Jimmy Stewart is my favorite actor. (In fact, I woke up early to watch Bandolero!, which I had never seen before.)
My favorite movie of his is probably Harvey, though Vertigo is a close second. I also really like his Westerns, my favorite of which is The Naked Spur.
All of the aforementioned are great films. I'd also add ROPE, in which Stewart played a prep-school teacher who matches wits with two former students who think they've committed the perfect murder. ROPE was directed by Alfred Hitchcock. Stewart appeared in four Hitchcock films. He and Cary Grant (who also appeared in four of Hitch's films) were Hitchcock's favorite leading men.
He could play any part credibly. Although I cannot recall a film where he is the villain. Also love him in ANATOMY OF A MURDER. ROPE is one scary film.
It would have to be REAR WINDOW though THE MAN WHO SHOT LIBERTY VALANCE, THE MAN WHO KNEW TOO MUCH and HOW THE WEST WAS WON are my favourite Jimmy Stewart movies too. Though, in the last mentioned he was overshadowed by several great actors.
I, too, went to IMDB, but I already knew what I'd pick. It's gotta be "Vertigo", not only the best movie Stewart appeared in, but Hitchcock's best movie. Looking at the IMDB lists for people like Stewart and Cary Grant is just awe inspiring. Will anyone ever again appear in that many great movies? I don't think so. The system works differently now, and it would be virtually impossible.
hum, rear window for me probably too. I don't know much about older movies. I remember him being in quite a few westerns but can't think of the titles.
Philadelphia Story hands down! Besides, it's got Hepburn and Grant, too. Harvey is a delight as well. Best, perhaps Vertigo, but favourite is different. He is unrelentingly creepy and appalling in Vertigo which is miles away from his more affable roles.
I am fonder of ANATOMY OF A MURDER than it really deserves (and as Glenn Miller he faked playing a trombone pretty well), but my favorite role for Stewart in some ways is as Britt Poncet, the protagonist of the radio series THE SIX SHOOTER (until looking at IMDb, I didn't know that he'd played Poncet on some tv productions, too). He's pretty close to a villain in THE NAKED SPUR, too.
Hm. I think it is brilliant of me that I know who James Stewart is.
But as far as I remember, Laura Lippman´s The Girl in the Green Raincoat is supposed to be inspired by Rear Window. So actually I´d like to watch it. Did you hear that, J.S? - now you must be pleased ;)
They are! The point is that I know yours as well (or not) as our own - I only watch films when my family watch something so intriguing I have to put my crime novel down ;)
No question, my favorite is REAR WINDOW. Second place would have so many of his films tied for that position that it would take a while to name them all.
VERTIGO would be my favorite, followed by MR. SMITH GOES TO WASHINGTON, then PHILADELPHIA STORY. I also admit to a great fondness for THE GLENN MILLER STORY, but it's because of the music as much as the plot or acting.
It is hard for some non-trombonists to gauge how to move the slide. The worst ever was the fellow who played Bill Cosby's father in THE COSBY SHOW.
The music certainly helps sell ANATOMY OF A MURDER for me, as well...and CALL NORTHSIDE 777 is in some ways a more energetic prefiguring of ANATOMY, particularly in Stewart's performance.
Dorte: I suspect you should *read* "Rear Window" (by Cornell Woolrich) first...
The Shop around the Corner and Vertigo, but I think many of his other films are great as well. A film from later in Stewart's career that I liked a lot is The Flight of the Phoenix.
I can also think of a couple of Stewart's films that I didn't like - Liberty Valance (and yes, I know that's a very minority opnion) and The Spirit of St. Louis.
"Vertigo" is my favorite Jimmy Stewart movie--perhaps because he plays against type. He's so domineering and controlling, especially after he meets Kim Novak's "real" character. And I always feel sorry for Midge (played by Barbara Bel Geddes)--another in a line of Hitchcock's disposable brunettes easily shunted aside by the hero for a cool blonde (e.g., Suzanne Pleshette in "The Birds," Diane Baker in "Marnie").
I love his performances in all those movies mentioned above plus DESTRY RIDES AGAIN, ROPE, ANATOMY OF A MURDER, and BELL BOOK AND CANDLE. But truly I have to say THE NAKED SPUR is my favorite Stewart movie because when I saw it I finally realized what a phenomenal actor he was. Watch it. He made it five years before VERTIGO and you see the darkest depths of him that were only hinted at in his earlier movies. He's so NOT Jimmy Stewart in this movie. Plus it's an amazing example of the western as crime movie. It's almost a western noir.
