Kerrie Smith reading.
Margot Kinberg is a mystery novelist and Associate Professor at National University, Carlsbad, California. She was born in Pennsylvania, where she graduated from Indiana University of Pennsylvania. She taught at the University of Delaware and Knox College, then moved to California where she lives with her husband, daughter and dogs.
GOING FOR THE GOLD, Emma Lathen
Friday’s Forgotten Books is such a wonderful opportunity to discover books that I might otherwise never have heard of that I was pleased and honored when Patti asked me to contribute.
Going for the Gold was written by Emma Lathen, the pseudonym of Mary Jane Latsis and Martha Henissart, and first published in 1981. It’s the 18th in the John Putnam Thatcher series.
In the novel, the Sloan Guaranty Trust bank is selected as the official bank of the 1980 Winter Olympic games in Lake Placid, New York. So John Putnam Thatcher, who’s a vice-president for the Sloan, is sent to Lake Placid to supervise the bank’s operations during the games. Shortly after Thatcher arrives at Lake Placid, Yves Bisson, a French ski jumper, is murdered by a sniper’s bullet as he is making a jump. At first, everyone believes that a terrorist has struck. But then, Roger Hathaway, manager of one of the Sloan’s Lake Placid branches, reports that the Sloan has lost half a million dollars to a counterfeit scheme. Thatcher is able to put these two seemingly-unrelated events together when it’s discovered that a traveler’s check that Bisson passed was counterfeit. What’s worse is that Bisson’s not the only one who seems to have been passing counterfeit traveler’s checks, and it’s not long before Thatcher figures out that Bisson must have been involved somehow in a huge swindling operation.
At this point, suspicion begins to fall on several of Bisson’s skiing teammates, the French team coach, and some fellow competitors, and their backgrounds and relationships to Bisson and to each other are carefully scrutinized. While Thatcher is making sense of the counterfeit scheme, another competitor, Tilly Lowengard, is disqualified from the Olympics when it’s discovered that she made a ski run while under the influence of a drug. She maintains her innocence, and before long, it’s clear that she, too, is a victim of a ruthless killer. Just then, a blizzard strikes, stranding everyone in Olympic Village – including the murderer. Thatcher realizes he’ll have to act fast if he’s going to figure out who’s been stealing money and covering up the theft with murder.
Going for the Gold gets the reader involved very quickly. Bisson’s murder shocks everyone and it’s easy to get caught up in the action as the local police and the security staff at Olympic Village scramble to protect the other competitors. The tension and suspense stay strong as Thatcher carefully works backwards through Bisson’s last few days to try to figure out how he might have been involved in the counterfeit scandal and who might be behind it. Adding to this is the reality that many competitors and visitors to the games face when they realize that their traveler’s checks are worthless and they’re temporarily stranded in Lake Placid. There’s also the suspense and interest generated by the inter-relationships among the competitors, especially as it’s discovered that several of them are keeping secrets.
There are also several interesting sub-plots in Going for the Gold. For example, there’s a secret marriage, another budding romance, theft from the Olympic Village food stores, and the struggles that everyone faces to deal with the heavy snowfall. Those sub-plots are well-woven into the central plot, so they aren’t distracting. They also add an interesting layer to the characters.
Perhaps the most gripping thing about the novel, though, is the snowstorm that strikes during the investigation. The snowstorm traps everyone in Olympic Village and adds to the sense of imminent danger. It also makes a fitting backdrop for the climactic scene in which the killer tries to strike one last time.
Besides the suspense, Going for the Gold features interesting characters. Since these are Olympic competitors, they come from several different countries, and all of them seem to be there for different reasons. As Thatcher finds out about their backgrounds, the reader gets to know these competitors. Thatcher, too, is an interesting and likeable sleuth. His background is in money and finance, but he’s also skilled at dealing with people, and provides a calming presence amid the hysteria that’s caused by the murder, the theft and the blizzard.
Banking has changed dramatically since this book was written, and so has bank security. So in some ways, the novel is a little dated. There are also some dated references; for instance, some of the competitors are from the Soviet Union. It doesn’t suffer too much from that limitation, though. The interesting characters, solid suspense, and nicely focused plot make this book worth a read. No wonder that, almost thirty years after I first read it, I still enjoy it.
