Tuesday, October 12, 2010

Chile


Our thoughts are in Chile today as we wait for the rescue of the trapped coal miners, not knowing what illnesses, psychological and physical, they will bring out of that mine.

My great great grandfather was a coal miner in Wales. He came to Philly and met my great great grandmother (Ellen Jane Stewart), a lace-maker who'd recently come from County Derry in Ireland to escape the potato famine (circa 1870).

They had two boys, but Tom died of black lung disease when they were both under ten. My great great grandmother had to place them in a school, Girard College, where they spent the rest of their youth. She only got to visit them on Sundays, but the school gave them a good start--so that part of their story is not a tragedy.

I never met this man, of course, but I have thought of him often--Thomas Morrison. No one should die of a disease like that in their thirties. Nor on any day. I pray for these men today.

Any children of coal miners out there?

La Ronde, Part Two


Part Two of the La Ronde, "Blinded by Brilliance of His Own Reflection" by Dana King is right here.

A great second chapter as I think you'll agree.

If you missed the first episode, it's right here.

Next week, we travel to Kate Laity's blog for Chapter Three.

Monday, October 11, 2010

Question

What was the name of the movie about a Shakespearean actor who played the part of females and was gradually being replaced as women began to play women?

Writing for the Reader

Stay tuned tomorrow for Part 2 of LA RONDE. Dana King offers his tale of jealousy. Link to come.

Pumpkin Bowli
ng

In an interesting article last week in the NYT, Michel Cunningham (THE HOURS) addresses several issues about reading/writing. But what struck me most were his thoughts about the relationship writers have with their readers.

He claims a writer should not write for himself, but instead for an ideal reader. In his case, he writes for a woman who once told him that she found CRIME AND PUNISHMENT better than the trashy books she usually read. But not as good as a Scott Turow novel.

She read books to be entertained, and after this insight, Cunningham tried to write books that would matter to her. She was his target audience.

A book written for me would have a mystery of some sort, humor, some psychological underpinning, and sparkling writing. I could name Charles Willeford as a writer who seems to write for me. Margaret Millar. Or the early John Irving. As a writer, (although I hate to call myself that), I don't know who I write for but I need to think about it.

I wonder how many writers mainly write for themselves. Cunningham warns against this, equating it with making an elaborate cake for yourself.

Books and cakes are meant to be digested by others. Write for your reader.

As a reader, what writer seems to write books meant for you? As a writer, who do you write for?

Sunday, October 10, 2010

YA BOOKS



Can you trace the sudden popularity of adults reading YA fiction to a specific event? I guess it was probably Harry Potter, but what came next? Why is YA still growing and why is it better than ever? Is it less encapsulated in cliches and market concerns? What is the secret to YA fiction and what book have you found the most satisfying?

Saturday, October 09, 2010

Beat to a Pulp-Round One Out


And you can get this terrific anthology from the wonderful David Cranmer and Elaine Ash, right here.

Stories from a multitude of writers, some probably familiar to you. You gotta buy it just for the cover.

Detroit 187

This TV series is filmed on the streets of Detroit. Gritty and it gets it right most of the time. Christapha is sensational.



I have to go carve a pumpkin, visit my Dad, and see a documentary about burlesque. What a menu. Have a good one.

Friday, October 08, 2010

Friday, October 08, 2010

THE SUMMING UP, Friday, October 8, 2010


"Nana, I'm into worms now."
"Nana, maybe when you get bigger you will be able to run faster."
"Doctor Amy said I can have donuts when I visit your house. Specially ones with sprinkles on them."

"I think that's a pelican not a duck, Kevin. "
"I think he's just carrying something big in his mouth, Nana."





THE SUMMING UP, Friday, October 8, 2010

Paul Bishop, Darker Than You Think, Jack Williamson
Paul Brazill, In La La Land We Trust, Robert Campbell
Bill Crider, The Last Buffoon, Leonard Jordan
Scott Cupp, The Beasts of Valhalla, George C. Chesbro
Mike Dennis, The Friends of Eddie Coyle, Geroge C. Higgins
Martin Edwards, The Complete Curious Mr. Tarrent, C. Daly King
Jose Ignacio Escribano, Brighton Rock, Graham Greene
Ed Gorman, Dig My Grave Deep, Peter Rabe
Glenn Harper, Headbanger, Hugh Hamilton
Glenn Harper 2. Personl Non Grata, Timothy Williams
Randy Johnson, Dupe, Liza Cody
George Kelley, Case and the Dreamer, Theodore Sturgeon
Rob Kitchin, South of No North, Charles Bukowski
B.V. Lawson, The Yellow Turban, Charlotte Jay (Geraldine Halls)
Evan Lewis, A Comprehensive Index to Black Mask, 1920-51, E. R. Hageman
Steve Lewis, Turnaround Jack, Richard Abshire
P.M. Angel, Gil Brewer
Todd Mason, Learning to Drive, Katha Pollitt, Seducing the Demon, Erica Jong
Jeff Meyerson, Sam 7, Richard Cox
Andrew Nette, The Song is You, Megan Abbott
Eric Peterson, Warday, Whitley Strieber and James Kunetka
James Reasoner, Tickets for Death, Brett Halliday (Davis Dresser)
Richard Robinson, Jeopardy is My Job, Stephen Marlowe
Kerrie Smith, Wedding Treasure, David Williams
Kevin Tipple, Closing Time, Jim Fusili


