From the archives.
R. Narvaez was born and raised in Williamsburg, Brooklyn. His work has been published in A Thousand Faces, Indian Country Noir, Murdaland, Plots with Guns, Spinetingler, Shotgun Honey. He is President of the MWA-New York chapter.
Am Thinking of My Darling, Vincent McHugh
A virus. The City. Civic chaos. Government collapse. The stuff of zombie flicks and terrorist scenarios in 2010. But back in the ’40s, such a plot could still be light-hearted. In Vincent McHugh’s 1943 novel I Am Thinking of My Darling, a virus infects New York City—but it's a happy virus! The infected follow their bliss, feverishly losing their inhibitions (for you Trekkies, think "The Naked Time" episode). The problem is that no one wants to work. Honestly, who would?
Acting planning commissioner Jim Rowan returns home from a trip to DC to find cheerful chaos quickly spreading across town—and his actress wife Niobe missing. She’s infected and on the lam, looking to live out a succession of character roles in a kind of Method fervor. Meanwhile, in an emergency management meeting (consider what that term evokes today), the mayor announces he has the virus—and would rather play with model trains than lead the City. To avoid panic, Rowan is secretly made acting mayor.
The plots riffs genially from there, with Rowan hot on the trail of his slippery wife, cabbing from City Hall to Harlem across a Cityscape in Mardi Gras mode—all the while consulting with civil services to keep things running and with scientists to find a cure. (The fact that the virus apparently originated in the tropics, implying that people there are inhibition-less, may be another artifact of the past.) A polymath (when being a polymath was simpler), Rowan narrates in sensual, informed detail about now-bygone architectural wonders, regional accents, lab science, and jazz music.
This book, with its glad-rag view of a long-lost era, has been a favorite of mine since it was recommended to me decades ago. (I still have my first copy, bought in the now-bygone Tower Books in the Village). McHugh, a poet and a staff writer for The New Yorker in the ’30s, employs a prose style that winks slyly at Chandler and pulp. (Once Rowan is inevitably infected, he’s like Marlowe on E.) Darling also features a nice amount of sexual frankness that may surprise modern readers who forget that people in the ’40s had sex. The novel was made into the very '60s movie What's So Bad About Feeling Good?, but by then the times had already been a-changed enough that the conceit no longer had the right kind of jazz.
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Joe Barone, THINNING THE TURKEY HERD, Robert Campbell
Brian Busby. POST-WAR PULP NOVELS
Bill Crider, WRITING FOR SURVIVAL, John D. MacDonald
Martin Edwards, THE WALKING STICK, Winston Graham
Curt Evans, SCARWEATHER, Anthony Rolls
Ray Garraty, SLAYGROUND, Richard Stark
Rich Horton, STONE OF CHASTITY, Margery Sharp
Jerry House, NIGHT OF SHADOWS, Ed Gorman
Randy Johnson, TRAIL OF THE LONG RIDER, Lee Martin
George Kelley, CONAN: THE ROAD OF KINGS by Karl Edward Wagner.(Link to follow)
Margot Kinberg, BLEAK HOUSE, Charles Dickens
B.V. Lawson, MURDER AT THE FOUL LINE, ed. Otto Penzler
Evan Lewis "A Corpse in the Hand" Carroll John Daly
Steve Lewis, MURDER TO GO, Emma Lathen
Todd Mason, LIVING IN FEAR: A HISTORY OF HORROR IN THE MASS MEDIA, Les Daniels
Neer, UP AT THE VILLA, W. Somerset Maugham
J.F. Norris, DEATH GOES TO A REUNION, Kathleen Moore Knight
James Reasoner, ARCTIC WINGS, L. Ron Hubbard
Gerard Saylor, THE BOMB, Steve Sheinkin
Kevin Tipple, "Artie and the Long-Legged Woman" from THE ARTIE CRIMES, Jan Christensen