Jerry House is convinced he was never a bad child. He can be reached at house_jerry@hotmail.com.
THE BAD CHILDREN by Shirley Jackson
I hope Shirley Jackson is not a forgotten writer. The House on Haunted Hill is a classic of the genre, The Road Through the Wall and We Have Always Lived in the Castle are burned into my memory, her semi-fictional humorous memoirs Raising Demons and Life Among the Savages paved the way for Jean Kerr and Erma Bombeck, and I doubt anyone who has read "The Lottery", "Charles", or "One Ordinary Day, With Peanuts" has ever forgotten the stories.
The Bad Children (Dramatic Publishing Company, 1959) is Shirley Jackson's riff on fairy tales. Subtitled A Musical in One Act for Bad Children, the play gives us Hansel and Gretel as the little shits they really were. ("You always say no. Like when we wanted to go out on Hallowe'en and burn down people's barns...") Other characters include their long-suffering parents ("Please don't make us take them back"), a morally ambiguous [though kind-hearted] witch ("I never stole anything in my life, but right now I am going to give back everything I ever happened to get by accident, kind of"), a grumpy enchanter ("Well, I won't eat griddle cakes without butter"), and a hapless rabbit ("No rabbit needs to put up with this kind of thing for one single instant...I'm going back to my old home in Mr. MacGregor's cabbage patch.") Although published fifty years ago, The Bad Children has the same delicious slyness found in the latest Terry Pratchett novel.
I don't know how readily available this is. I got my copy through an Inter-Library Loan; I suggest you do the same.
You can fine Mike Dennis here. He has a forthcoming novel THE TAKE, debuting in 2010.
THE BLONDE ON THE STREET CORNER, David Goodis
"Ralph stood on the corner, leaning against the brick wall of Silver's candy store, telling himself to go home and get some sleep."
GOING FOR THE GOLD, Emma Lathen
Friday’s Forgotten Books is such a wonderful opportunity to discover books that I might otherwise never have heard of that I was pleased and honored when Patti asked me to contribute.
Going for the Gold was written by Emma Lathen, the pseudonym of Mary Jane Latsis and Martha Henissart, and first published in 1981. It’s the 18th in the John Putnam Thatcher series.
In the novel, the Sloan Guaranty Trust bank is selected as the official bank of the 1980 Winter Olympic games in Lake Placid, New York. So John Putnam Thatcher, who’s a vice-president for the Sloan, is sent to Lake Placid to supervise the bank’s operations during the games. Shortly after Thatcher arrives at Lake Placid, Yves Bisson, a French ski jumper, is murdered by a sniper’s bullet as he is making a jump. At first, everyone believes that a terrorist has struck. But then, Roger Hathaway, manager of one of the Sloan’s Lake Placid branches, reports that the Sloan has lost half a million dollars to a counterfeit scheme. Thatcher is able to put these two seemingly-unrelated events together when it’s discovered that a traveler’s check that Bisson passed was counterfeit. What’s worse is that Bisson’s not the only one who seems to have been passing counterfeit traveler’s checks, and it’s not long before Thatcher figures out that Bisson must have been involved somehow in a huge swindling operation.
At this point, suspicion begins to fall on several of Bisson’s skiing teammates, the French team coach, and some fellow competitors, and their backgrounds and relationships to Bisson and to each other are carefully scrutinized. While Thatcher is making sense of the counterfeit scheme, another competitor, Tilly Lowengard, is disqualified from the Olympics when it’s discovered that she made a ski run while under the influence of a drug. She maintains her innocence, and before long, it’s clear that she, too, is a victim of a ruthless killer. Just then, a blizzard strikes, stranding everyone in Olympic Village – including the murderer. Thatcher realizes he’ll have to act fast if he’s going to figure out who’s been stealing money and covering up the theft with murder.
Going for the Gold gets the reader involved very quickly. Bisson’s murder shocks everyone and it’s easy to get caught up in the action as the local police and the security staff at Olympic Village scramble to protect the other competitors. The tension and suspense stay strong as Thatcher carefully works backwards through Bisson’s last few days to try to figure out how he might have been involved in the counterfeit scandal and who might be behind it. Adding to this is the reality that many competitors and visitors to the games face when they realize that their traveler’s checks are worthless and they’re temporarily stranded in Lake Placid. There’s also the suspense and interest generated by the inter-relationships among the competitors, especially as it’s discovered that several of them are keeping secrets.
