Such great voices...this works as audio (and would on radio, though any distortion tends to make Arthur's voice difficult to parse), as I continue to do my daily bread operations...interesting how often, in his classic contemporary films (or perhaps only in the fantasticated comedies) Stewart was cast as an unwilling banker...
Oh, I'm always sensitive to good voices, particularly in women (surprise), but good male voices are striking as well.
And I wonder if he (stereotypically) moved rightward as he got older...when living with Dietrich as a young man, he was certainly willing to flout convention...
What amazes me about this clip is that the camera rolls for almost 5 minutes and the two of them do that scene without a single cut. (It's hard to tell if the camera even moves.) Says something about their gift for pacing and making small gestures say so much...And that an audience back then was trusted to just listen to two people talking who are falling in love. No music video-style razzle-dazzle. Thanks, Patti, for finding this one.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
6 comments:
Jean Arthur is wonderful. Loved her in History is Made at Night, and she was even great in the western movie Arizona.
She is simply breathtaking. She could make me laugh by opening her mouth. Love, love, love TALK OF THE TOWN.
Such great voices...this works as audio (and would on radio, though any distortion tends to make Arthur's voice difficult to parse), as I continue to do my daily bread operations...interesting how often, in his classic contemporary films (or perhaps only in the fantasticated comedies) Stewart was cast as an unwilling banker...
Yes and it makes you wonder how important distinctive voices are.
And yes, considering how conservative his political opinions were.
Oh, I'm always sensitive to good voices, particularly in women (surprise), but good male voices are striking as well.
And I wonder if he (stereotypically) moved rightward as he got older...when living with Dietrich as a young man, he was certainly willing to flout convention...
What amazes me about this clip is that the camera rolls for almost 5 minutes and the two of them do that scene without a single cut. (It's hard to tell if the camera even moves.) Says something about their gift for pacing and making small gestures say so much...And that an audience back then was trusted to just listen to two people talking who are falling in love. No music video-style razzle-dazzle. Thanks, Patti, for finding this one.
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