Who in YHO in the finest female writer American has produced?
Summer Trips-Dubrovnik, 2007.
My choice would be Flannery O'Connor. Second choice: Emily Dickinson.
No takers on Walker, Morrison Welty, McCullers, Wharton, Hurston, Gilman, Plath, Robinson, Porter.
31
comments:
Steve Oerkfitz
said...
I would also have to go with Flannery O'Connor. Second would be Joyce Carol Oates. Never had any love for Dickinson. She always struck me as someone who needed to get out of the house a little bit more.
My husband picked Oates because of the length and diversity of her writing. Crime fiction-Highsmith and Millar for me. Science Fiction/Fantasy-I have only read Ursula but Shirley Jackson for horror. Again, I am not well read here. Need to read Leigh Brackett for sure.
Patti - That's a tough one because there are so many good ones. I would say, yes, O'Conner deserves top billing. But I don't know...Highsmith is way up there, too.
I still can't believe that this is an askable question. Who's the finest male writer? And everyone's trending toward fiction writers, I note, although you made room for poetry with Dickinson.
"No takers" after you'd had it up for a while? I'm a fan of Charlotte Perkins Gilman, but she isn't as good a writer as some of those, such as Joanna Russ and Shirley Jackson, she directly inspired (probably at least Le Guin and possibly Brackett and probably Marge Piercy, too).
If the question is who are 100 of the best writers who are/were women, it would be easier to answer. Then there are those writes such as Rachel Pollack and Jessica Amanda Salmonson who were born men. And those, such as Lisa Tuttle, who have emigrated (in her case, from the US to the UK). And not using the HMCo. BEST AMERICAN rules, which choosed to include Canadians (well, the Americas aren't solely the US, nor even is NA, though BEST AMERICAN under those rules should be looking at Jamaican and Bermudan work among a few others).
So, here are five of the best writers who come to mind who are or were American women whom haven't been mentioned: Grace Paley, Doroty Parker, Anne Sexton, Willa Cather, Kate Wilhelm. And you can count as appeneded at least Russ and Oates and Brackett and Le Guin...and perhaps Tuttle and Pollack.
And Jackson. Woof. Jayne Anne Phillips might rise higher in my estimation, she's already pretty high, as I read more of her work. Likewise Highsmith's steady Marijane Meaker...I still haven't read much of her adult work, but her YA work has been brilliant.
Why not askable? Would it be unaskable to say who is the finest writer Egypt has produced? Would it be unaskable to say who's the finest writer under thirty in the world today. By limiting the choices, it brings other authors to the foreground. I look at blog after blog where people asked to list the best crime writers name all men. I didn't want that list. It doesn't imply women writers are inferior to men-just that I am limiting the selection here to women. Heard Jayne Phillips read once and that experience put me off ever reading her again. Perhaps the most arrogant writer I ever heard speak. She repeatedly chastized audience members for the questions they asked.
Less that You shouldn't ask it than puzzlement that, indeed, the lists of Finest Crime-Fiction Writers wouldn't include Marcia Muller or Sara Paretsky or Wilhelm or Liza Cody or Highsmith or Meaker or...(and, previously, you had seemed resigned to the notion that the General Assumption is that the best writers were and are men, the kind of thing that is sustained most by treating it as if it was real or correct)(there's a Whole Hell of a Lot of That constantly going around, including in this discussion, where people take care to say "genre" writers who are either presumed, or to be treated as if the presumption were correct or the reasonable default, lesser than theoretical non-genre writers.
Wow, never having heard Phillips in person, sorry that she was channeling your 8th grade music teacher!
Though, of course, the problem with Who's the best Eqypt has produced, or even who under 30, is that it would have to be understood to be...who's the best you've read, that you recall...the Egyptians depend, for most of us, on who has been translated well where we could read them...the under-30, only somewhat less on where they've been published...
Didion is an excellent choice. SLOUCHING TOWARD BETHLEHEM, THE BOOK OF COMMON PRAYER, PLAY IT AS IT LAYS and the book on El Salvator as well as the strange but compelling YEAR OF MAGICAL THINKING (why did she thing so little about her dying daughter) are compelling works. Great call.
