Sunday, March 11, 2012

Changing the Ending


In a book I am listening to by Carolyn Parkhurst (THE NOBODIES ALBUM), her protagonist is a writer who with her eighth book decides to change the endings of her first seven books.

I think this would be a great exercise for writers-go back to an early story and change the ending and maybe we can do it sometime.

But it made me think: in what novel/movie would you change the ending ?

Saturday, March 10, 2012

Saturday Night Music: Estelle



Gosh, it's Ray Banks and me. If you have it in you to vote one more time, go here and do it.

Friday, March 09, 2012

Friday Night Music, Sarah Vaughan

The Summing Up, March 9, 2012

Patti Abbott, An Unsuitable Job for a Woman, P.D. James
Sergio Angelini, Darkness at Pemberly, T.H. White
Yvette Banek, Ravished, Amanda Quick
Joe Barone, The Snack Thief. Andrea Camilleri
Brian Busby, A Beat in View, Margare Millar
Bill Crider, The Mammoth Books of New World Science Fiction: Short Novels from the Sixties, Isaac Asimov
Scott Cupp, The Licking Valley Cooper Hunter's Club, Brian A Hopkins
Martin Edwards, Some Must Watch, Ethel Lina White
Elisabeth Grace Foley, Hay-Wire, B. M. Bauer
Ed Gorman, The Executioner, John D. MacDonald
Jerry House, Plays for Earth and Air, Lord Dunsany
Randy Johnson, The Far Frontier, William Rotsler
George Kelley, A Princess of Mars, Edgar Rice Burroughs
Margot Kinberg, Miss Smilla's Feeling for Snow, Peter Hoeg
B.V. Lawson, The President's Mystery Plot, ed. Fulton Oursler, based on an idea by F.D. R.
Evan Lewis, The Score, Richard Stark
Steve Lewis, The Mouse in the Mountain, Norbert Davis
Todd Mason, The Fanciest Dive, Christopher Byron
Linda McLaughlin, Lost Horizon, James Hilton
J.F. Norris, Ten Little Wizards, Michael Kurland
David Rachels, The Name of the Game is Death, Dan J. Marlowe
James Reasoner, Texas Shall Be Free, H. Bedford Jones
Gerard Saylor, The Guns of Heaven, Pete Hamill
Ron Scheer, With Hoops of Steel, Florence Finch Kelly
Kerrie Smith, The Best Man to Die, Ruth Rendell
Kevin Tipple, Death Will Get You Sober, Elizabeth Zelvin
Zybahn, "Block that Metaphor," Robert Bloch

Friday's Forgotten Books, Friday, March 9, 2012

Thanks to Cullen Gallagher for taking a chance of a novice's attempt at a western. You can find it on FIRES ON THE PLAIN. Along with two other great yarns.

Dedicated to Joseph Reading, who read westerns religiously--"but not the fancy ones."


My review of A SEPARATION in up at CRIMESPREE CINEMA.

John D. MacDonald, it is. Friday, April 14th is the date. Everyone who chances by is welcom e to do a review. If you don't have a blog I will be happy to post it. Just let me know.
I am claiming APRIL EVIL since I have had it on my shelf for ten years at least. I don't know if we should coordinate books or not, but I hate being chairmany so if we have multiple reviews, we have multiple reviews. I hope this turns out even half as well as the Westlake one. And speaking of John D. MacDonald, Ed has used his amazing psychic powers to come up with this.

Ed Gorman is the author of the Dev Conrad series, the Sam McCann series, numerous westerns and other good stuff. You can find him here.

The Executioners by John D. MacDonald


I usually read a John D. novel every month or so. There are eight or nine I never get tired of simply because they're so well done.

Last night I picked up The Executioners (Cape Fear) for bedtime reading and read to page 102 before turning out the light. Yes, a few of his flaws on are on display, especially cutesy-poo man-woman dialogue but mostly in first half of the first act. But except for that this is a virtually perfect suspense novel. MacDonald wisely hews to the Hitchcock rule--suspense comes from knowing that the bomb is under the chair. MacDonald plants the bomb in the first chapter and then slowly lets the wick burn lower and lower. Several lesser incidents anticipate the final explosion.

Cady isn't Robert Mitchum's Cady but he could be his cousin. The scene where the family buries the dog Cady kills is as fresh and moving as it was the first time I read it. The wife is a tough woman, not the Polly Bergen version. And protagonist Sam, while not a typical MacDonald tough guy, is not the cipher he seems to be in the movie. JDM gives him real depth here.

The Executioners would be written very differently today. It would be angrier, bloodier, more brutal in terms of Cady's psychology (Mitchum got it exactly). But for me The Executioners bears re-reading because it's one of the best stories told by one of the best storytellers of my time on the planet.

Next week, March 16th, Todd will be the toastmaster. I will leave a link to his site.