October 1, 2010

Bill Crider: The Gone Man by Brad Solomon
Scott Cupp: Dread Island by Joe R. Lansdale
Ed Gorman: The Dead Beat by Robert Bloch
George Kelley: Four Color Fear edited by Gregg Sadowski
Todd Mason: The Final Solution by Michael Chabon
Richard Robinson: 12 Worlds of Alan E. Nourse by Alan E. Nourse

Friday's Forgotten Books, October 8, 2010



Andrew Nette is a Melbourne writer. He blogs at http://pulpcurry.wordpress.com/


May I interrupt And
rew's review of a book near and dear to my heart to tell you a bit about him. This week Andrew was shortlisted in the Victorian Premier's Literary Award category for the best unpublished novel. Although he didn't win the award, the judges thought enough of his manuscript to award him a fellowship to support his future writing. I am sure we will be hearing more about Andrew Nette. Andrew did not tell me about this honor; I learned of it on my own. Congratulations!!

The Song Is You
, Megan Abbott

The Song is You is only the second Megan Abbott book I’ve read, but it’s cemented her place in the select group of authors whose work I recommend to friends with undisguised envy about what awaits them.

Hell, can Abbott write and her take on post-Second World War Hollywood is distinctive and razor sharp.

The Song Is You focuses on Gil ‘Hop’ Hopkins, a studio publicity man/fixer/pimp whose beat is “the world of trouble between mid-night and seven am”. Whether it’s rescuing starlets from opium dens and rough trade or procuring quickie abortions for leading men and studio heads who want to maintain their happily married public personas, it’s just a job for Hopkins.

He does what he’s told and doesn’t ask questions until he gets involved in the disappearance of starlet Jean Spangler, two years missing with no clues other than a mysterious note and a swirl of rumours. They shared a moment, if you can call it that, the night before Jean disappeared. A group of them had been drinking hard and they ended up in a seedy harbour side bar, where Hop left Jean in the company of a couple of big name studio crooners with a reputation for playing very rough.

Girls like Jean, drawn to Tinseltown from dust bowl towns across America with stars in the eyes and hopes of making it big, are a dime a dozen in Hop’s world. He’d hardly given her a second thought until a friend of Jean’s makes contact, accusing him of being one of the people responsible for her disappearance.

Soon, fuelled by guilt and the need to protect his own arse he’s investigating every last detail about the night in question.

There’s a hard-bitten female journalist who is also looking into Jean’s disappearance, plenty of mob connections and a whiff that Jean may have been involved in her own illegal scam. There’s also plenty of sex. It positively oozes from the pores of the story, amid the mood lighting, calypso music, tiki torches and martinis.

The parallels between The Song Is You and Ellroy’s Black Dahlia are obvious, their noir sensibility, the era they are set in, their mix of fact and fiction, right down to their raven-haired party-girl victims. But there’s something about Abbott’s book that sets it apart.

I think big part of it is her less is more style. This allows her to hint at horrendous events, introduce the sleaziest characters and take us to the very worst places, without collapsing into cliché. She’s also a master of allowing class, sex and social observation to collide in a way that does take away from the precision of her plot and characters.


Jeff Meyerson, SAM 7, Richard Cox

I've been meaning to write about this book (it is not in print, but you can get a copy online for a few dollars) for some time. Even though it came out in 1977 it is extremely relevant today; indeed, I'm surprised some enterprising publisher doesn't bring out a new edition.

The plot is simple to describe: Middle Eastern terrorists shoot down an airliner over central London, which crashes into Victoria Station. There is a vivid description of the damage done, the attempts to rescue the people trapped in the station, and the hunt for the people behind it.