And I'm not even joking (well, around the edges a bit). There is so much conventional thinking that is, too me, apparently maintained by people holding it up with one hand or both (depending on their fervor), since its foundation is in in the shifting sand of ignorance and laziness of thought (and would that literature was the only area of human endeavor of which that was true). Very much including those who are proposing All Male Lists of Literary Giants. Even as we realize they mean "what I've bothered to read so far."
Ruth Rendell was no stroll in the park either. When some reader gave her her idea of Wexford's hometown (Kingsmarkam), she gave them a withering glance and said, "It is I who created Kingmarkam." Well, yes, but we as readers fill in the gaps--don't chastise us for your talent in making it real. Never been able to read her again either. Writers like these would do better to stay at home. Whereas Elmore Leonard could double his audience by appearing nightly.
The late Phillip Klass, who mostly published fiction as William Tenn, was another example of the soul of gentility in public encounters. James Morrow and Karen Joy Fowler, and editor Ellen Datlow, likewise in my experience.
Far far far too many wonderful women writers over CENTURIES to even begin listing (though I haven't even seen Zora Neale Hurston and Octavia Butler appear yet) and Todd's point about the narrowness of the scope so far -- an awful lot of non-fiction writers overlooked -- is well taken too.
I don't get the list mania. Comparing apples and oranges,a s if "women" was any kind of limiting category. Women write as differently from each other as men do from each other and as much the same as any of them might.
Hurston is listed on the initial post. Just a means to get people talking-not a mechanism to compare in any definitive way. Scholars rank Presidents, which leads to discussions of what makes a great leader. I think lists can be useful to encourage people to see new names and give new names.
And, as further appendage, among the particularly nice folks, at first and second encounter, I met at my only BoucherCon so far were the late Ed Hoch and some guy named Crider. I suspect Sue Grafton, who patiently awaited questions or gush in our elevator ride together, might well've been as well, if I hadn't been so exhausted (and initially unaware of who I was riding with) at the time as to be unready to converse (the only time my friend Alice Chang has envied me to the verge of a dope-slap my encounters with literary figures).
What's the Worst Thing That Can Happen, Al Tucher, A TWIST OF NOIR
The Good Doctor, Adam Haslett, YOU ARE NOT A STRANGER HERE
Clouds in A Bunker, David Cranmer, PULP INK
Burning End, Ruth Rendell, THE BEST OF THE BEST SHORT STORIES 1986-1995
Something is Out There, Richard Bausch, MURDERLAND
Uncle, Daniel Woodrell, A HELL OF A WOMAN
Dark Adapted Eye, Katherine Tomlinson, SHOTGUN HONEY
Whiteout on Van Buren, Don Winslow, PHOENIX NOIR
An Invisble Minus Sign, Denise Mina, DEADLY HOUSEWIVES
Everything I Want, Megan Abbott, SPEED CHRONICLES
The Garage Sale of the Three Lindas, Marly Swick, THE SUMMER BEFORE THE SUMMER OF LOVE
Everybody Loves Somebody, Sandra Scoppettone, A HELL OF A WOMAN
Harpooned, Sandra Seamans, MYSTERICAL-E
Burn Patterns, Michael C. White MARKED MEN