AN UNSUITABLE JOB FOR A WOMAN, P.D. James.
(Patti Abbott)

Although James is certainly not a forgotten writer, especially with A DEATH AT PEMBERLY out as I write this, I think this is one of her least read novels since it didn't feature Adam Dagleish. It was the first James' book I read though and I liked it very much. The very young female detective, Cordelia Gray, was something new to me. And she was just about my age.

Her first case (after the suicide of her elderly mentor in a detective agency) involved the death of Cambridge dropout, Mark Callender, who died hanging by the neck with a smudge of lipstick on his mouth. Cordelia is hired to prove this was no suicide. Or, if it was, what sparked it. She finds out that and more.

Now if you look at the reviews this novel receives on Good Reads, it is clearly not a favorite of James' fans. And reading it forty years later is probably not seeing it at its best. It's a period piece in a way.

It sparked a lot of discussion at the time. Women were not a integral part of police forces, of courtrooms, of army units, and certainly not PIs. Cordelia Gray was the forerunner of the female PIs written about in the forty years since. Because Cordelia was portrayed as feminine, naive and inexperienced rather than like the ballsy women Grafton, Paretsky and Muller wrote about a bit later, she seems as much a relic as Mrs. Marple today. But at the time, it felt right. At the time, it was a step forward. You have only to look at the female policeman on LIFE ON MARS to see what they were up against. (Not to take my world view from TV, but it's a quick example)

Cordelia only appears in one more novel, THE SKULL BENEATH THE SKIN. Too bad. I would have liked to see what happened to her.

Sergio Angelini
Yvette Banek
Joe Barone
Brian Busby
Bill Crider
Scott Cupp
Martin Edwards
Elisabeth Grace Foley
Jerry House
Randy Johnson
George Kelley
Margot Kinberg
B.V. Lawson
Evan Lewis
Steve Lewis
Todd Mason
Linda McLaughlin
J.F. Norris
David Rachels
James Reasoner
Gerard Saylor
Ron Scheer
Kerrie Smith
Kevin Tipple
Zybahn

Thursday, March 08, 2012

My Life at the Theater: Freud's Last Session

We saw this at the Century Theater in Detroit in November. It was a two-person play about a possible meeting between Freud and C.S. Lewis in the late thirties in London where they mostly debated the existence of God.

It was well done although perhaps a bit static and didactic. But certainly well worth the small price we paid for it.

Greg Shepard from Prologue Books

Made it to the final four in the Spinetingler ebook contest, but I am likely to go down to Neil Smith. If you want to keep MONKEY JUSTICE afloat, vote here.


Th
e Evolution of Prologue Books, Greg Shepard

When I was a teenager, I didn’t have a bookstore in my town. So the only place I ran across new books was in the wire and spinner racks in the corner drug store and Sprouse-Reitz (too young yet to be visiting the liquor stores). We didn’t even have a used bookstore. For that I had to talk my dad into driving all the way over to Sacramento to Beer’s Books, a dusty little den where my allowance went a little further. But that didn’t happen too often.

We all know that when you’re a kid, if you don’t have something, you make do. So I poured over these drug store spinner racks. I was a science fiction reader then, so all those great John D. MacDonald and Carter Brown and Frank Kane and Brett Halliday and Mickey Spillane books were just a tease to me. They seemed to promise so much—a forbidden world of adult problems, adult concerns….and sex. Tempting, but…..

Science fiction was escape. This mystery stuff looked scary real. At the time, I kept to the safe stuff. Even the mysteries I read were safe: Phyllis A. Whitney, Conan Doyle, E. Phillips Oppenheim. But I still remember those paperback covers. Dell had all the best covers, dark and alluring. Signet was a close second. Later I discovered that Gold Medal had the best writers. Maybe they just didn’t have the best distributor in my town. That may have been the case. I don’t remember seeing them at the drug store. When I think of those spinner racks, I always think of Dell Books.

Eventually, I found out what I had been missing when I didn’t buy the hot, new Johnny Liddell mystery but kept to the latest Ace Double Science Fiction instead. By this time, sf (we never called it sci-fi) had discovered sex, too, so that wasn’t the big deal. But all the time, I had been right—these forbidden fruit books really were pretty damn dark: cynical, subversive, not always delivering a happy ending, sometimes taking the hero down at the end in a spray of lead. Most of the time the main character was just a screwed up mess.

First I discovered Cornell Woolrich because Ace started reprinting them and I was a big Ace Books collector back then. Weird, twisted stories they were: nightmarish. Then came the hardboiled period. I read all the Raymond Chandler novels. And Dashiell Hammett. And James Cain.

I started reading Jim Thompson and David Goodis in the mid-80’s when I discovered the Black Box Thrillers from England. And quickly graduated to W. R. Burnett and Horace McCoy, Peter Rabe and Gil Brewer, Vin Packer, Fletcher Flora, Harry Whittington, Charles Williams. Dark stuff, tortured heroes, crimes gone wrong, thwarted desires, lots of drinking, lots of smoking. I had found my heroes. And bought up every old mystery paperback I could find, everything I had said no to back in my youth.

