 6 at 6 PM Watermark Books 4701 E Douglas Wichita, KS 67218    HOUSTON, TX Wednesday, June 7 at 6:30 PM Murder by the Book 2342 Bissonnet Houston, TX 77005   ST. LOUIS, MO Thursday, June 8 at 7 PM St. Louis County Library – Grant’s View Branch 9700 Musick Rd St. Louis, MO 63123   DETROIT AREA Wednesday, June 28 at 7 PM Barnes and Noble – Detroit/Livonia 17111 Haggerty Rd Northville, MI 48168   PETOSKEY, MI Thursday, June 29 from 1-3 PM McLean & Eakin Booksellers 307 E Lake St Petoskey, MI 49770   QUOGUE, NY Sunday, July 16 at 5 PM Quogue Library Summer Series 90 Quogue St Quogue, NY 11959   I so hope you like Beware the Woman. And thank you. Your support means so much. Xo Megan

 

Short Story Wednesday

Some weeks I just can't find a short story I want to talk about--or even finish. Hope you guys did better. 

Jerry House

George Kelley 

Kevin Tipple 

TracyK  

Todd Mason

Monday, Monday

 

Heard a lovely cello concert Saturday night at the Seligman Auditorium, ten minutes away.  Why is the piano always backup to the cello? 

Friday night we listened via a link to Robert Jones, who wrote the amazing book THE PROPHETS. His talk at Marygrove Conservancy was about his experiences getting an MFA at Brooklyn College twenty years ago. He was repeatedly told if he want to be published he would have to expand his stories beyond the Black community. I remember Toni Morrison saying this too on the documentary about her on Netflix. 

The rage Black people must feel toward white people worldwide can never be addressed, no matter how large the reparations. 

Reading HELLO, BEAUTIFUL by Ann Napolitano. Also short stories courtesy of Jeff Meyerson. 

Watching TED LASSO, SUCCESSION, BARRY, THE DOG HOUSE (Max), COUPLES THERAPY (Paramount) For a person who has never owned a dog, I love stories about them. Don't know why. 

How about you?

TURN EVERY PAGE: movie recommendation

Robert Caro, a biographer of Robert Moses, and Lyndon Johnson (4 volumes so far) and Robert Gottlieb, an editor, have been working together for fifty years and this delightful documentary gives you a sense of that relationship. Caro is working on volume 5 now and it's a race against time but he will not be rushed and ruin the gift he has left us. Phil and I listened to MASTER OF THE SENATE on a trip to Cape Cod once and he held us spellbound. This is available now on PRIME for $5.99 and I highly recommend it. (Gottlieb has edited around 500 books beside Caro's. Both men are feisty and interesting.

FFB: THE PLOUGHMEN, Kim Zupan

Kim Zupan, The Ploughmen (from the archives, reviewed by Ron Scheer) 

One reader has compared this novel to No Country For Old Men because of a murderous central character, John Cload, who brings to mind yet another dark work of fiction The Silence of the Lambs. Cload is more than a little like Hannibal Lecter, as he befriends a deputy sheriff who keeps him company from outside his jail cell through long, sleepless nights and escorts him to and from the county courthouse where he is under trial.

The deputy, Valentine Millimaki, has been encouraged by the sheriff to learn what he can about Cload that might help in the trial. But besides a single killing, for which there was a witness, the deputy remains unaware that Cload has bodies buried all over the rough Montana country along the northern shores of the upper Missouri River.

Not more than marginally interested in Cload anyway, Millimaki has troubles of his own. Cload correctly senses that they are woman troubles. As a schoolboy, Millimaki once discovered the body of his mother, who had hanged herself in a barn on the family farm. Now, his young wife has left him, weary and depressed by life in a backwater Montana town.

 

Missouri River, below Great Falls, Montana

Missoula writer Kim Zupan has a wonderful gift for lucid and sharply polished prose. As much of the novel takes place at night or in the waning days of autumn, there is an awareness of light and shadow through many of the scenes. You know as Millimaki walks the corridors of the jail or sits outside Cload’s cell exactly how the fluorescent lighting affects what can be seen.

His characters are strongly drawn and come alive in realistic dialogue. Most absorbing for the reader is the strange and fragile bond that develops between the two men. One has the calm clarity of a man who knows he is about to be convicted of murder. The other surrenders to a pervasive gloom as he is overtaken by loneliness, and his life slowly derails. Each needs the other, but for very different reasons, which do not become evident until the final chapters.

The Ploughmen is currently available in paper and ebook formats at amazon and Barnes&Noble.

 

 

Short Story Wednesday: INTO LOVE AND OUT AGAIN, Elinor Lipman

 

Jeff sent me three story collections. I picked up the Elinor Lipman one first because although I admire her novels, I had never read her stories. There are story collections where you can only read one at a time because they are so difficult, sad, or so thought provoking that one at a time is enough. Lipman's stories are so enjoyable you have trouble putting the book down, unusual for stories.

This collection is from 1987 but it seems completely contemporary and it's hard to put my finger on why. I think it's because many female writers still tell this sort of story. Stories about women struggling to find love, struggling with their families (especially their mothers) struggling to get the right balance of career, home, love, friends. Breezy stories for a rainy afternoon in Detroit. Light but not froth or trivial. Thanks, Jeff!