World of Gas, Bonnie Jo Campbell AMERICAN SALVAGE
Snakes in the Briar Patch, Chad Eagleton, Cathode Angel
Sea of Grass, Jim Wilsky, ROSE AND THORN
The Pool, Keith Taylor from LIFE SENTENCES
Locked Out, Art Taylor, PLOTS WITH GUNS
Giving Blood, John Updike from THE MAPLES
Two and Half Miles, W.D. County, SPINETINGLER
ReBecca, Vicki Hendricks, FLORIDA GOTHIC STORIES
What is Your Emergency, Chris Rhatigan, GRIFT MAGAZINE
Here We Are in Paradise, Tony Earley
2. 984, 000 Pounds of Pressure, Anonymous Nine. Crime Factory: The First Shift
You Boys Be Good, Antonya Nelson
A Blunderbuss for a Broken Heart, Chris LeTray Pulp Modern 2
Spending Light, John Stickney, NEEDLE, Issue 2
365- February
A New Life, Kyle Minor, DISCOUNT NOIR
A Composer and His Parakeets, Ha Jin GOOD FALL
Where Are You Going, Where Have You Been, Joyce Carol Oates
Girls in Their Summer Dresses, Irwin Shaw
The Last Spin, Evan Hunter
The Birthday Party, Graham Greene
Blue, Rachel Seiffert, FIELD STUDY
Tonto Woman, Elmore Leonard, THE COMPLETE WESTERN STORIES
Only Good Ones, Elmore Leonard, THE COMPLETE WESTERN STORIES OF ELMORE LEONARD
Super Trooper, Nigel Bird, OFF THE RECORD
The Incident at Owls' Creek Bridge, Ambrose Bierce
Food Man, Lisa Tuttle, BEST OF CRANK
The Babysitter's Code, Laura Lippman, PLOTS WITH GUNS
Graveyard Shift, James Reasoner, Hard-Boiled
Portrait of An American Family, Benoit Lelievre, SHOTGUN HONEY
Thanks for the Ride, Alice Munro, Dance of the Happy Shades
A MAtter of Principal, Max Allan Collins, FAVORITE KILLS
Cold Snap, Thom Jones COLD SNAP
Piano Man, Bill Crider, ON DANGEROUS GROUND
The Ladder, Adrian McKinty, CRIME FACTORY: FIRST SHIFT
THe Confessor, Lonni Lees, SHOTGUN HONEY
Plaything, Daniel Hatadi, DEADLY TREATS
Going to Shrewsbury, Sarah Orne Jewett, THE COUNTRY OF THE POINTED FIRS
Sunlight Nocturne, Bill Cameron, DEADLY TREATS
Escapes, Joy Williams, ESCAPES
Ugly Pictures, Terrie Moran, THE AWARENESS
Just Another Saturday Night, William Link, EQMM
Pride, P.J. Parrish, DETROIT NOIR
Bonus, Jim Ray Daniels, DETROIT TALES
Casanova Succumbs to Two-Ton Tina, Rob Kitchin, A TWIST OF NOIR
The Lost Child, Jean Thompson WHO DO YOU LOVE
365-March
365 March
Unfortunate Misfortunes of a Man Named Lud, John Weagly, FIRES ON THE PLAIN
Lamb to the Slaughter, Roal Dahl
The Navy Man, Kyle Minor, IN THE DEVIL'S TERRITORY
Cops and Robbers, Jean Stafford, MOTHERLOVE
Tort, Ken Bruen, EQMM
Melinda, Judy Doenges, O'HENRY AWARDS
Honeymoon, Arturo Vivante, SOLITUDE
Hard Rain, Katherine Tomlinson, NOHO NOIR
Bobby Conroy Comes Back from the Dead, Joe Hill, THE LIVING DEAD
Death is Daily, Craig Garret , FIRES ON THE PLAIN
Ice, Lily Tuck, 2011 O'Henry Collection
The Basher, Jason Starr, Wall Street Noir
Your Fate Hurtles Down at You, Jim Shepard, 2011 O'Henry Collection
The Neglected Garden, Kathe Koja, WEIRD STORIES
Windeye, Brian Evenson, 2011 O'HENRY COLLECTION
Triangulation, Anonymous-9, THE BIG CLICK
The Genius, Frank O'Connor
Why I Live at the PO, Eudora Welty
How to Talk To Your Mother, Lorrie Moore, SELF HELP
Jungle Bob, Ron Scheer, FIRES ON THE PLAIN
Last Song of Antietam, Patrick Lambe, ON DANGEROUS GROUND
On the Gull's Road, Willa Cather
Leaf in the Wind, Gene Wolfe, STORIES
Pack of Cards, Penelope Lively
Ember Days, Nick Ripatrazone, PLOTS WITH GUNS
The Chrysanthemums, John Steinbeck
Stay Awake, Dan Chaon, STAY AWAKE