Eventually I was able to translate that love affair into a reprint publishing house, Stark House Press. And even more eventually, I was able to team up with Ben LeRoy and help get these authors into the modern ebook format via a new website, Prologue Books. It’s been a long trip from a town without a bookstore to today’s internet-saturated world where everything is available. Yes, it’s all available, but Prologue just made it a whole lot easier. It’s almost like having a new bookstore in town…..

Greg Shepard

Stark House Press
Prologue Books

Wednesday, March 07, 2012

Wednesday Night Music: A. A. Bondy

Fiction Forms


Reading a short story a day, I am often taken aback by how a good novelist doesn't always write a good short story. And you can see why; he/she needs another 175 pages to develop the ideas.

Most short story writers go for a moment more than a quick solving of a murder case or the story of a life. Likewise, a good short story writer writing a novel often seems to be at a loss at what details are needed-how to keep the excitement level up over the course of an entire book

Who does both well? I don't always like Joyce Carol Oates's novels and stories-but I think her talents are great in both forms. Who else?

First Wednesday Book Review Club: THE ODDS, Stewart O'Nan



Another brilliant novel by the master.

A middle-aged couple, headed for divorce, decides to spend their final weekend together (Valentine's Day) at Niagara Falls, where they spent their first one.

They also decide to take the money left in the bank after some disastrous decisions and see if they can solve some of their troubles at the casino tables. This is not a travelogue of Niagara Falls but one that winds through their past a bit. They seldom leave the hotel, restaurants and casino in this book.

Sad, lovely, romantic, despairing, hopeful--all of these in this portrait of a marriage and what can go wrong and right with it. Just great stuff. There is no better contemporary writer (ahem, well maybe one) for me.

Check out other reviews at Barrie Summy's place.

Tuesday, March 06, 2012

Tuesday Night Music: Regina Spektor

What Would Elmore Do?

I learned this morning, MONKEY JUSTICE reached the elite eight in a contest for best ebook of 2011 on Spinetingler. I fear and dread contests (why can't we all win) but if you liked MONKEY JUSTICE and wish to vote for it--here it is.

http://www.spinetinglermag.com


It is Super Tuesday after all
******************************************************


Adverbs are pretty much out of favor in fiction writing, but here is where it trips me up.

She smiled.
She smiled slightly.
She smiled broadly.
She smiled ironically.
She smiled maliciously.
She smiled hesitantly.

Now these are very different smiles. And of course, to avoid the adverb, I could say something like "Her smile was a slight one." Or spend several sentences getting that across.

But how is making it an adjective any better? And is embedding the sort of smile it was in a lot more words to avoid an adverb a good choice. Is the occasional adverb really so bad? Doesn't it cut to the chase sometimes?

What would Elmore do? What would Joe Konrath do?

Forgotten Movies: ACCIDENT

Dirk Bogarde was a real favorite of mine. And when you throw Harold Pinter and Joseph Losey into the mix...well, it's gonna be interesting.

In this film, a professor, feeling at odds with his middle-class, middle-aged life, becomes involved in the lives of his students. And one, in particular. This became a cautionary story for me when marrying a professor.

That panicky air British films of this era have always make my heart pound. Was it the music?

For more forgotten movies, see Todd Mason.

Monday, March 05, 2012

The Best TV Drama of the Last 25 years.


I was going to discuss this soon, but this site is doing it for me with greater minds than mine.

http://www.vulture.com/2012/03/the-best-tv-drama-of-the-last-25-years.html

Today is THE SOPRANOS V. SIX FEET UNDER. (Wow, I must say Tony et al have sort of faded for me)

The site will go on with head to head choices for several weeks.

My choice for the best TV drama ever is Friday Night Lights, which didn't have crime as a crutch to lean on. Just pure Texas football and the greatest cast, writing, and direction I have ever seen.

Thanks to Jason Pinter for pointing this out.

Your Favorite Gary Cooper Movie

Check out a new website and publishing venture: Prologue. Hundreds of older genre books are being converted to ebooks by Prologue. Plus it will function as a website with articles and information about forgotten books and authors. More than 250 books are currently being made available for e-readers.

"I envision Prologue Books not simply an e-book publisher for out-of-print titles, but as a living record of the crime, science fiction, and fantasy genres,” said Ben LeRoy, publisher of Tyrus Books who is spearheading the project along with Greg Shepard.
*********************


Cooper has to be one of the most versatile actors Hollywood produced. He was credible in comedies, westerns, romances and serious dramas. If Cary Grant is my favorite golden era actor, Cooper comes in a close second.

I choose BALL OF FIRE as my favorite Cooper movie. In BALL OF FIRE, Cooper plays one of seven professors studying how common people speak. They hire Barabara Stanwyck for the job. She becomes a Snow White to the seven men. Just charming and directed by Howard Hawkes. Which Cooper film do you like best. IMDB has the whole list.

