There was an article recently that called attention to how few good lines turn up in movies because movies are not about language anymore. I think that is really true. Few good lines indeed. When was the last time you heard a conversation in a movie.
The Brits are better at conversation than Americans - I'd start there with Oscar Wilde. But Ben Hecht wrote some good lines for American movies - like HIS GIRL FRIDAY.
INGLORIOUS BASTERDS had some good conversations. Pretty much any scene with Christophe Waltz, but especially "Once Upon a Time in Nazi-Occupied France."
This scene from DIRTY HARRY can still deliver after all these years.
The dialougue at the opening to INGLORIOUS BASTERDS where the Nazi is questioning the French guy with the hidden family under the floorboards packs a wallop for me.
(Getting ready to post this I see Mr. Powell has already mentioned it.)
I rarely go to the movies anymore. They're all special effects and fantasy stuff. That was fun for a bit, but now I'd like more plot than gunfire, more dialogue than blue screen. (Yes, I'm turning into an old fart. Been looking forward to it all my life.)
You're right. There are probably still movies that have conversations in them, but they're not the kind I pay money to see.
One of my favorite lines is from Yojimbo. One of the bad guys is bragging how tough he is and says, "Kill me if you can." Our hero with no name gives him fair warning. "It'll hurt," he says. And it does.
I know I'm probably in the minority but I like the kooky conversations in Woody Allen movies. There were plenty in ANNIE HALL and more recently in VICKY CRISTINA BARCELONA.
Defintely a good one. You know I haven't even thoguht about movies changing in that sense. I watch so few of them that I guess I don't keep up. I did see INglorious bastards and I actually thought the opening convo went on too long. Maybe i'm part of the problem.
I catch most of my movies on NetFlix now, as I'm well into my old fartdom. One recent conversation comes to mind, from NO COUNTRY FOR OLD MEN. Javier Bardem "chatting" with the guy at the filling station about tossing a coin, and you know Bardem is going to kill the guy if the coin comes up wrong. Well written, and one of the most suspenseful scenes in any movie.
Recently, I liked the dialogue in Woody Allen's latest and in Letters from Iwo Jima. I like indie films, non-English films, still plenty of dialogue going on.
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.
She also authored two ebooks, MONKEY JUSTICE and HOME INVASION and co-edited DISCOUNT NOIR. She won a Derringer award for her story "My Hero." She lives outside Detroit.
Patricia (Patti) Abbott
SHOT IN DETROIT
Edgar Nominee 2017, Anthony nominee 2017
CONCRETE ANGEL
Polis Books, 2015-nominated for the Anthony and Macavity Awards
13 comments:
The Brits are better at conversation than Americans - I'd start there with Oscar Wilde. But Ben Hecht wrote some good lines for American movies - like HIS GIRL FRIDAY.
Patti - It's been so, so long since I heard a good conversation - a real conversation - in a movie. The linguist in me misses that...
INGLORIOUS BASTERDS had some good conversations. Pretty much any scene with Christophe Waltz, but especially "Once Upon a Time in Nazi-Occupied France."
But Tarantino is an exception.
This scene from DIRTY HARRY can still deliver after all these years.
The dialougue at the opening to INGLORIOUS BASTERDS where the Nazi is questioning the French guy with the hidden family under the floorboards packs a wallop for me.
(Getting ready to post this I see Mr. Powell has already mentioned it.)
I rarely go to the movies anymore. They're all special effects and fantasy stuff. That was fun for a bit, but now I'd like more plot than gunfire, more dialogue than blue screen. (Yes, I'm turning into an old fart. Been looking forward to it all my life.)
You're right. There are probably still movies that have conversations in them, but they're not the kind I pay money to see.
One of my favorite lines is from Yojimbo. One of the bad guys is bragging how tough he is and says, "Kill me if you can." Our hero with no name gives him fair warning. "It'll hurt," he says. And it does.
I do love the conversations in David Mamet's movies.
I know I'm probably in the minority but I like the kooky conversations in Woody Allen movies. There were plenty in ANNIE HALL and more recently in VICKY CRISTINA BARCELONA.
Me, too, George, but I haven't seen the last two.
Defintely a good one. You know I haven't even thoguht about movies changing in that sense. I watch so few of them that I guess I don't keep up. I did see INglorious bastards and I actually thought the opening convo went on too long. Maybe i'm part of the problem.
I catch most of my movies on NetFlix now, as I'm well into my old fartdom. One recent conversation comes to mind, from NO COUNTRY FOR OLD MEN. Javier Bardem "chatting" with the guy at the filling station about tossing a coin, and you know Bardem is going to kill the guy if the coin comes up wrong. Well written, and one of the most suspenseful scenes in any movie.
It helps to film a book as well written as that one. Too bad they do most movies by committee.
Call it, friendo . . .
Recently, I liked the dialogue in Woody Allen's latest and in Letters from Iwo Jima. I like indie films, non-English films, still plenty of dialogue going on.
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