As much as I wanted to see this and only because of Emily Blunt I will pass. I've read nothing but negative reviews. Yours was kind compared to most of what I've read.
There is a way to tell a movie story from several points of view without resorting to voiceover narration. Look at PULP FICTION, for example, and how multiple POVs are used to tell essentially one involved overlapping story. Clearly the writer and director had no understanding of how to use POV visually. I have time and again said movies are all about telling a story with pictures and visuals. What happened to that part of this most interesting of art forms? I actually loathe voiceover in modern movies, even in private eye movies of the 30s and 40s where it occurs most often. Endless voiceover transforms the work into radio dram, not a movie.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
3 comments:
I guess I wonder why, if you didn't read the book, you had such "low expectations" going in, and if you had that feeling why you bothered to see it.
I had low expectations based on the reviews I had read in places like the NYT and THE NEW YORKER. Phil had liked the book and wanted to see it.
As much as I wanted to see this and only because of Emily Blunt I will pass. I've read nothing but negative reviews. Yours was kind compared to most of what I've read.
There is a way to tell a movie story from several points of view without resorting to voiceover narration. Look at PULP FICTION, for example, and how multiple POVs are used to tell essentially one involved overlapping story. Clearly the writer and director had no understanding of how to use POV visually. I have time and again said movies are all about telling a story with pictures and visuals. What happened to that part of this most interesting of art forms? I actually loathe voiceover in modern movies, even in private eye movies of the 30s and 40s where it occurs most often. Endless voiceover transforms the work into radio dram, not a movie.
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