This song has always amused me, love the lyrics, and our nextdoor neighbors at the time were a Betty and Al. Straight out of a short story. They had a jukebox on the front porch and played it sometimes into a summer night after a few drinks. I'd have to go over and tell them I needed to get my sleep if I was going to go to work the next morning.
I listen to BBC 6 Music fairly regularly. I use to listen in the evenings when they played documentaries on musicians, producers, record labels, etc. One documentary piece was about the making of this album and how Simon was breaking a serious musician boycott against apartheid.
The boycott break could be argued since the album's huge success helped draw more attention to apartheid's stupidity and Simon was working victims of apartheid. But, I also recall Simon looking very bad in the way he hired, paid, and credited the African musicians.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
4 comments:
This song has always amused me, love the lyrics, and our nextdoor neighbors at the time were a Betty and Al. Straight out of a short story. They had a jukebox on the front porch and played it sometimes into a summer night after a few drinks. I'd have to go over and tell them I needed to get my sleep if I was going to go to work the next morning.
I remember when this album was big and Simon was everywhere. I also like The Rhythm of The Saints.
I listen to BBC 6 Music fairly regularly. I use to listen in the evenings when they played documentaries on musicians, producers, record labels, etc. One documentary piece was about the making of this album and how Simon was breaking a serious musician boycott against apartheid.
The boycott break could be argued since the album's huge success helped draw more attention to apartheid's stupidity and Simon was working victims of apartheid. But, I also recall Simon looking very bad in the way he hired, paid, and credited the African musicians.
I don't know that I've ever thought of music surprising me. Will have to give that some consideration.
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