What seemingly innocuous object or element in a story/movie can frighten you?
With my husband, it's houses where mass murders have taken place.
After the war,
In spite of this, attempts at re-urbanization are being undertaken.
Desperate Characters by Paula Fox
It's difficult to remember, thirty years on,
Fox has also written two books about her life (Borrowed Finery and The Coldest Winter), a few other novels (The Widow's Children) and many children's books. But nothing is finer than this one for me.
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Gerald So, take it away.
Most books about politics tend to be thrillers. A quiet, incisive meditation on the seductiveness of political power, the people it attracts, and the way it all plays out is unusual. But Sleeping Dogs by Ed Gorman is exactly that. No plots to blow up the White House unfold; no bio-terrorists loom. Instead, this novel looks at an Illinois Senate race from the perspective of political consultant, Dev Conrad, an operative who’s realistic about what politicians are like. Dev stays in the game though it often sickens him. He’s good at it, and on some level, he likes the political arena, always hoping to find a politician he can promote for more than a paycheck.
Sleeping Dogs has a cast of characters that turns out to be multifaceted and complicated. No one is exactly what he/she first appears to be. In Sleeping Dogs, the actions are in proportion to the actors, each scene inexorably follows the one before it.
I hope we run into Dev Conrad again, working for a politician he can like. One of the most interesting questions posed in the novel was this: what do you do if you like the voting record and the political stance of a candidate, but not the person him/herself? That’s a question we need to think about. This was a terrific book.
Pieces produced at Pewabic Pottery are especially valued for their distinctive glaze. Today, the Pottery continues to grow as a museum, an educational institution, as a shop and as an important part of the
Pewabic is Chippewa Indian term for "clay with a copper color" according to an article on the National Park Service website.
http://www.nps.gov/nr/travel/detroit/d5.htm (Thanks, Tim).
The book details Clemens’ childhood growing up on the eastside of
Clemens went on to contribute several op-ed pieces to the New York Times and local
At some point in the movie, Stranger Than Fiction, the character played by Emma Thompson worries about the number of characters she’s killed off in her novels over the years. Of course, in her case, she’s come to believe that her character, played in the film by Will Farrell, is now a living breathing person. But do you ever give this any thought? Do you wonder if your writing is too blood-thirsty? Or that you watch movies or read books and feel little remorse at the body count? Do you watch Dexter and don't feel a bit guilty for loving it?
I have killed off about a dozen characters in my stories. They have died by a variety of methods, none pleasant. Do you ever pull back from this either in reading or writing? How far is too far? Do the novels of 50 years ago show more restraint?