There are also several interesting sub-plots in Going for the Gold. For example, there’s a secret marriage, another budding romance, theft from the Olympic Village food stores, and the struggles that everyone faces to deal with the heavy snowfall. Those sub-plots are well-woven into the central plot, so they aren’t distracting. They also add an interesting layer to the characters.
Perhaps the most gripping thing about the novel, though, is the snowstorm that strikes during the investigation. The snowstorm traps everyone in Olympic Village and adds to the sense of imminent danger. It also makes a fitting backdrop for the climactic scene in which the killer tries to strike one last time.
Besides the suspense, Going for the Gold features interesting characters. Since these are Olympic competitors, they come from several different countries, and all of them seem to be there for different reasons. As Thatcher finds out about their backgrounds, the reader gets to know these competitors. Thatcher, too, is an interesting and likeable sleuth. His background is in money and finance, but he’s also skilled at dealing with people, and provides a calming presence amid the hysteria that’s caused by the murder, the theft and the blizzard.
Banking has changed dramatically since this book was written, and so has bank security. So in some ways, the novel is a little dated. There are also some dated references; for instance, some of the competitors are from the Soviet Union. It doesn’t suffer too much from that limitation, though. The interesting characters, solid suspense, and nicely focused plot make this book worth a read. No wonder that, almost thirty years after I first read it, I still enjoy it.
Jerry House is convinced he was never a bad child. He can be reached at house_jerry@hotmail.com.
THE BAD CHILDREN by Shirley Jackson
I hope Shirley Jackson is not a forgotten writer. The House on Haunted Hill is a classic of the genre, The Road Through the Wall and We Have Always Lived in the Castle are burned into my memory, her semi-fictional humorous memoirs Raising Demons and Life Among the Savages paved the way for Jean Kerr and Erma Bombeck, and I doubt anyone who has read "The Lottery", "Charles", or "One Ordinary Day, With Peanuts" has ever forgotten the stories.
The Bad Children (Dramatic Publishing Company, 1959) is Shirley Jackson's riff on fairy tales. Subtitled A Musical in One Act for Bad Children, the play gives us Hansel and Gretel as the little shits they really were. ("You always say no. Like when we wanted to go out on Hallowe'en and burn down people's barns...") Other characters include their long-suffering parents ("Please don't make us take them back"), a morally ambiguous [though kind-hearted] witch ("I never stole anything in my life, but right now I am going to give back everything I ever happened to get by accident, kind of"), a grumpy enchanter ("Well, I won't eat griddle cakes without butter"), and a hapless rabbit ("No rabbit needs to put up with this kind of thing for one single instant...I'm going back to my old home in Mr. MacGregor's cabbage patch.") Although published fifty years ago, The Bad Children has the same delicious slyness found in the latest Terry Pratchett novel.
I don't know how readily available this is. I got my copy through an Inter-Library Loan; I suggest you do the same.
You can fine Mike Dennis here. He has a forthcoming novel THE TAKE, debuting in 2010.
THE BLONDE ON THE STREET CORNER, David Goodis
"Ralph stood on the corner, leaning against the brick wall of Silver's candy store, telling himself to go home and get some sleep."
That's the opening line of The Blonde On The Street Corner, a 1954 novel written by David Goodis. Of course, Ralph doesn't go home. Instead, he spots a blonde across the dark street and gawks at her. She eventually calls him over to light her cigarette, which he does.
Now, at this point, one might expect that Ralph would be irresistibly lured into a tight web spun by this dazzling femme fatale, resulting in his eventual moral destruction, if not death. But Goodis doesn't write that way. In fact, the blonde is fat, sharp-tongued, and lives in the neighborhood. Ralph knows her, and knows that she's married. She propositions him right on the corner, but he rejects her. "I don't mess around with married women," he tells her. Then he goes home.
Much to the reader's surprise, this encounter does not trigger the plot of the novel. In fact, it would be right to say that the novel has no plot, in the usual sense. Ralph returns to his impoverished Philadelphia home, where he lives with his parents, and spends the rest of the book wallowing in misery with his friends, all of whom are in the same boat as he: in their thirties, usually unemployed, and filled with unrealistic dreams. One of his friends says he is a "songwriter", but no one has ever recorded any of his songs. Another wants to be a big-league baseball player, but lasted only a week on a class D minor league team. They spend most of their time leaning up against buildings, wearing only thin coats against the bitter Philadelphia winter, and wishing they had more money. They talk a good deal about going to Florida, where they can get jobs as bellmen in a "big-time hotel", convinced this would jump-start their desperate lives.