There are so many to choose from I can hardly decide! Definitely love REAR WINDOW and VERTIGO but also like some of the classics like YOU CAN'T TAKE IT WITH YOU and THE PHILADELPHIA STORY.
My wife & I say Elwood P. Dowd in "Harvey." Think of Jimmy Stewart's monologues. How he is both loopy and charming, rueful and innocent, flexible yet rooted in his own truth. How fully he engages in his admiration of feminine beauty ("Oh Miss Kelly--You'll never look lovelier"), how respectful he is to his sister even when she is betraying him ("That Vita--She's a whirlwind"), and how gracefully he lets go of his best friend. What other actor could tread such a fine line of sanity, and make us believe he is enlightened, naive, humble and broken. And think please, did you ever once doubt the rabbit was there? I think it's his greatest performance because it is essentially a duet with an invisible partner. Or more accurately--a dual performance. Think about that. Harvey is created by Stewart's responses to him. Does he do anything near that tricky in any of his other superb roles?
What's the Worst Thing That Can Happen, Al Tucher, A TWIST OF NOIR
The Good Doctor, Adam Haslett, YOU ARE NOT A STRANGER HERE
Clouds in A Bunker, David Cranmer, PULP INK
Burning End, Ruth Rendell, THE BEST OF THE BEST SHORT STORIES 1986-1995
Something is Out There, Richard Bausch, MURDERLAND
Uncle, Daniel Woodrell, A HELL OF A WOMAN
Dark Adapted Eye, Katherine Tomlinson, SHOTGUN HONEY
Whiteout on Van Buren, Don Winslow, PHOENIX NOIR
An Invisble Minus Sign, Denise Mina, DEADLY HOUSEWIVES
Everything I Want, Megan Abbott, SPEED CHRONICLES
The Garage Sale of the Three Lindas, Marly Swick, THE SUMMER BEFORE THE SUMMER OF LOVE
Everybody Loves Somebody, Sandra Scoppettone, A HELL OF A WOMAN
Harpooned, Sandra Seamans, MYSTERICAL-E
Burn Patterns, Michael C. White MARKED MEN
World of Gas, Bonnie Jo Campbell AMERICAN SALVAGE
Snakes in the Briar Patch, Chad Eagleton, Cathode Angel
Sea of Grass, Jim Wilsky, ROSE AND THORN
The Pool, Keith Taylor from LIFE SENTENCES
Locked Out, Art Taylor, PLOTS WITH GUNS
Giving Blood, John Updike from THE MAPLES
Two and Half Miles, W.D. County, SPINETINGLER
ReBecca, Vicki Hendricks, FLORIDA GOTHIC STORIES
What is Your Emergency, Chris Rhatigan, GRIFT MAGAZINE
Here We Are in Paradise, Tony Earley
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A Blunderbuss for a Broken Heart, Chris LeTray Pulp Modern 2
Spending Light, John Stickney, NEEDLE, Issue 2
365- February
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A Composer and His Parakeets, Ha Jin GOOD FALL
Where Are You Going, Where Have You Been, Joyce Carol Oates
Girls in Their Summer Dresses, Irwin Shaw
The Last Spin, Evan Hunter
The Birthday Party, Graham Greene
Blue, Rachel Seiffert, FIELD STUDY
Tonto Woman, Elmore Leonard, THE COMPLETE WESTERN STORIES
Only Good Ones, Elmore Leonard, THE COMPLETE WESTERN STORIES OF ELMORE LEONARD
Super Trooper, Nigel Bird, OFF THE RECORD
The Incident at Owls' Creek Bridge, Ambrose Bierce
Food Man, Lisa Tuttle, BEST OF CRANK
The Babysitter's Code, Laura Lippman, PLOTS WITH GUNS
Graveyard Shift, James Reasoner, Hard-Boiled
Portrait of An American Family, Benoit Lelievre, SHOTGUN HONEY
Thanks for the Ride, Alice Munro, Dance of the Happy Shades
A MAtter of Principal, Max Allan Collins, FAVORITE KILLS
Cold Snap, Thom Jones COLD SNAP
Piano Man, Bill Crider, ON DANGEROUS GROUND