At the time we were going to London every summer to buy books and see the sights and theatre. We were very familiar with Victoria Station and I was extremely impressed with how accurate and detailed his descriptions were. I haven't read the book in a long time but I've always meant to revisit it and see how well it holds up. It certainly was prescient as to where the world is today.





Ed Gorman is the author of the Dev Conrad books, SLEEPING DOGS and STRANGLEHOLD. You can find him here.

Dig My Grave Deep, Peter Rabe

At his best Peter Rabe was harder-bitten than even Dashiell Hammett. His take on humanity wasn't a stylistic choice to impress hard-boiled readers. His world view was informed by one of the worst moments in history. He escaped Nazi Germany just in time.

Dig My Grave Deep is the first of the Daniel Port novels. Port is the second-in-command of a mob that runs a large city. But Port is still young and has enough of a conscience to see that he's in a slimy business. He wants out and tells the boss, a man named Stoker, that he's leaving. Stoker threatens him, tries to bribe him and then makes him a deal. If Port will do one last thing for him he can leave without a hit man stalking him. A man named Bellamy, under the guise of running the Reform Party, is trying to bring his own mob into power. He needs to be stopped.

What's particularly interesting in this novel is the way Port sets about taking Bellamy out of the picture. He uses not guns but bribery and blackmail. Virtually every elected city official is on the take. Stoker has paid all of them off over the years. Bellamy wants to get through a slum clearance bill that will rob Stoker of his base, Ward 9. Port shakes every one of them down. He is, after all, a mobster.

Bellamy also wants Port for himself. His goons kidnap Port and beat him up. Port responds by hiring a young wanna be mobster to pose as a gardner and wire Bellamy's office. The wanna be has a beautiful sister who intrigues Port. Unfortunately she despises him for helping his brother get involved with the mob. There are some memorably angry exchanges as Port tries to woo her.

In 1956 the mob ran many American cities. Today Wall Street and congress are the people doing the puppeteering. Not so much violence (though 'm sure there's been some) butmuch much more money. At the risk of being stalked, I think Rabe's representation of the mob is more honest than the way the Soprano's played them. He anticipates what such excellent novelists as Charlie Stella would do decades down the time line.

This is a swift, stark, occasionally angry novel that foreshadowed one of the major careers of the Fifties.


Paul Bishop
Paul Brazill
Cullen Gallagher
Bill Crider
Scott Cupp
Mike Dennis
Martin Edwards
Jose Ignacio Escribano
Cullen Gallagher
Glen Harper
Glen Harper
Randy Johnson
George Kelley
Rob Kitchin
B.V. Lawson
Evan Lewis
Steve Lewis
Todd Mason
P.M.
Eric Peterson
James Reasoner
Richard Robinson
Kerrie Smith
Kevin Tipple

Thursday, October 07, 2010

Kickin' and Screamin"


Book groups. As I've said before I am loathe to read books assigned to me, and yet I love the women in my book group, so I do it. Lots of didactic literature. Nickeled and Dimed, Reading Lolita in Tehran, Persepolis. Important books but kind of predictable. Depressing. They are not book books, if you know what I mean.

This month is THE HELP, which struck me as a book written exclusively for Oprah and book groups. Seventy weeks on the best seller list and counting.

I like it. Shiver me timbers.

What was the last book you didn't expect to like but did? What book did you read out of duty or because a friend or spouse pushed it on you and ended up liking?

Wednesday, October 06, 2010

Detroit-Wild City-Trailer

See it if you dare. All scenes were filmed by a French film-maker in the City of Detroit. This is not anomalous. This is Detroit. If you want a more hopeful vision of Detroit-Buy Re-imagining Detroit, John Gallagher. WSU Press.

First Wednesday Book Review Club



STRANGLEHOLD, Ed Gorman

A few years ago, I read Ed Gorman's first book in the Dev Conrad series (SLEEPING DOGS) and asked him if he planned on writing another one. He said he was mulling it over. It felt like a perfect fit for Ed then and the second book just solidifies that feeling. Ed knows the world of political campaigns well and his portrait of it is completely convincing.

Dev is a political consultant, called in by campaigns to straighten out messes more often than not. Not as a "cleaner" or anything sinister, but more to give advice, succor, and to straighten out the kind of trouble a life in politics seems to encourage. Dev is a guy easy to spend time with. He reminds me of Jim Rockford or Travis McGee.

This time his client is a Congresswoman who's acting strangely and worrying her family and staff in the midst of a campaign. She's disappearing for hours at a time. Much of her support comes from her wealthy stepmother who doesn't like the behavior she's witnessing and is used to calling the shots. The candidate had a troubled youth and there's worry she's returned to her errant ways.