Sunday, March 04, 2012

Sunday Night Humor: Louis C.K.



Hard to find a PG rated one. Love his show.

A Question?



What is the difference between speculative fiction and science fiction?
A discussion by Joyce Carol Oates of Margaret Atwood's latest book of essays obfuscates rather than explains it for the lay person. (Or at least me).

If it's set in the future but does not employ aliens as a plot device, is that enough to make it speculative?

****I just read a story from STORIES, edited by Neil Gaiman and Al Sarrantonio, an anthology, which purports to be composed of imaginative and speculative stories. The first story I read, "Unwell" chosen by me because I had just put a book by her on reserve at the library, was by Carolyn Parkhurst. It was about a woman who subverts every chance her sister has at happiness through very ordinary and if I might say so, familiar means.

I don't see how this story "reinvigorates, redefines and expands" the boundaries of imaginative fiction. It is a very ordinary story on any terms. Gaiman's statement that "we wanted to read stories that used a lightening-flash of magic as a way of showing us something we have already seen a thousand times as something we have never seen at all" would not apply here for me at all.

So I guess I also need a definition of imaginative fiction.

Saturday, March 03, 2012

Saturday Night Music: Alissa Weilerstein

The Things We Carry

Check out the second story, an excerpt from the Cash Laramie series with a Nik Morton penned episode, on FIRES ON THE PLAIN.

(Not our hallway)

We recently redid our front hallway and the job necessitated taking down a lot of stuff and storing it for two weeks because it was a dusty dirty job. When the time came to restore order, it seemed like a good time to sort through the accessories, artwork, books, and plants and discard some, bring some new things into the room, change the look. Update the dining room on one side of the hall and living room on the other. Perhaps have a more minimalist look.

I was very surprised to find how many items, we disagreed on. Paintings I liked, Phil was tired of. Plants he liked were dull and messy to me. He was sick of a quilt I hung in the dining room and found no charm in my magic ball that changes colors. He was tired of the vases across the fireplace, I thought a lot of the books could go upstairs or better still to a charity. He wanted to bring back a ceramic piece we had over the fireplace a few years back. None of this amounted to a fight (okay, maybe the quilt did) but we seemed to have very different ideas of what to change.

Would this be true in your house? Do you and your housemate differ on how the rooms should look. Most of you men could probably care less, but would you let your wife pick the paint color and hang the paintings without any input from you?

Is redecorating as combative as putting the lights on a Christmas tree used to be?

Friday, March 02, 2012

THE SUMMING UP, Friday, March 2, 2012

A review of Chico and Rita, right here at Crimespree Cinema Magazine.

At the suggestion of a reader, I am going to try and do this differently. I will post the author and titles on the original post late in the day. That way all the information will appear together. Hope it works okay.

On March 16th, we can either take a week off or someone else can do the duties. Thanks.

Friday's Forgotten Books, March 2, 2012


Timothy Hallinan is the Edgar- and Macavity-nominated author of the Poke Rafferty Bangkok Thrillers and the Junior Bender Mysteries. His next Poke Rafferty book, The Fear Artist, will come out in July.


Gitana, Dominic Martell

Gitana is the third and final book in an unhappily short series (the others are Lying Crying Dying and The Republic of Night) by Dominic Martell. The hero, Pasqual Rose, lives a life on the margins in Barcelona, working at a small bar in a dicey neighborhood. This isn't the Barcelona of Gaudi or even Woody Allen, it's a much tougher town, populated by Gypsies, skinheads, and the occasional slumming tourist, a maze of ancient alleyways, dark enough to cloak the worst of misdeeds.

Pascual is shielding an enormous secret: a more than a decade ago, as a young, impressionable man, he fell in with the Palestinian cause and committed acts of terror in its name before he recoiled from what he'd become and fled into hiding. He's ridden with guilt and hopelessly seeking some kind of absolution—but he's still got the reflexes and instincts developed by years spent looking over his shoulder. When an American man comes into the bar and calls him by name, alarms go off in Pascual's head; and when the American is murdered shortly afterward, Pascual knows that someone or something is sniffing him out.

And then there's Sara, who sings in the bar where Pasqual works, and whom he's fallen in love with, and there's Serrano, the cop who knows part of Pasqual's story, and there's Campos, the journalist who may know nearly all of it and wants to write a book. And back behind all of it, cranking on clockwork Pascual can only guess at, is someone who wants him dead and who doesn't care about collateral damage. And there's also the secret in Sara's past, that Pascual can't even guess at.

Gitana is beautifully plotted and written. Martell obviously knows Barcelona inside out, because I've rarely read a book with a stronger and more persuasive sense of place. The triumph of the book for me, though, is characterization—there isn't a character in the book, who doesn't leap off the page, who doesn't seem to possess a genuine subconscious. I read the book for the skill with which it's written and the spell of the setting, but I loved it because of the people in its pages, Dominic Martell, who also writes crackerjack Chicago thrillers as Sam Reaves, is (I think) a criminally underrated writer, and I'm delighted to see the Pascual trilogy gradually becoming available in ebook form. The first one, Lying Crying Dying is available now here on Amazon.


