How I Came to Edit this Site (...and Anthology)
By Chris Rhatigan
Online publications tend to suffer from two problems:
1)
They shut down frequently. (I recently submitted to three
publications--all three shut down without responding, one before it even
put out its first issue.)
2) They lack an identity. They publish too many
stories, or they publish such a range of material (fiction of all
lengths and genres, non-fiction, reviews, crossword puzzles,
advertisements for local bands, etc., etc.) that they lose focus.
When Alec Cizak handed me the reins to All Due
Respect, I knew it suffered from neither of those problems. It had been
around since 2010, building a readership. Once a month, ADR published
straight crime fiction short stories--nothing else.
So I knew the publication itself was sound. I
consider this the biggest challenge for editors. My task was to make
sure that I kept this up.
What exactly does an
editor do? I didn't know the answer to this question when I took over,
but I slowly discovered how to approach the job.
The number one thing is only accepting the best
submissions that also fit the site's style. This may sound easier than
it is. It's difficult rejecting a story that's close, but not quite
there. It's difficult sending rejections to friends. It's difficult to
provide constructive feedback about why a story doesn't fit the site's
needs--which I do unless the story is completely off-base.
But that initial decision is the most important. I
never take it lightly. I almost always read submissions at least twice
before accepting them, letting them roll around in my head, seeing if
all the pieces fit together.
Then comes the actual editing. I was a journalist
and proofreader for a number of years, so I have no qualms about hacking
a story apart at the sentence/word level. (Seeing a blatant error I
left in on the site makes me want to punch myself in the face.)
The difficult part comes when cutting story
out. I rarely do this, but I do have pet peeves. Too much back story is a
big one. Repeating information that the reader's already picked up on
from context is another. Inserting a twist ending where it doesn't fit
is also not my thing. Still, I always question this decision--after all,
I'm a writer too.
Overall, I love the job. I gain immense satisfaction
from sharing a great story with the world and sometimes playing a small
part in improving a story.
And I'm terribly proud of All Due Respect: The Anthology, released by Full Dark City Press. You will love these stories. And if you don't, I'll punch you in the face.
(Is that benefit that will induce you to buy? I'm not very good at this whole selling thing...)
BIO: Chris Rhatigan is the editor of All Due Respect.
His novella, The Kind of Friends Who Murder Each Other, will be
released from KUBOA Press in April. He blogs about short fiction at Death by Killing.
7 comments:
Chris is right. You WILL love the stories in this anthology. and having been edited by Chris, I can vouch for his editing chops.
OK, sounds good. I'll buy it.
Jeff M.
Patti - Thanks for hosting Chris.
Chris - Thanks for sharing the editor's perspective. Such a balance isn't between embracing authors' creativity and doing, well, what editors do to help shape and polish stories. And this anthology looks great!
I've done a lot of editing by this time in my life, often even though I didn't want to do it. Never edited a magazine though. I can imagine it would be pretty tough
Third try at the captcha.
OK, I'm glad Amazon is keeping track because it seems I already bought this one.
Not that there's anything wrong with that.
Jeff M.
Yep, 'tis a great collection — and Chris is the best editor. Punches and all. ;)
I have done that several times, Jeff. Life after 60 is hard.
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