I can't quite remember when network TV became so tired. Oh, yes, I still watch THE GOOD WIFE and occasionally BLACKISH or THE BIG BANG. But I would never consider taping them. What happened to network TV. Are their hands held behind their backs by having to turn out so many episodes and heeding stricter content guidelines.Why are TV shows on HBO, SHOWTIME, AMC, FX, NETFLIX and AMAZON so much better? Are they handicapped by not using arcs.
Am I missing something I need to see on the networks? Do you still watch any of them?
HUNGER, Roxane Gay THE MARSH KING'S DAUGHTER, Karen Dionne LOVING DAY, Mat Johnson THE SECRETS SHE KEEPS, Michael Robotham HILLBILLY ELEGY, J.D. Vance SUNBURN, Laura Lippman THE SISTERS CHASE, Sarah Healy IN A LONELY PLACE, Dorothy L Hughes UNDER THE HARROW, Flynn Berry MORNINGSTAR, Ann Hood THE RED NOTEBOOK, Antoine Laurain A GENTLEMAN IN MOSCOW, Amor Towles LITTLE FIRES EVERYWHERE, Celeste Ng LILLIAN BOXFISH TAKES A WALK, Kathleen Mooney THE BEAUTIFUL MYSTERY, Louise Penney GIVE ME YOUR HAND, Megan Abbott PRAIRIE FIRES
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.