Ed Gorman is the author of the new Dev Conrad novel, BLINDSIDE.

Forgotten Books: BLACKMAILER by George Axelrod

BLACKMAILER by George Axelrod
There were few cooler guys on TV in the Fifties than George Axelrod. I didn't see him that often--he did a few talk shows; a few arts shows--but I always thought Now that's the kind of guy I wish I could be. Hip but accessible.

Not only had Axelrod produced such fine B'way and movie hits as "The Seven Year Itch" and "Will Success Spoil Rock Hunter?," he'd adapted such novels as "The Manchurian Candidate" and "Breakfast at Tiffany's" to the screen.

And on TV he was slick and and funny and serious about his craft.

Oh, and one more thing. He was the author of a genuine Gold Medal novel.

I bought BLACKMAILER a few years after it appeared...say forty-five years ago. Now you can get a Hard Case edition and even after all this time it holds up well, albeit as a tribute to a time long past but fondly remembered by some portions of my generation.

What Axelrod did here was take the elements of the standard hardboiled crime novel--good bad girls and bad bad men, the prospect of lots of cash--and mix them up with talent agents and movie stars. And relate all this in a voice that is both literate and a bit larky at times--and works surprisingly well, even in the scenes of violence. There's a faux Hemingway (who was God at that time), a faux Marilyn Monroe (who was Goddess at that time) and enough double-crossing to make you cross-eyed.

This is one of those kick-back novels. A beer or two, a night with nothing to do, a devout desire for pure escape. I enjoyed the hell out of it. Axelrod is one of those seminal figures of the fifties and early sixties (along with people such as David Suskind) who made talk show appearances lively and always at least a bit controversial. Intellectually controversial that is...as opposed to today with its Snookis and Kardashians.

Sergio Angelini, The Mugger, Ed McBain

Yvette Banek, Cat and Mouse, Christianna Brand

Joe Barone, Cast a Blue Shadow, P.L. Gaus

Bill Crider, I'll Cry When I Kill You, Peter Israel

Scott Cupp, Ballroom of the Skies, John D. Macdonald

Martin Edwards, Dead Man's Watch, G.D.H. and Margaret Cole

Ed Gorman, Blackmailer, George Axelrod

Tim Hallinan, Gitano, Dominic Martell

Jerry House, Necropolis, Basil Copper

George Kelley, The Chalice of Death, Robert Silverberg

Randy Johnson, The Caballero's Way, O. Henry

Rob Kitchin, Incompetence, Rob Grant

B. V. Lawson, Murder Ink, Revised, Dilys Winn

Evan Lewis, A Princess of Mars, Edgar Rice Burroughs

Steve Lewis, The Language of Cannibals, George C. Chesbro

Todd Mason, The American Folk Scene, ed. De Turk and Paulin, Boby Dylan: Don't Look Back (Pennebaker), Dangerously Funny, Bianculli

J.F. Norris, The Hollow Skin, Virginia Swain

David Rachel, Blue Spring, Taiyo Matsomoto

James Reasoner, Bowie Knife, H. Bedford Jones

Richard Robinson, Playgrounds of the Mind, Larry Niven

Gerard Saylor, Wolves Eat Dogs, Martin Cruz Smith

Ron Scheer, The Fate of a Fool, Emma Ghent Curtis

Kerrie Smith, Eric Ambler, The Mask of Dimitrios

Kevin Tipple/Barry Ergang, The Clock Strikes Thirteen, Herbert Brean

TomCat, The McCone Files, Marcia Muller

Zybahn, The Erasers, Alain Robbe-Grillet

Thursday, March 01, 2012

My Life at the Theater: Doubt


We saw DOUBT at the Performance Network in Ann Arbor in 2008, an intimate venue for a play like this one. I thought it was very well done and left some room for DOUBT, more than the eventual film with Streep and Seymour Hoffman did. DOUBT questions whether a priest has been abusing children at a Catholic School. A nun goes toe-to-toe with him. It really was a riveting play.

How Long Did You Know Your Spouse Before Marrying?


I am often taken aback at how quickly people got married several generations ago compared to the time they seem to spend together before marriage today. I know of engagements that last years after relationships that lasted years.

We met the summer of '65, weeks after I graduated from high school and married in January of '67. No one told us this was a short engagement although they did remark we were awfully young.

How long did it take you to tie the knot if there is a knot? From the first date to the wedding--how long was it?

HOW I CAME TO WRITE THIS COLLECTION: Dan B. O'Shea



How I came to write OLD SCHOOL,

Dan O'Shea

How did I come to write this collection? You got a lot of nerve asking Patti, ‘cause when you get down to it, it’s your own damn fault.

Up until a couple years ago, I’d never written any short fiction. None. Zip, zero, zilch. Hell, up until maybe five years ago, I hadn’t written any fiction at all, not really.