Smantha's Diary, Diana Wynne Jones, STORIES
Unwell, Carolyn Parkhurst, STORIES, (Gaiman and Sarrantonio)
Naked Angel, Joe Lansdale, L.A. NOIRE
The Bees, Dan Chaon, STAY AWAKE
Blue Rose, Peter Straub
365 -April
Land of the Lost, Stewart O'Nan, STORIES Push Comes to Shove, B.V. Lawson, NEEDLE What He Was Like, William Maxwell, Running Hard, R. Thomas Brown, ALL DUE RESPECT Mr. & Mrs. Dove, Katherine Mansfield (online) The Beginning of Grief, Adam Haslett Family Ties, Craig McDonald, GRIFT Rosie's Chicken & Biscuits, Axel Howerton, FIRE ON THE PLAINS Not Quite Final, Richard Bausch, Who Has Seen the Wind, Carson McCullers, Confession, Stella Pope Duarte, PHOENIX NOIR Bonanza, Jo Ann Beard, THE BOYS OF MY YOUTH Flying Solo, Ed Gorman, DAMN NEAR DEAD 2 Triage, Alice Elliott Dark She Don't Eat No Meat, Kurt Gowran, NEEDLE No Rest for the Weary, Sandra Seamans, FOTP The Traveler, Wallace Stegner, THE COLLECTED STORIES Mortals, Tobias Wolff, THE NIGHT IN QUESTION Here Comes Santa Claus, Bill Pronzini Titanic Victim Speaks Through Waterbed, Robert Olen Butler, He Loved Her So Much, Sandra Scoppettone, LOVE KILLS How to Become a Writer, Lorrie Moore, SELF HELP I Danced with the Prettiest Girl, Dagoberto Gilb, Zolaria, Caitlin Horrocks, THIS IS NOT YOUR CITY The Squatter, Andy Henion, PLOTS WITH GUNS Romero's Shirt, Dagoberto Gilb, THE MAGIC OF BLOOD Pie Dance, Molly Giles, YOU'VE GOTTA READ THIS. Greatness Strikes Where it Pleases, Lars Gustaffson The Infamous Bengal Ming, Rajesh Parameswaran, A Hand on the Shoulder, Ian McEwan, THE NEW YORKER A Good Man is Hard to Find, Flannery O'Connor Hard Times, Ron Rash, BURNING BRIGHT Peconic Nightmares, R. Thomas Brown, BEAT TO A PULP The Best of Everything, Richard Yates
May, 365
Monsters of the Deep, Elissa Schappell, BLUEPRINTS FOR BUILDING A BETTER GIRL
Solitary Confinement, Sandra Seamans, COLD RIFTS
Lookout Mountain, John Floyd, MYSTERICAL-E
Doctor Jack-o'-lantern" Richard Yates, ELEVEN KINDS OF LONELINESS
Bulldozing the Baby, Jo Ann Beard, BOYS OF MY YOUTH
Ray's People Have Always Been Soldiers by Barry Basden
Symbols and Signs, Vladimir Nabokov, THE NEW YORKER 1948
Referential, Lorrie Moore, THE NEW YORKER
The Barber's Unhappiness, George Saunders, Pastornalia
A Commercial Proposition, Richard Wheeler
Thou Still Unravished Bride, Avram Davidson
Car Crash While Hitchhiking, Denis Johnson, JESUS' SON
Someone to Watch Over Me, Richard Bausch, THE COLLECTED STORIES OF
Undead, Beniot Lelievre, FLASH FICTION OFFENSIVE
A Freeway on Eartlh, Heath Lowrance, BURNING BRIDGES
Recitatif, Toni Morrison
We Dance, Jane Hammons, FICTIONAUT
Sadie, Jack and Fluffy Go on a Trip, Dennis James, MOBIUS
Health, Joy Williams, ESCAPES
No Place for You, My Love, Eudora Welty
The Sister's Tale, Castle Freeman, ROUND MOUNTAIN
Sitting on Top of the World, Bill Crider
Woman on the Dunes, Anais Nin
Stars of Motown Shining Bright, Julie Orringer, HOW TO BREATHE UNDERWATER
Words are Cheap, Ken Bruen, MURDALAND
Kiss Me Again, Stranger, Daphne Du Maurier
Molotov, Chris Le Tray, ALL DUE RESPECT
Looking for Romance at a Writer's Convention, Richard Wheeler
31 comments:
I would also have to go with Flannery O'Connor. Second would be Joyce Carol Oates. Never had any love for Dickinson. She always struck me as someone who needed to get out of the house a little bit more.