The book goes on like this pretty much all the way through, with no moving story line, but it's Goodis' prose that keeps you riveted to the page. No one can paint a picture of a hopeless world better than he can. For Goodis, Philadelphia is a desolate place, whose bleak streets offer little in the way of promise. Many of his novels were set there, and they all shared that common trait. Life in that city is, for him and his characters, usually an exercise in futility. These are people who walk around with twenty or thirty cents in their pockets, who cold-call girls out of the phone book asking for dates, and for whom escape to Florida is always right around the corner. The finale provides the mortal body blow to Ralph, stripping him of the last shred of his dignity.
The Blonde On The Street Corner is a potent novel, filled with the passions and despair of its characters. All through this book, you find yourself longing to run into characters whose lives mean something. Then, you realize there aren't any.
Ed Gorman is the author of THE MURDER ROOM and the new anthology BETWEEN THE DARK AND THE DAYLIGHT. You can find him here.
The Dark World by Henry Kuttner
Paul Bishop
Tom Cain
Bill Crider
Pete Dragovich
Martin Edwards
Randy Johnson
George Kelley
Rob Kitchin
Steve Lewis/Mike Tooney
Todd Mason
Ed Gorman is the author of THE MURDER ROOM and the new anthology BETWEEN THE DARK AND THE DAYLIGHT. You can find him here.
The Dark World by Henry Kuttner
HenryKuttner wrote every kind of pulp fiction there was. He excelled at science fiction and fantasy. He also wrote three mysteries that I've
always enjoyed as well as an original paperback series about a psychiatrist. He was friend and mentor to both Ray Bradbury and Richard Matheson.With his wife C.L. Moore he produced a large volume of stories, a long list of which are considered classics today.He died way too young at age forty-four. I still remember reading about his death one eighth grade afternoon when I picked up the new Magazine of Fantasy & Science Fiction. I was shocked and saddened. I'd read so many of his novels and stories I felt as if he'd been a personal friend. Since we are in an era where vampires and werewolves and warlocks are fashionable I thought I'd introduce many of you to Kuttner (and probably C.L. Moore's) legendary short novel The Dark World currently available from Paizo in a handsome new edition.Edward Bond returns from World War Two to be confronted by his
identical twin with whom he shares a body--a twin from another dimension into which Bond is cast. There can't be many more strange and colorful worlds than the one he finds here. From the trade paperback: "Sucked through a portal to the Dark World, Bond finds himself trapped between two warring factions. On one side is the Coven: a werewolf, an immortal, and a beautiful witch eager to acknowledge Ganelon as their
sinister ruler. On the other is the white sorceress Freydis and her band of forest rebels that want nothing more than to see the warlock’s head on a spike. Will Edward/Ganelon join with the rebels to release the oppressed world from the grip of a tyrannical, sacrifice-hungry god—or embrace the Coven to become the world’s greatest villain?" If you're into fantasy, this book offers mystery, a real sense of dread, myriad wonders and some of the niftiest plotting you'll find this side of--well, Henry Kuttner. To say that "The Dark World" has been "homaged" to death over the years would be to understate the case. It shows up in a number of famous novels. Here's an irritable quote from the excellent site Science Fiction and Fantasy reading Experience.
"MZB (or, Marion Zimmer Bradley, for those unfamilliar with this "fiction factory" brand) said: "I consider the works of Henry Kuttner the finest fantasy ever written"; Roger Zelazny cited "The Dark World" as a seminal influence on his Amber series; now - both these writers have contributed to many 300-pages-plus reworkings of the same ideas that Kuttner put in 100 pages here. When reading the novella (for that
is what it is, really) today you will be struck how often you may have read same stuff in modern "door-stopper" trilogies - diluted and laundered for a publisher's fun and profit. However, here is the genuine article, the novel that started it all. It has color, adventure and the sense of wonder needed (required!) for publication in "Startling Stories" and the accompanying brevity. God bless Henry Kuttner. Wish he was more often reprinted nowadays." If you're a fantasy pulp fan, this is a book you'll enjoy reading again and again.