Always wanted to be a writer, only problem being I already was one. Had a pretty comfortable career freelancing, business and financial writing, mostly about taxes. Writing fiction on spec? Told myself I didn’t have time. Told myself I couldn’t blow hours I should be investing in paying work on fun and games.

Told myself all sorts of crap to justify pissing on my own dreams.

Shit happened. I got older. People I cared about died. It sunk in that anything they hadn’t gotten around to doing, any dreams they’d skipped because they needed another paycheck, those died with them.

So I made the time and I wrote.

But I wasn’t weaned in this online writing world I’ve discovered since. I didn’t know about any of the e-zines, the flash fiction contests, none of that. My education concerning the market for fiction was what I saw on the shelves at the local Borders. All I saw there were novels. So I wrote one.

Fortunately, an agent liked it – Stacia Decker. So I signed with her, and she was the one that told me I should think about Twitter and blogs and Facebook. Well, OK, I knew about Facebook, but as far as I was concerned, that was just a way to recon any boys that might be sniffing around my teenage daughter.

And that’s how I met you, Patti.

I was just getting my feet wet in this new virtual world when you tossed out this flash fiction challenge. Write a story, a thousand words or less, something to do with Walmart.

A thousand words? That’s crazy. I had this novel mindset. It was all I knew. But I gave it a shot.

Here’s what I learned.

You can tell a hell of a story in a thousand words, but you have to break some bad habits. Gotta turn the verbosity meter all the way down. Gotta have a damn clear idea, and then get to the point in a straight line. Because that wiggle room you have when you’ve got 100K words to play with? That’s all gone.

That first story, Black Friday? People liked it. Hell, I liked it. Then you and Steve Weddle went and pulled that Discount Noir anthology together and it got included in there. That was pretty cool.

Wednesday, February 29, 2012

Duets: Alison and John

FLASH FICTION CHALLENGE: A Day at the Zoo


I am really excited that in a few weeks, I will be able to take Kevin to the zoo again. With that thought in mind, I thought a new flash fiction challenge might be fun and would also force me to write a story I have had in mind for a few weeks.

The challenge is this: write a story that is set in a zoo. The zoo can be incidental to the plot, but that's the setting.

I am thinking April 2, 2012. How about a story not longer than 1200 words?

I know there are more sites that take flash than ever so if I write alone, I write alone. Let me know.

Tuesday, February 28, 2012

Tuesday Night Music: Massive Attack

Forgotten Movies, TROUBLE IN PARADISE





Ernest Lubitsch made TROUBLE IN PARADISE in 1932 and it's nearly impossible to over-emphasize what a great movie this is. There is not a hair nor a line of out place. Marcel waves-- that's the word for the thirties hair styles, I think. Tried to think of it all day on Saturday when we saw this on a huge screen at the Detroit Film Theater.

What a treat.

Herbert Marshall and Miriam Hopkins play two jewel thieves who chance on each other in Venice and are delighted at their shared profession. They are proud of it and their pride in being the best at their craft elevates everything that comes along.

Down the road they come upon Kay Francis, the heiress to a purse company. The two join forces to swindle her but trouble in paradise ensues.

This is so witty, charming, clever, and fun, I can't think where Hollywood has gone so wrong in 80 years. Lubitsch was able to take the tricks he learned in advancing a story in the silent days with the ability to now include banter, wit and sophistication. This is a pre-code film and that makes it even better.

I know we have actors good enough to bring this off today because none of these actors are anything special. I know we have writers who could do justice to a film like this. So I have to say that it's Hollywood itself that settles too easily now for teen romances that don't have a witty line or a clever plot to offer. Such a shame.

See this if you can. Lovely. And on a big screen it holds my interest so much more than on the small one.

Todd Mason will have more links later this morning.

Monday, February 27, 2012

Monday Night Music: Heartless Bastards

Male Society


Male Society.






Phil is teaching a class on utopias and dystopias in the University's Honors College. He has 18 women and two men in the class. This configuration is not unusual in the Honors College. Women here seen to be willing to work harder in general.

He asked them last week, what would an all male society look like. I'll tell you their thoughts after you tell me yours.

What attributes would you list?

HOW I CAME TO WRITE THIS COLLECTION: Chris Rhatigan


How I Came to Write This Collection: Chris Rhatigan, WATCH YOU DROWN

In May 2010, I sent a short story to Christopher Grant at A TWIST OF NOIR. He wrote back a few short hours later saying the piece was exactly the kind of thing he was looking for. It was the first time I'd been published—and I was thrilled. Earning the support of a writer and editor who I respected was awesome.

From there, I became immersed in the online crime fiction community. I published stories at a lot of different sites that I dug, places like YELLOW MAMA and PULP METAL MAGAZINE and SHOTGUN HONEY. Pretty quickly, I built up a nice cache of stories, and I considered releasing a collection.