Count another vote for O'Connor, and I'd guess she'll win pretty easily. What about the finest female crime novelist? I'd go with Margaret Millar.
I'll go with your candidates, patti.
Flannery O'Connor, IMO one of the finest writers period that America has produced.
Hum, well you know I'll have to go with some genre writers. Leigh Brackett and C. L. Moore.
If I was going with genre writers I'd have to go with Patricia Highsmith, Ursula K. Leguin and James Tiptree(Alice Sheldon).
My husband picked Oates because of the length and diversity of her writing.
Crime fiction-Highsmith and Millar for me.
Science Fiction/Fantasy-I have only read Ursula but Shirley Jackson for horror. Again, I am not well read here.
Need to read Leigh Brackett for sure.
Patti - That's a tough one because there are so many good ones. I would say, yes, O'Conner deserves top billing. But I don't know...Highsmith is way up there, too.
Dickinson might be the greatest, but she's also the quirkiest. In science fiction, C. L. Moore and Leigh Brackett stand out along with LeGuin.
I still can't believe that this is an askable question. Who's the finest male writer? And everyone's trending toward fiction writers, I note, although you made room for poetry with Dickinson.
"No takers" after you'd had it up for a while? I'm a fan of Charlotte Perkins Gilman, but she isn't as good a writer as some of those, such as Joanna Russ and Shirley Jackson, she directly inspired (probably at least Le Guin and possibly Brackett and probably Marge Piercy, too).
If the question is who are 100 of the best writers who are/were women, it would be easier to answer. Then there are those writes such as Rachel Pollack and Jessica Amanda Salmonson who were born men. And those, such as Lisa Tuttle, who have emigrated (in her case, from the US to the UK). And not using the HMCo. BEST AMERICAN rules, which choosed to include Canadians (well, the Americas aren't solely the US, nor even is NA, though BEST AMERICAN under those rules should be looking at Jamaican and Bermudan work among a few others).
So, here are five of the best writers who come to mind who are or were American women whom haven't been mentioned: Grace Paley, Doroty Parker, Anne Sexton, Willa Cather, Kate Wilhelm. And you can count as appeneded at least Russ and Oates and Brackett and Le Guin...and perhaps Tuttle and Pollack.
And Jackson. Woof. Jayne Anne Phillips might rise higher in my estimation, she's already pretty high, as I read more of her work. Likewise Highsmith's steady Marijane Meaker...I still haven't read much of her adult work, but her YA work has been brilliant.
Why not askable? Would it be unaskable to say who is the finest writer Egypt has produced? Would it be unaskable to say who's the finest writer under thirty in the world today. By limiting the choices, it brings other authors to the foreground. I look at blog after blog where people asked to list the best crime writers name all men. I didn't want that list.
It doesn't imply women writers are inferior to men-just that I am limiting the selection here to women.
Heard Jayne Phillips read once and that experience put me off ever reading her again. Perhaps the most arrogant writer I ever heard speak. She repeatedly chastized audience members for the questions they asked.
Have not read enough American authors but well, I like Lee Harper and Anne Sexton.
Joan Didion.