always enjoyed as well as an original paperback series about a psychiatrist. He was friend and mentor to both Ray Bradbury and Richard Matheson.With his wife C.L. Moore he produced a large volume of stories, a long list of which are considered classics today.He died way too young at age forty-four. I still remember reading about his death one eighth grade afternoon when I picked up the new Magazine of Fantasy & Science Fiction. I was shocked and saddened. I'd read so many of his novels and stories I felt as if he'd been a personal friend. Since we are in an era where vampires and werewolves and warlocks are fashionable I thought I'd introduce many of you to Kuttner (and probably C.L. Moore's) legendary short novel The Dark World currently available from Paizo in a handsome new edition.Edward Bond returns from World War Two to be confronted by his
identical twin with whom he shares a body--a twin from another dimension into which Bond is cast. There can't be many more strange and colorful worlds than the one he finds here. From the trade paperback: "Sucked through a portal to the Dark World, Bond finds himself trapped between two warring factions. On one side is the Coven: a werewolf, an immortal, and a beautiful witch eager to acknowledge Ganelon as their
sinister ruler. On the other is the white sorceress Freydis and her band of forest rebels that want nothing more than to see the warlock’s head on a spike. Will Edward/Ganelon join with the rebels to release the oppressed world from the grip of a tyrannical, sacrifice-hungry god—or embrace the Coven to become the world’s greatest villain?" If you're into fantasy, this book offers mystery, a real sense of dread, myriad wonders and some of the niftiest plotting you'll find this side of--well, Henry Kuttner. To say that "The Dark World" has been "homaged" to death over the years would be to understate the case. It shows up in a number of famous novels. Here's an irritable quote from the excellent site Science Fiction and Fantasy reading Experience.
"MZB (or, Marion Zimmer Bradley, for those unfamilliar with this "fiction factory" brand) said: "I consider the works of Henry Kuttner the finest fantasy ever written"; Roger Zelazny cited "The Dark World" as a seminal influence on his Amber series; now - both these writers have contributed to many 300-pages-plus reworkings of the same ideas that Kuttner put in 100 pages here. When reading the novella (for that
is what it is, really) today you will be struck how often you may have read same stuff in modern "door-stopper" trilogies - diluted and laundered for a publisher's fun and profit. However, here is the genuine article, the novel that started it all. It has color, adventure and the sense of wonder needed (required!) for publication in "Startling Stories" and the accompanying brevity. God bless Henry Kuttner. Wish he was more often reprinted nowadays." If you're a fantasy pulp fan, this is a book you'll enjoy reading again and again.
Paul Bishop
Tom Cain
Bill Crider
Pete Dragovich
Martin Edwards
Randy Johnson
George Kelley
Rob Kitchin
Steve Lewis/Mike Tooney
Todd Mason
7 comments:
I have that Kuttner book. One of these days I'm going to do another forgotten book friday.
Anytime, Charles. Looking forward to it.
Shirley Jackson IS NOT FORGOTTEN :D
I often teach The Lottery in my classes.
I read all of the Lathen and (other pseudonym) R. B. Dominc books then available back in 1973-75. The Dominic series features Ohio Democratic Congressman Ben Safford, by the way.
I recently decided to catch up on the ones I'd missed and read one of each series - Lathen's Double, Double, Oil and Trouble and Dominic's Murder Out of Commission - but found you (or at least I) can't go home again.
They were readable enough but didn't make me want to run out and get the rest of them. Still, in their time they gave me a lot of good reading.
Jeff Meyerson
Well, basically none of these folks is Truly forgotten, which is why I usually put quotation marks abour "forgotten" in my posts (such as they are with my weird schedule and little energetic time to get to them)...the books are usually out of print or insufficiently read, of which perhaps THE HAUNTING OF HILL HOUSE is not either, but anything to get people to revile or forget that remarkably bad remake of the film (even worse, if not by much, than the remake of the film of that other fine Halloween novel from 1959, PSYCHO by Robert Bloch.
I love that David Goodis cover. I've read a couple of his books, and really wish that I had liked them more. They were enjoyable, but somehow just didn't connect with me the way that other writers from that era have.
Forgotten is a highly subjective concept.
Post a Comment