But I wanted to do it right. There were a lot of ebooks coming out. Some were fantastic. Others were terrible. And a good number were decent, but maybe not ready for prime time.

Obviously, I wanted mine to be in that first category.

After talking with a few trusted sources, I decided to keep my collection 1) short, 2) in one genre, and 3) only stories that I really believed in. I even went back and polished already published stories.

I took my leanest crime/noir stories and put them together. Found an order that made sense. Some of these stories are published, some are unpublished. I sent the collection out to those trusted sources and got some excellent suggestions. Then I sent it over to Jason Michel with Pulp Metal Fiction, who made all the formatting and cover art happen.

So what category will my ebook belong in? Well, the reviews have been good so far!

Chris Rhatigan is the editor of ALL DUE RESPECT. WATCH YOU DROWN is available at Amazon and Amazon UK for 99 cents/63 pence. If you dig short fiction, check out his blog, Death by Killing.

Sunday, February 26, 2012

Am I a Book Banner?


What do you think?

I walked into my library today and on the shelf found Quentin Rowan Markam's Assassin of Secrets. I debated what to do, not believing that the librarians could not have heard any of the brouhaha about it. But they had not. When I informed the librarian, I felt like a book banner. She looked at me as I was the crazy lady who is always at the computer by the window playing bingo. And I felt strange.

But should this book be on the shelf?

And then another odd thing happened, the librarian checked on Amazon, looked up, and said to me, "It's a very valuable book. There's a copy for $250."

"Yes," I said, "but that's because Mulholland pulled most of the copies. And because some people like to collect such things."

I am not sure that book is not back on the shelf as I write this. Should it be? And if it is, shouldn't there be a warning that every word "even the thes and the ands" are a lie. (Thanks Mary McCarthy for a good line.) I am not a thief.

What do you think? Should libraries put this book on the shelf and allow people to believe Markam wrote it?

Or should it be burned?

Girls in Their Summer Dresses, Irwin Shaw


To my mind, this is one of the great short stories. I have probably read it a dozen times over the years.

A husband cannot stop looking at other women when he and his wife are out for a Sunday stroll. And she can't help noticing that instead of listening to her plans for the day, (which includes seeing a baseball game, he is looking at women. Relentlessly, as he always has.

When pushed, he lists all the reasons he looks at women. And it's a comprehensive list-an addiction for him.

Although he claims to have been faithful for the five years of their marriage, the lust in his heart is as lethal as an affair(s) would have been.

What short story sticks with you?

FOR ANYONE WHO HAS MISSED IT, CULLEN GALLAGHER'S NEW WESTERN-THEMED ZINE IS UP. FIRE ON THE PLAINS WITH A FIRST STORY BY JAKE HINKSON.

Friday, February 24, 2012

THE SUMMING UP, Feburary 24, 2012

Check out my review of CHRONICLE.

THE SUMMING UP, Feburary 24, 2012

Patti Abbott, The Summing Up, W. Somerset Maugham
Sergio Angelini, The Empty Hours, Ed McBain
Yvette Banek, The Singing Sands, Josephine Tey
Joe Barone, One True Sentence, Craig McDonald
Brian Busby, The Woman Who Couldn't Die, Arthur Stringer
Bill Crider, Horror Times Ten, Alden H. Norton, ed.
Scott Cupp, A Political Fable, Robert Coover
Martin Edwards, The Murder of Sleep, Milward Kennedy
Elizabeth Foxwell, Keep it Quiet, Richard Hull
Ed Gorman, The Honest Dealer, Frank Gruber
Jerry House, Dog in the Sky, Norman Corwin
Randy Johnson, Miami Mayhem, Marvin Albert
George Kelley. The Star Hunter, Edmond Hamilton, The Alien, Raymond F. Jones
B.V. Lawson, The Adventures of Romney Pringle. R. Austin Freeman
Evan Lewis, The Honest Dealer, Frank Gruber
Steve Lewis/Ray O'Leary, Bones and Silence, Reginald Hill
Todd Mason, Women Should Be Allowed, Wilma Shore
J.V. Norris, The Leprechaun Murders, Adrian Reynolds
Richard Pangburn, Rock, Paper, Scissors, Lisa Barackman
David Rachels, Power Trip, Don Tracy
James Reasoner, Strictly for the Boys, Harry Whittington
Richard Robinson, Islands in the Sky, Arthur C. Clarke
Gerard Saylor, Lost, Michael Robotham
Ron Scheer, The Magic of Blood, Dagoberto Gilb
Kerrie Smith, Harmful Intent, Robin Cook
Kevin Tipple, Houston Homicide, Bill Crider and Clyde Wilson
TomCat, The Sleeping Bachus, Hilary St. George Saunders





Friday's Forgotten Books, February, 24, 2012

Last week's tribute to the books of Donald Westlake seemed to have been enjoyed by writers and readers and several people have suggested we do it again. Here are some tentative choices for another round. Of course, the author must have quite a large number of books for it to work out. Whose books would you like to write/read about?