The Ladder, Adrian McKinty, CRIME FACTORY: FIRST SHIFT
THe Confessor, Lonni Lees, SHOTGUN HONEY
Plaything, Daniel Hatadi, DEADLY TREATS
Going to Shrewsbury, Sarah Orne Jewett, THE COUNTRY OF THE POINTED FIRS
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Escapes, Joy Williams, ESCAPES
Ugly Pictures, Terrie Moran, THE AWARENESS
Just Another Saturday Night, William Link, EQMM
Pride, P.J. Parrish, DETROIT NOIR
Bonus, Jim Ray Daniels, DETROIT TALES
Casanova Succumbs to Two-Ton Tina, Rob Kitchin, A TWIST OF NOIR
The Lost Child, Jean Thompson WHO DO YOU LOVE
365-March
365 March
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The Navy Man, Kyle Minor, IN THE DEVIL'S TERRITORY
Cops and Robbers, Jean Stafford, MOTHERLOVE
Tort, Ken Bruen, EQMM
Melinda, Judy Doenges, O'HENRY AWARDS
Honeymoon, Arturo Vivante, SOLITUDE
Hard Rain, Katherine Tomlinson, NOHO NOIR
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Death is Daily, Craig Garret , FIRES ON THE PLAIN
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Smantha's Diary, Diana Wynne Jones, STORIES
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The Bees, Dan Chaon, STAY AWAKE
Blue Rose, Peter Straub
365 -April
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May, 365
Monsters of the Deep, Elissa Schappell, BLUEPRINTS FOR BUILDING A BETTER GIRL
Solitary Confinement, Sandra Seamans, COLD RIFTS
Lookout Mountain, John Floyd, MYSTERICAL-E
Doctor Jack-o'-lantern" Richard Yates, ELEVEN KINDS OF LONELINESS
Bulldozing the Baby, Jo Ann Beard, BOYS OF MY YOUTH
Ray's People Have Always Been Soldiers by Barry Basden
Symbols and Signs, Vladimir Nabokov, THE NEW YORKER 1948
Referential, Lorrie Moore, THE NEW YORKER
The Barber's Unhappiness, George Saunders, Pastornalia
A Commercial Proposition, Richard Wheeler
Thou Still Unravished Bride, Avram Davidson
Car Crash While Hitchhiking, Denis Johnson, JESUS' SON
Someone to Watch Over Me, Richard Bausch, THE COLLECTED STORIES OF
Undead, Beniot Lelievre, FLASH FICTION OFFENSIVE
A Freeway on Eartlh, Heath Lowrance, BURNING BRIDGES
Recitatif, Toni Morrison
We Dance, Jane Hammons, FICTIONAUT
Sadie, Jack and Fluffy Go on a Trip, Dennis James, MOBIUS
Health, Joy Williams, ESCAPES
No Place for You, My Love, Eudora Welty
The Sister's Tale, Castle Freeman, ROUND MOUNTAIN
Sitting on Top of the World, Bill Crider
Woman on the Dunes, Anais Nin
Stars of Motown Shining Bright, Julie Orringer, HOW TO BREATHE UNDERWATER
Words are Cheap, Ken Bruen, MURDALAND
Kiss Me Again, Stranger, Daphne Du Maurier
Molotov, Chris Le Tray, ALL DUE RESPECT
Looking for Romance at a Writer's Convention, Richard Wheeler
54 comments:
I saw your question, went directly to IMDB, and scanned every movie Stewart made so I wouldn't miss an obvious choice.
I came up with REAR WINDOW. (Sigh.) I should have listened to you in the first place.
Jimmy Stewart is my favorite actor. (In fact, I woke up early to watch Bandolero!, which I had never seen before.)
My favorite movie of his is probably Harvey, though Vertigo is a close second. I also really like his Westerns, my favorite of which is The Naked Spur.
Looking through the list of his movies, I could have chosen a dozen. Another favorite THE MAN WHO SHOT LIBERTY VALANCE.
Gotta be George Bailey in IT'S A WONDERFUL LIFE. Every other one is a close second, though.
The Man Who Shot Liberty Valance is terrific. Just rewatched it a few months ago. The Man From Laramie is also great!
