And maybe this was always true to some extent, but I was listening to a CD played in its entirety online as I went about my household chores. (Now that I am in a ranch I can do that easily). And from what was usually a room or two away, the songs were way too similar. He could have been playing the same tune over and over. Same voice, of course, but also same everything (tempo, instrumentation, feel). If I am going to buy a CD I like versatility in the tunes. Some fast, some slow, some with different instruments. Like the Beatles used to do. Or even folk singers like Bob Dylan. This was really brought home to me when I listened to a Nina Simone CD last week. Great variation in all things.
What more recent CD has this sort of variation on it? I know of none other than a show tunes CD.
HUNGER, Roxane Gay THE MARSH KING'S DAUGHTER, Karen Dionne LOVING DAY, Mat Johnson THE SECRETS SHE KEEPS, Michael Robotham HILLBILLY ELEGY, J.D. Vance SUNBURN, Laura Lippman THE SISTERS CHASE, Sarah Healy IN A LONELY PLACE, Dorothy L Hughes UNDER THE HARROW, Flynn Berry MORNINGSTAR, Ann Hood THE RED NOTEBOOK, Antoine Laurain A GENTLEMAN IN MOSCOW, Amor Towles LITTLE FIRES EVERYWHERE, Celeste Ng LILLIAN BOXFISH TAKES A WALK, Kathleen Mooney THE BEAUTIFUL MYSTERY, Louise Penney GIVE ME YOUR HAND, Megan Abbott PRAIRIE FIRES
Patricia Abbott is the author of more than 125 stories that have appeared online, in print journals and in various anthologies. She is the author of two print novels CONCRETE ANGEL (2015) and SHOT IN DETROIT (2016)(Polis Books). CONCRETE ANGEL was nominated for an Anthony and Macavity Award in 2016. SHOT IN DETROIT was nominated for an Edgar Award and an Anthony Award in 2017. A collection of her stories I BRING SORROW AND OTHER STORIES OF TRANSGRESSION will appear in 2018.