Friday's Forgotten Books, February 12, 2016

Ed Gorman is the author of BAD MOON RISING, the Dev Conrad and Sam McCain series and many other novels. You can find him here.  (from the archives)

Fake I.D. by Jason Starr

Jason Starr is the poet of pathological lives. In Fake I.D. he gives us Tony Russo, gambling addict and bartender/actor, who believes, despite enormous evidence to the contrary, that someday real soon now he will reap a bonanza with his gambling just as he knows that he will soon enough be King of Hollywood. Gold at the track and movie star pussy forever.

One of the ways he hopes to hurry his dreams along is by stealing ten thousand dollars from the bar where he works. He has a chance to buy a share of a race horse and thus become a (another fantasy) a gentleman of the horsey set (his daydream about standing in the winner's circle with a movie star lady practically going down on him is especially embarrassing and pathetic). But being the good businessman he is he takes the ten grand and goes to Vegas where he is real real sure he will play this into much much more. He returns home broke of course.

Being a good sociopath Tony must now replace the money he lost in Vegas. This quest, and it is nothing less, involves more stealing and not incidentally murder. Starr gives us a trio of women who become indelible in the reader's mind. My favorite is Janene. Like Frank, the man who owns the bar where Tony works, she is sensible, intelligent and honest. It is from her that he lifts jewelry.

Starr has one of those quintessential New York voices. Because Richard Price's Ladies' Man is one of my favorite novels I kept hearing riffs on that in this book especially when Starr was writing about the bar and the people who work there and hang out there. Starr has an almost surreal eye and ear for manners and he can be both witty and chilling at the same time. He's excellent with boozy conversation.

Starr is on record acknowledging his debt to certain of the paperbacks of the 1950s and 1960s and the pace and punch of his novel certainly demonstrate that affection especially when all of Tony's sweaty plans begun to unravel. But the book is wholly Starr's and it's a sound strong good one. So many writers try hard to replicate Jim Thompson by using similar material. Tony Russo's heart is as dark as any of Thomson's sociopaths but his environment and his style could not be more disimilar. Lew Ford wouldn't know what to make of him.

Because of his social eye and because of his ambition to include the wider world in his work, Jason Starr is among my favorites of the neo-noir writers. Fake I.D. is a gem of treachery.

Sergio Angelini, THE GARDEN PARTY AND OTHER,STORIES, Katherine Mansfield

Joe Barone, HOW JESUS BECAME GOD, Bart Ehrman
Les Blatt, MR.SPLITFOOT, Helen McCoy
Brian Busby, DIRTY CITY, Michael Young
Bill Crider, CHANCY AND THE GRAND RASCAL, Sid Fleschman
Scott Cupp, RUN FROM THE HUNTER, Keith Grantland 
Martin Edwards, DEATH'S DARKEST FACE, Julian Symons
Curt Evans, THE DARTMOUTH MURDERS, George Orr
Rick Horton, ENCHANTED AND ENCHANTING, Friedrich Wilhelm Hacklander
Jerry House, TARZAN AND THE FOREIGN LEGION, Edgar Rice Burroughs
Nick Jones, GLITZ, Elmore Leonard
George Kelley, EXPLORING THE HORIZONS, ed. Gardner Dozois
Margot Kinberg, THE UNQUIET DEAD, Ausma Zahanat Khan
B.V. Lawson, MURDER FOR TREASURE, David Williams
Steve Lewis/Walter Albert, SHADOWS OVER BAKER STREET, Reaves and Pelan eds.
Todd Mason,  NO LIMITS edited by Joseph Ferman; THE BEST OF TRIQUARTERLY edited by Jonathan Brent
J.F. Norris, THE MURDERED BANKER, Augusto DiAngelis
Matthew Paust, DEAD MAN'S GUN, Ed Gorman
James Reasoner, THE WEIRD DETECTIVE ADVENTURES OF WADE HAMMOND, Paul Chadwick
Gerard Saylor, THE DEATH OF KINGS, Conn Iggulden
Kerrie Smith, Lock No. 1, Georges Simenon
Reactions to Reading, A CUT-LIKE WOUND, Anita Nair
Kevin Tipple, BLACKFIN COUNTY FILES, Bill Crider
TomCat, THE GREEN ACE, Stuart Palmer
TracyK, YEAR OF THE DOG, Henry Chang
Zybahn, STORM IN THE CHANNEL, Georges Simenon