Agatha Christie
John D. MacDonald
Georges Simenon
Nicholas Freeling
Margaret Millar
Ruth Rendell (although she is still alive. Dead might be better for our purposes if not hers).
Ross Macdonald
Reginald Hill (also wrote under Patrick Ruell)
Patricia Highsmith (almost enough)

Who else? I think reviews from writers with only one character like Sue Grafton might be tedious to read. That might be true of a few here. I am thinking Simenon might work. He has many standalones as well as the Maigrets. Millar has about twenty some novels although some might be difficult to get your hands on. John D. has both Travis and standalones. Ross is mostly Archers. Parker, mostly Spenser. Rendell would be a good choice in many ways because she has a series and standalones written under two names. I am thinking of early April. What say you?

Ed Gorman is the author of the Sam McCain series and the Dev Conrad series as well as countless westerns, anthologies and other good stuff. You can find him here.

The Honest Dealer by Frank Gruber

The Honest Dealer

Dick Lochte wrote a guest piece for the Rap Sheet awhile back that I found mighty pleasing in my dotage. Here are some quotes from his choice for a Forgotten Book.

"OK, I’m not sure you have to read The Honest Dealer. If Frank Gruber were still alive, I doubt that even he would consider his 1947 book a necessity. But every now and then, after working my way through a couple of dozen contemporary crime novels, with their elaborate back stories and casts of thousands and plots that call attention to social and/or political ills, I like to treat myself to the kind of mystery that initially lured me to this genre--a yarn written for the sole purpose of providing sheer, unpretentious reading pleasure.

"The Honest Dealer does that in spades. The literary equivalent of a classic B-movie of the 1940s, it immediately draws you in, moves at a breathless pace, has the requisite moments of suspense and humor, and ends with a surprise villain, neatly thwarted. There are a lot of books from the ’30s and ’40s that meet those requirements, but, for my money, Dealer is one that does it best.

(more)

"I wonder what Gruber would think of some of today’s most popular series heroes--sociopaths, alcoholics, whiners, bitter loners, paranoiacs, and worse. Would he go with the market flow and come up with his version of the depressed detective? I’d like to think he’d pawn his typewriter and buy a horse."


Ed here: The horse reference is to a plot element.

I happened to read this book awhile back myself and I think Dick does a fine job of ennumerating its many fine if slight virtues, the biggest of which being that it's just a hell of a lot of fun to read.

As somebody who receives a moderate share of review copies I know what Dick means by the all-too-modern novel. I not only read them, I also write them. But there is so much hype attendant on the Serious ones--publicists and reviewers vying for the grandest superilative--that I often pick up a simple well-told story for a respite from all the Seriousness.

Thank God there are among the younger writers people who are serious about their writing but are a true unpretentious pleasure to read. To name a few Megan Abbott, Jason Starr, Duane Swierczynski, Tom Piccirilli, Allan Guthrie. They speak in their own voices, share their observations of our sometimes forlorn luckless species and yet never forget to amuse, bemuse, shock, outrage and comfort while demanding that we keep flipping those pages.

Damned good storytellers.

As was, in a less ambitious way, Frank Gruber.



Patti Abbott, THE SUMMING UP, W. Somerset Maugham.

Who could not like a book with the line, "Though I have loved a good many times, I have never experienced the bliss of requited love. I have most loved people who care little or nothing for me and when people have loved me, I have been embarrassed." (the last bit saves it from being too maudlin).

Or "In my twenties, the critics said I was brutal, in my thirties, they said I was flippant, in my forties they said I was cynical, in my fifties they said I was competent and now in my sixties they said I am superficial."

I loved all of Maugham's books way back when (especially CAKES AND ALE) but this is my favorite. Originally published in 1938, this is not quite a memoir, not quite a book on writing, this is in fact, a summing up. If you want to read an erudite book that looks at the writing (and reading) life more than the writing craft, this is an excellent one. In the self-deprecating way of the quotes above, you are introduced to a very wise man. Self-deprecation and modesty are such great traits. Too bad they are not valued on this side of the pond.

I hope you can find a copy with bigger print than mine.

Sergio Angelini
Yvette Banek
Joe Barone
Brian Busby
Bill Crider
Scott Cupp
Martin Edwards
Elizabeth Foxwell
Jerry House
Randy Johnson
George Kelley
B.V. Lawson
Evan Lewis
Steve Lewis/Ray O'Leary
Todd Mason
J.V. Norris
Richard Pangburn
David Rachels
James Reasoner
Richard Robinson
Gerard Saylor
Ron Scheer
Kerrie Smith
Kevin Tipple
TomCat

Thursday, February 23, 2012

My Life at the Theater-SPRING AWAKENING


Based on Frank Wedekind's play of the same name, Spring Awakening depicts a dozen young people making their way through the thrilling, complicated and mysterious time of sexual awakening.

This production won a bunch of awards and was on Broadway from 2007-2009. We caught it near the end of the run.