All of the aforementioned are great films. I'd also add ROPE, in which Stewart played a prep-school teacher who matches wits with two former students who think they've committed the perfect murder. ROPE was directed by Alfred Hitchcock. Stewart appeared in four Hitchcock films. He and Cary Grant (who also appeared in four of Hitch's films) were Hitchcock's favorite leading men.
No question, It's A Wonderful Life.
He could play any part credibly. Although I cannot recall a film where he is the villain. Also love him in ANATOMY OF A MURDER.
ROPE is one scary film.
It would have to be REAR WINDOW though THE MAN WHO SHOT LIBERTY VALANCE, THE MAN WHO KNEW TOO MUCH and HOW THE WEST WAS WON are my favourite Jimmy Stewart movies too. Though, in the last mentioned he was overshadowed by several great actors.
Also love THE SHOP AROUND THE CORNER and PHILADELPHIA STORY.
I like an old western he made called (I think) DESTRY RIDES AGAIN.
Yep, Marlene Dietrich. A lot of fun.
VERTIGO — an easy pick because it's my favorite movie, period.
But yes, I could pick a dozen or so, most of which have already been named!
I, too, went to IMDB, but I already knew what I'd pick. It's gotta be "Vertigo", not only the best movie Stewart appeared in, but Hitchcock's best movie. Looking at the IMDB lists for people like Stewart and Cary Grant is just awe inspiring. Will anyone ever again appear in that many great movies? I don't think so. The system works differently now, and it would be virtually impossible.
hum, rear window for me probably too. I don't know much about older movies. I remember him being in quite a few westerns but can't think of the titles.
Without question, my favorite Stewart movie is VERTIGO-- and I see Art beat me to it. But I also think its Hitchcock's most creepily perverted movie.
Philadelphia Story hands down! Besides, it's got Hepburn and Grant, too. Harvey is a delight as well. Best, perhaps Vertigo, but favourite is different. He is unrelentingly creepy and appalling in Vertigo which is miles away from his more affable roles.
I can't decide between VERTIGO and REAR WINDOW.
Pretty creepy in Rear Window too although perhaps not to writers who behave similarly.
I like Read Window more than Vertigo but only by a hair.
I too liked Rear Window, but honestly It's a Wonderful Life would be my choice.
It is so unrelentingly depressing until the end, I find it hard to watch. Much like A CHRISTMAS CAROL.
Harvey!--and Vertigo--and Mr. Smith Goes to Washington . . . oh that's an impossible question!
Jackie says IT'S A WONDERFUL LIFE.
I'd go with PHILADELPHIA STORY or THE SHOP AROUND THE CORNER Margaret Sullavan!), or possibly VERTIGO.
I'd have to see ANATOMY OF A MURDER again first because it's been a long time.
Trivia: did you know that Stewart Granger is a stage name he adopted because his real name...James Stewart...was already taken?
Jeff M.
I am fonder of ANATOMY OF A MURDER than it really deserves (and as Glenn Miller he faked playing a trombone pretty well), but my favorite role for Stewart in some ways is as Britt Poncet, the protagonist of the radio series THE SIX SHOOTER (until looking at IMDb, I didn't know that he'd played Poncet on some tv productions, too). He's pretty close to a villain in THE NAKED SPUR, too.
Harvey for me but Rear Window and It's A Wonderful life have certainly got the chops, as, I think, they say.
Oops. Britt Ponset. (A disadvantage of radio.)
I probably know less about radio shows than anyone.
I don't know that I have ever seen NAKED SPUR.
As usual, all the good ones have been taken by the time I arrive. I'll say THE MAN FROM LARAMIE just to be different.
Any takers for THE SHOPWORN ANGEL?
And MADE FOR EACH OTHER.
I haven't seen Shopworn or Made For Each Other in years. I remember liking them, so I'll have to revisit.
Another fav of mine is Firecreek, which I don't think has been mentioned yet. One of his later Westerns. Henry Fonda co-stars.
I know some consider MADE FOR EACH OTHER too soapy but I liked it. Never saw SHOPWORN ANGEL.
I'm surprised no one (Cap'n Bob?) mentioned WINCHESTER '73.
I should mention that we saw him on stage in a revival of HARVEY with Helen Hayes, way back in 1970.
It was a lot of fun.
Jeff M.
Hm. I think it is brilliant of me that I know who James Stewart is.
But as far as I remember, Laura Lippman´s The Girl in the Green Raincoat is supposed to be inspired by Rear Window. So actually I´d like to watch it. Did you hear that, J.S? - now you must be pleased ;)
We think of our actors and movies as universal, Dorte. Gets us into trouble all the time.
