Great movie and very prescient abotu the way Thatcher was going to redevelop the UK's business world (as well as Docklands) - and I'd forgotten about Brosnan's dialogue-free supporting role!
I saw this for the first time only a few years ago. I've always been a Hoskins fan, and this might be his best work. Would any director trust his actors enough today to allow a scene like this to play out, to give Hoskins the time to let his emotions evolve. In the context of the movie, Brosnan's smug look speaks volumes, too.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
8 comments:
Great scene. Great movie. In remember seeing this when it opened at the Birmingham theater in Mi.
And that's a very young Pierce Brosnan in the front seat. Love this movie--a forgotten gem!
Deb
Loved it. It was the first time I remember seeing Bob Hoskins. PENNIES FROM HEAVEN was earlier but I think I saw this first.
I remember exactly who recommended it to me (Carol Brener at Murder Ink).
Jeff M.
One of the dramatic and haunting scenes from this great film.
Great movie and very prescient abotu the way Thatcher was going to redevelop the UK's business world (as well as Docklands) - and I'd forgotten about Brosnan's dialogue-free supporting role!
Patti - Oh, I have to say I've not seen this one. Looks as though I should though...
I saw this for the first time only a few years ago. I've always been a Hoskins fan, and this might be his best work. Would any director trust his actors enough today to allow a scene like this to play out, to give Hoskins the time to let his emotions evolve. In the context of the movie, Brosnan's smug look speaks volumes, too.
Nope. And that scenes just makes the movie. He is such a brilliant actor and I don't think we've seen him nearly enough.
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