Dev follows the trail to some nasty adversaries and into the Congresswoman's back story, which is an interesting one. As I said, Ed Gorman knows politics and every note is pitch perfect here.

What I love about Ed's books are three-fold. He is a great instructor (for anyone learning to write) in the art of moving a plot along without any lag time. At the same time, he is able to work in little asides: humor, cynicism (and who over fifty doesn't have that) and his knowledge about how politics work--all without even seeming didactic or dull. Thirdly, and I have said this before, Ed likes women. He writes about them well; his protagonist treats them well. Do you know how rare this is lately?

If I was in trouble, Dev Conrad (or Ed Gorman) would be the first one I sought out. Look for this book: Stranglehold. The time is right for a look at politics through Ed Gorman's eyes. His vision is clear.

For more reviews, please visit Barrie Summy right here.

Tuesday, October 05, 2010

THE DISH RAN AWAY WITH THE SPOON-Part One of LA RONDE

And if you haven't had enough of me (and God knows I have) check out my story on Spinetingler along with the other great entries. in their revenge contest.



This is Part One of the Flash Fiction Challenge called LA RONDE-I think we have enough participants to take us to January at one per week. The idea was to write a story of around 1000 words where the protagonist is jealous of another person. The second writer (Dana King) will write a story where that person is jealous of a third person and so on. Here is the initial narrative.













La Ronde-Part One

"And the Dish Ran Away with the Spoon"

Grady Disch stepped into my field of vision the week before I began teaching at the Chesterton School. It was during my initial interview, when I was sitting in the Headmaster’s Office attempting to delineate my philosophy of teaching—his words. A ridiculous test for a chemistry teacher being asked to hop into the shoes of a newly dead predecessor. I’d paused, trying to come up with some edgy pedagogical turn-of-phrase that might disguise the fact that teaching in a high school was a personal failure. I’d intended to become a research scientist, but my inability to produce the requisite dissertation dictated a change in careers.

Suddenly, the cacophonous laughter of females turned our heads. A tall well-dressed man with hair worn long and a confident gait passed by. A flock of girls clung to him—one grabbing an elbow, another his jacket, a third carrying his book bag. Unintentionally perhaps, he invited their touch, helpless not to be loved.

“Grady Disch,” the headmaster said. “Our most popular teacher and brilliant to boot.” He shook his head in disbelief at the school’s good fortune in landing such an instructor. “Not that popularity is necessarily a good thing,” he added. Neither of us believed it.

“Brilliant?” I asked.

Dr.Grady Disch. He has a book of poetry in galleys and wrote the school play last year. There was talk of an off-Broadway production.” That was my introduction to the man who’d soon haunt my days.

On my first day at Chesterton, Disch plopped his plastic tray next to mine at lunch. “Prescott, right?"

“Charles,” I said, holding out a hand.

“Prefer Charles to Charlie or Chuck?”

“It always ends up being Charles. Seems easier just to start there.” I remembered a half-hearted stab at Chaz when an actor with that name was in fashion.

“Tagged with a name like Grady, I understand.” Radiating empathy, he picked up his hamburger and took an enormous bite. It’d been a long time since I watched someone eat red meat. Bloody juice dripped down Grady’s chin, but he made it work. “We’ll have to grab a beer after work on Friday,” he suggested. “Married?” I shook my head. “Two bachelors to divide the spoils then.”

I looked in alarm at the students around me.

Grady laughed. “I was talking about the single female teachers. There's at least six possibilities between the upper and lower schools.” He looked at me speculatively. “I think there’s a third grade teacher with your name on her.”

I smiled. Attempts to match me up never worked. Celibacy was the only thing with my name on it.

We had that beer, or in my case a glass of red wine, on Friday night but found little to say to each other. He answered my questions about the school but seemed distracted by the number of women in the bar. None of them passed by without giving him a look. One or two stopped and put a hand on his shoulder or arm. He handled it like someone used to such shenanigans. Heck, I wanted to touch him myself-despite having no leanings in that direction. He was magical; perhaps some of his magic would rub off

It grew worse although we always managed to maintain a pretense of friendship. The depth of his gifts was so enormous; it was impossible not to be jealous. It was equally hard not to be impressed. It seemed effortless and he wore his mantle lightly. My sole hope was his success would eventually carry him off to a universe where I didn’t have to deal with him. A place where I didn’t have to consider his superiority. If he had a Ph.D., a talent for writing poetry and plays, alarming good looks, extreme likability, family money (which he must given his Porsche and his wardrobe), he'd soon find something else to do with his time.