They are! The point is that I know yours as well (or not) as our own - I only watch films when my family watch something so intriguing I have to put my crime novel down ;)
No question, my favorite is REAR WINDOW. Second place would have so many of his films tied for that position that it would take a while to name them all.
IT'S A WONDERFUL LIFE and WINCHESTER 73.
Mike beat me to my two favs:
IT'S A WONDERFUL LIFE
WINCHESTER '73
ROPE is another that's tops on my list.
VERTIGO would be my favorite, followed by MR. SMITH GOES TO WASHINGTON, then PHILADELPHIA STORY. I also admit to a great fondness for THE GLENN MILLER STORY, but it's because of the music as much as the plot or acting.
For the westerns, WINCHESTER 73 is my favorite.
Even credible as Glenn Miller, wasn't he? The music was sublime.
It is hard for some non-trombonists to gauge how to move the slide. The worst ever was the fellow who played Bill Cosby's father in THE COSBY SHOW.
The music certainly helps sell ANATOMY OF A MURDER for me, as well...and CALL NORTHSIDE 777 is in some ways a more energetic prefiguring of ANATOMY, particularly in Stewart's performance.
Dorte: I suspect you should *read* "Rear Window" (by Cornell Woolrich) first...
For a very different viewpoint on Glenn Miller, you should check out "Perfidia" in Lewis Shiner's COLLECTED STORIES.
Jeff M.
On my way to the library, I will see if they carry it.
Rear Window. The Shootist. The 2nd film because it seemed like such a sad good-bye.
The Shop around the Corner and Vertigo, but I think many of his other films are great as well. A film from later in Stewart's career that I liked a lot is The Flight of the Phoenix.
I can also think of a couple of Stewart's films that I didn't like - Liberty Valance (and yes, I know that's a very minority opnion) and The Spirit of St. Louis.
"Vertigo" is my favorite Jimmy Stewart movie--perhaps because he plays against type. He's so domineering and controlling, especially after he meets Kim Novak's "real" character. And I always feel sorry for Midge (played by Barbara Bel Geddes)--another in a line of Hitchcock's disposable brunettes easily shunted aside by the hero for a cool blonde (e.g., Suzanne Pleshette in "The Birds," Diane Baker in "Marnie").
But even the blondes don't seem to fare well in Hitchcock. They are victims to the men (or nature) most of the time. A real misogynist.
Good tip, Tood. Thanks.
I would have said WINCHESTER '73, Jeff, except it co-stars Shelly Winters. I never could abide that blubbering woman.
Oh, yes -- Rear Window~~
I love his performances in all those movies mentioned above plus DESTRY RIDES AGAIN, ROPE, ANATOMY OF A MURDER, and BELL BOOK AND CANDLE. But truly I have to say THE NAKED SPUR is my favorite Stewart movie because when I saw it I finally realized what a phenomenal actor he was. Watch it. He made it five years before VERTIGO and you see the darkest depths of him that were only hinted at in his earlier movies. He's so NOT Jimmy Stewart in this movie. Plus it's an amazing example of the western as crime movie. It's almost a western noir.
There are so many to choose from I can hardly decide!
Definitely love REAR WINDOW and VERTIGO but also like some of the classics like YOU CAN'T TAKE IT WITH YOU and THE PHILADELPHIA STORY.
I am leaving this as a toss-up for me!
My wife & I say Elwood P. Dowd in "Harvey." Think of Jimmy Stewart's monologues. How he is both loopy and charming, rueful and innocent, flexible yet rooted in his own truth. How fully he engages in his admiration of feminine beauty ("Oh Miss Kelly--You'll never look lovelier"), how respectful he is to his sister even when she is betraying him ("That Vita--She's a whirlwind"), and how gracefully he lets go of his best friend. What other actor could tread such a fine line of sanity, and make us believe he is enlightened, naive, humble and broken. And think please, did you ever once doubt the rabbit was there? I think it's his greatest performance because it is essentially a duet with an invisible partner. Or more accurately--a dual performance. Think about that. Harvey is created by Stewart's responses to him. Does he do anything near that tricky in any of his other superb roles?
Patrick O
I haven't seen Harvey in years and definitely need to revisit. Thanks for such a thoughtful response.
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