George Kelley 

Kevin Tipple

 Tracy K

Todd Mason 

Jerry House

Monday, Monday

So  much rain. The grass is neon.

Got to one movie this week. Despite good reviews, I didn't think much of this, often sour, film. The Italian family portrayed seemed so generic and the jokes did as well. I was happy to see a decent audience although too many of them forgot to turn off their phones. I think a better writer could have pulled a stronger script from the pieces left behind.

SUCCESSION is still amazing me. Talk about strong writing. There are at least three podcasts that have devoted themselves to an analysis of it. 

BARRY also seems to be going out on a strong season. 

I watched one episode of THE DIPLOMAT and Rufus Sewell seems to be stealing the show. Tried MRS. DAVIS but not sure it's for me. Because so many series are shot in New Mexico now that landscape seems more familiar to me than New York or LA.

SPIN on the Roku channel seems promising but a very short series apparently.

Enjoying HELLO BEAUTIFUL, which is an homage to LITTLE WOMAN, with Laurie becoming a more central character. If you don't remember him, he was the neighbor boy who eventually married Amy. 

Off to see a play today. What's new with you?

FFB-The First One:Desperate Characters, Paula Fox

FRIDAYS: The Book You Have to Read (Many years ago...)

This is the first of what I optimistically hope will become Friday recommendations of books we love but might have forgotten over the years. I have asked several people to help me by also remembering a favorite book. Their blog sites are listed below. I also asked each of them to tag someone to recommend a book for next Friday. I'm worried great books of the recent past are sliding out of print and out of our consciousness. Not the first-tier classics we all can name, but the books that come next. Here's my choice.And here were the first choices from other bloggers.

 City by Clifford D. Simak (Bill Crider)
The Lady in the Lake by Raymond Chandler (Clair Dickson)
Scar Lover by Harry Crews (A.N. Smith)
Death of the Heart by Elizabeth Bowen (Sandra Scoppettone)
The Dog of the South by Charles Portis (Patrick Shawn Bagley)
Dust Devils by James Reasoner (Sandra Ruttan)
The God Files by Frank Turner (Brian Lindenmuth)
Don't Let's Go to the Dog Tonight by Alexandria Fuller (Josephine Damian)
The Rock Orchard by Paula Wall (Travis Erwin)
When the Elephants Dance by Tess Uriza (Ello)
The Price of Salt by Patricia Highsmith (Eudamonia for All)
Desperate Characters by Paula Fox (Patti Abbott)

Desperate Characters by Paula Fox

It's difficult to remember, thirty years on, New York in the seventies, The City was facing bankruptcy, the streets were dangerous, frequent strikes left unattended garbage for the rodents, buildings crumbled. Paula Fox's novel Desperate Characters perfectly captures that time along with the similarly disintegrating marriage of Sophie and Otto Bentwood. The story begins with an unexpected cat bite. "Because it's savage," Otto answers Sophie's puzzled, "why?" It was a cat she was trying to feed that bit her. This well-intentioned act, this McGuffin, sends the couple off on a weekend odyssey, where ominous events continue to haunt the childless couple. They find little solace in each other and there is no easy resolution at the end. The quiet desperation that suffuses their story is heart-breaking. The writing is haunting, lucid, and succinct.
Fox has also written two books about her life (Borrowed Finery and The Coldest Winter), a few other novels (The Widow's Children) and many children's books. But nothing is finer than this one for me.

 The links courtesy of Todd Mason

Short Story Wednesday: "Walk the Blue Fields" Claire Keegan

 

Is there any contemporary writer as good as Keegan at combining the earthy and the ethereal? I doubt it. I have read the first four stories (or listened to) in this collection and all manage to do this. First is the writer who is given a cottage to work in (and then doesn't) at least according to the priest who chastises her for living in Heinrich Boll's cottage and not taking the gift seriously. Or the priest who watches the woman he didn't marry get married and finds solace in nature. Or the girl leaving Ireland and the memories of her father's abuse behind. Many of these are online now and many are read aloud. She certainly rose to the top quickly and based on her great talent. 

Todd Mason

Jerry House 

George Kelley 

Casual Debris

Martin Edwards

James Reasoner

Monday, Monday

 

A quiet week with great weather. I wonder how many used bookstores like Charles Shaw in Grosse Pointe Park are still around. This huge collection of unusual books is normally only open on Saturday afternoons. We caught it on an April Friday and were so lucky to get inside. It doesn't have many mysteries or even that much fiction but instead has amazing collections of books about sea-faring, music, poetry, diaries, Michigan, Detroit, African-American books and on and on. I restrained myself but my friends who has extremely wide interests found a few books to take home. Saturday night another two friends and I went to hear folk music at the Unitarian Church. 

The greatest episode of SUCCESSION played last week. How can they top it? Trying to get into BEEF, but it's awfully unpleasant. Will stick it out for a while. Looking forward to BARRY tonight although another unpleasant show. I think I can take unlikable characters more in books than on TV.

Reading LONE WOMEN (Victor Lavalle), WALK THE BLUE FIELDS (Claire Keegan). Lots of podcasts. I like THE MARIS REVIEW, which interviews writers.

What about you?