My grandmother with her father and two brothers at Wildwood, NJ in 1921.
Sandra Seamans spoke of this on her blog not long ago. In her case, the writer had written a story that repulsed her. And yes, this happens to me often. A writer I enjoy will turn a little too dark for me. But often, I see the books from a writer have become too predictable. Or it's that too many new writers come along and grab the spotlight. I used to read every book by Ruth Rendell, for instance, but I haven't read one now in years. I am not sure why. Sometimes it's for no good reason at all. Belonging to a book group has taken time away from personal reading for sure. And writing myself means that if a voice is too strong in a novel, I might put it aside, afraid it will affect mine.
Why so you stop reading on a once-favorite writer?
HUNGER, Roxane Gay THE MARSH KING'S DAUGHTER, Karen Dionne LOVING DAY, Mat Johnson THE SECRETS SHE KEEPS, Michael Robotham HILLBILLY ELEGY, J.D. Vance SUNBURN, Laura Lippman THE SISTERS CHASE, Sarah Healy IN A LONELY PLACE, Dorothy L Hughes UNDER THE HARROW, Flynn Berry MORNINGSTAR, Ann Hood THE RED NOTEBOOK, Antoine Laurain A GENTLEMAN IN MOSCOW, Amor Towles
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.