Less that You shouldn't ask it than puzzlement that, indeed, the lists of Finest Crime-Fiction Writers wouldn't include Marcia Muller or Sara Paretsky or Wilhelm or Liza Cody or Highsmith or Meaker or...(and, previously, you had seemed resigned to the notion that the General Assumption is that the best writers were and are men, the kind of thing that is sustained most by treating it as if it was real or correct)(there's a Whole Hell of a Lot of That constantly going around, including in this discussion, where people take care to say "genre" writers who are either presumed, or to be treated as if the presumption were correct or the reasonable default, lesser than theoretical non-genre writers.
Wow, never having heard Phillips in person, sorry that she was channeling your 8th grade music teacher!
Though, of course, the problem with Who's the best Eqypt has produced, or even who under 30, is that it would have to be understood to be...who's the best you've read, that you recall...the Egyptians depend, for most of us, on who has been translated well where we could read them...the under-30, only somewhat less on where they've been published...
Todd, you are so funny. You better show up at Noircon.
Didion is an excellent choice. SLOUCHING TOWARD BETHLEHEM, THE BOOK OF COMMON PRAYER, PLAY IT AS IT LAYS and the book on El Salvator as well as the strange but compelling YEAR OF MAGICAL THINKING (why did she thing so little about her dying daughter) are compelling works. Great call.
I adore Anne Sexton and recommend A YEAR OF MERCY STREET or something like that.
Sorry Searching for Mercy Street by her daughter Linda Sexton Gray. Absorbing. Harper Lee, one perfect book.
And I'm not even joking (well, around the edges a bit). There is so much conventional thinking that is, too me, apparently maintained by people holding it up with one hand or both (depending on their fervor), since its foundation is in in the shifting sand of ignorance and laziness of thought (and would that literature was the only area of human endeavor of which that was true). Very much including those who are proposing All Male Lists of Literary Giants. Even as we realize they mean "what I've bothered to read so far."
Too true. A horde of readers are convinced that only men play it as it lays.
I've heard that Jayne Anne Phillips is irascible. I've gone to readings where Joyce Carol Oates got testy with some of the audience questions.
I like Joan Didion and Jayne Ann Phillips. (I've never seen her in person, but I could name a few obnoxious women mystery writers if you like.)
Joyce Carol Oates is just not to my taste, for the most part.
Annie Proulx?
Jeff M.
Ruth Rendell was no stroll in the park either. When some reader gave her her idea of Wexford's hometown (Kingsmarkam), she gave them a withering glance and said, "It is I who created Kingmarkam."
Well, yes, but we as readers fill in the gaps--don't chastise us for your talent in making it real. Never been able to read her again either.
Writers like these would do better to stay at home. Whereas Elmore Leonard could double his audience by appearing nightly.
The late Phillip Klass, who mostly published fiction as William Tenn, was another example of the soul of gentility in public encounters. James Morrow and Karen Joy Fowler, and editor Ellen Datlow, likewise in my experience.
My choice would be Flannery O'Connor.
YES.
Far far far too many wonderful women writers over CENTURIES to even begin listing (though I haven't even seen Zora Neale Hurston and Octavia Butler appear yet) and Todd's point about the narrowness of the scope so far -- an awful lot of non-fiction writers overlooked -- is well taken too.
I don't get the list mania. Comparing apples and oranges,a s if "women" was any kind of limiting category. Women write as differently from each other as men do from each other and as much the same as any of them might.
Hurston is listed on the initial post. Just a means to get people talking-not a mechanism to compare in any definitive way. Scholars rank Presidents, which leads to discussions of what makes a great leader. I think lists can be useful to encourage people to see new names and give new names.
And, as further appendage, among the particularly nice folks, at first and second encounter, I met at my only BoucherCon so far were the late Ed Hoch and some guy named Crider. I suspect Sue Grafton, who patiently awaited questions or gush in our elevator ride together, might well've been as well, if I hadn't been so exhausted (and initially unaware of who I was riding with) at the time as to be unready to converse (the only time my friend Alice Chang has envied me to the verge of a dope-slap my encounters with literary figures).
I've met Bill and he is easy on the heart. Joyce Carol Oates, who comes here once in a while, is supposedly as nice as can be.
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