Things came to a head. My best student, Mary Doyle, spent a semester under my tutelage preparing a project for the State science fair. Her project linked over 400 consumer products to possible adverse health effects using the Material Safety Data Sheets (MSDS). It had first place written all over it. That was the plan until Grady Disch handpicked her to star in his school play. Naturally the opportunity to spend untold hours with Mr. Disch took precedence over her desire to save the public from ill health.

Justice must be meted out. I took my time with a plan, watching Mary Doyle perform in Disch’s play (so-so in the part) and substituted an inferior project from an average student on chemical structures in plastics without chastising Disch or Mary.

Not even an honorable mention came our way.

It was a week later when I picked up a tablet in the teacher’s lab and saw the note. It wasn’t exactly a note—it was the tracings from a note on a piece of paper torn off the pad. Disch wrote as emphatically as he lived.

It read, “Sarah-Meet me in the boathouse at four. GOD.” I knew at once it was Grady (the phantom O was an affectation achieved by his ornate rendering of the G and D). The addressee was Sarah Spooner, a fifth grade teacher in the lower school. I’d spotted them in her car only last week.

It was simple to fill in those tracings in a heavy black ink such as Disch routinely used, and easier yet to choose among the three Sarah’s registered in the upper school. I chose the most fetching of the three, Sarah Westerson, slipping the forged note into her copy of As I Lay Dying while she was filling beakers in the lab.

The Headmaster, contacted by Mr. Westerson despite his daughter's pleas, dealt with the situation quickly. Disch was gone within hours, and although it was completely unnecessary, Sarah Spooner followed quickly.

Steal their hearts but not their minds, I wanted to say. Goodbye Mr. Disch.


You can find Part Two on Dana King's blog next Tuesday, October 12 but I will post the info again.

Monday, October 04, 2010

One Suggestion for Improving TV Shows


What one suggestion would you offer to the makers of TV shows to make them better?

Here is mine: stop having a scene with each major cast member on your show each week that utilizes their one major character trait. Take THE BIG C, which I like moderately.
I know before the end of the show there will be a scene with her neighbor who will act cranky but be nice underneath, there will be a scene with her African-American student who will turn out to be wise, a scene with her homeless brother yelling about the environment, a scene with her son wanting to be left alone, a scene with her husband acting like a jerk. I watch the show ticking these off. NURSE JACKIE, same thing. We go through the cast character by character till they've all had their scene or two.

Now on a great show like BREAKING BAD, they are not afraid to have an episode with just two of their characters. Or skip a major character for weeks at a time. But the average show, has to touch base with each of its characters, spelling out again their essential trait: quirky, sweet, innocent, selfish, etc. Is it in their contracts?

What do you suggest to improve TV? What bugs you?

Sunday, October 03, 2010

While Away I Was Reading a Detective Novel


and although it looks to be VERY good, there are just a lot of cliches in regard to the detective. Will there ever be a detective who is a regular church goer for instance?

What are some overused character traits found in the typical police or private detective. I will start with this one.

He is wrestling with a drinking problem. What else?

Thursday, September 30, 2010

THE CARETAKER OF LORNE FIELD

I am away and with a lousy laptop, but had to stop in my tracks to say that the book mentioned above by Dave Zeltserman, THE CARETAKER OF LORNE FIELD is one of the most original and compelling books have read it sometime. It's a horror story, yes. But it is also the stuff of fairy tales, legends, myths. I could not have loved it more. For a better review than this old thing allows me, see THE DROWING MACHINE or other reviews in print. Like Naomi I found no humor in this--just agony. WOW!

Tuesday, September 28, 2010

Technology


Do you ever marvel at how well a simple household gadget works? I am in awe of the dehumidifier in my basement. Damn, if the thing doesn't fill up with water every day. How does it do it? I have no idea, but I know dumping that water out every morning is a good thing. Can you imagine the amount of water in the air if I didn't do it? Or does removing the water only allow new water to form? Whatever, I am awestruck.

What gadget does its job for you? (And I am actually interested in this--it's not a desperation topic)

Monday, September 27, 2010

A Kinda Horror Story


Anyone out there dabble in horror?

I've just finished writing a kinda horror story--although I couldn't help myself from knocking someone off. It's not bone-chilling horror and it plays on a previous horror novel. Not fan-fic, but sort of an homage.

Any idea where to send it? I can go to Duotrope, but sifting through each zine to see what they like is tres time-consuming. I'm not looking to knock on the big boys doors, just a middling sort of place. Online probably since I don't have the patience to wait three to six months to hear. Any ideas from horror fans out there?

Thanks.

James Lee Burke


Never read one. Which is your favorite?