Todd Mason will take the helm on May 20th and 27th. Thanks, Todd.
I will be at Grandparents Day at Kevin school until midday. So any links not up at 7:30 will be added then. Thanks!
Ed Gorman writes crime, westerns, anthologies and a blog here.
A Memory of Murder, Ray Bradbury (from the archives)
Ray
 Bradbury's first collection, published in 1947 by Arkham House, 
contained so many memorable and lasting stories it has become legendary.
 A single book by a young writer including true masterpieces such as 
"The Lake," "The Small Assassin," "The Homecoming," "Uncle Einar" and 
many, many more--just about unthinkable. A fair share of these stories 
were later included in The October Country, a collection that is for me 
the equal of The Martian Chronicles.There's another collection that in 
the scheme of Bradbury's career is far less important but equally 
interesting. When Dell published A Memory of Murder we were given our 
first look at the crime and suspense s tories
 Bradbury wrote for such pulps as Dime Mystery Magazine and New 
Detective Magazine. Most of the stories appeared between 1944 and 1946. 
I've probably read this book four or five times over the years. It has 
the energy and inventiveness of all good pulp with the bonus of watching
 a young writer struggle to find the voice that is really his. In 
several of the stories we hear the voice that Bradbury will later 
perfect. He's often proclaimed his admiration of Cornell Woolrich and 
here we see the dark Woolrich influence, especially in the excellent 
"The Candy Skull" (Mexico has long fascinated Bradbury; here it's 
nightmare Mexico), "The Trunk Lady" and (what a title) "Corpse 
Carnival." One of Bradbury's most famous stories is here also, "The 
Small Assassin," written for a penny a word for Dime Mystery Magazine in
 1946.The most interesting story is "The Long Night." I remember the 
editor who bought it writing a piece years later about what a find it 
was. And it is. A story set in the Hispanic area of Los Angeles during 
the war, it deals with race and race riots, with the juvenile 
delinquency that was a major problem for this country in the war years 
(remember The Amboy Dukes?) and the the paternal bonds that teenage boys
 need and reject at the same time. A haunting, powerful story that hints
 at the greatness that was only a few years away from Bradbury.What can I
 tell you? I love this book. At its least it's a pure pulp romp and at 
its best it's the master about to change science fiction forever. And 
making a memorable pass at making his mark on crime fiction as well.
tories
 Bradbury wrote for such pulps as Dime Mystery Magazine and New 
Detective Magazine. Most of the stories appeared between 1944 and 1946. 
I've probably read this book four or five times over the years. It has 
the energy and inventiveness of all good pulp with the bonus of watching
 a young writer struggle to find the voice that is really his. In 
several of the stories we hear the voice that Bradbury will later 
perfect. He's often proclaimed his admiration of Cornell Woolrich and 
here we see the dark Woolrich influence, especially in the excellent 
"The Candy Skull" (Mexico has long fascinated Bradbury; here it's 
nightmare Mexico), "The Trunk Lady" and (what a title) "Corpse 
Carnival." One of Bradbury's most famous stories is here also, "The 
Small Assassin," written for a penny a word for Dime Mystery Magazine in
 1946.The most interesting story is "The Long Night." I remember the 
editor who bought it writing a piece years later about what a find it 
was. And it is. A story set in the Hispanic area of Los Angeles during 
the war, it deals with race and race riots, with the juvenile 
delinquency that was a major problem for this country in the war years 
(remember The Amboy Dukes?) and the the paternal bonds that teenage boys
 need and reject at the same time. A haunting, powerful story that hints
 at the greatness that was only a few years away from Bradbury.What can I
 tell you? I love this book. At its least it's a pure pulp romp and at 
its best it's the master about to change science fiction forever. And 
making a memorable pass at making his mark on crime fiction as well.
Sergio Angelini, BRIT NOIR, Barry Forshaw tories
 Bradbury wrote for such pulps as Dime Mystery Magazine and New 
Detective Magazine. Most of the stories appeared between 1944 and 1946. 
I've probably read this book four or five times over the years. It has 
the energy and inventiveness of all good pulp with the bonus of watching
 a young writer struggle to find the voice that is really his. In 
several of the stories we hear the voice that Bradbury will later 
perfect. He's often proclaimed his admiration of Cornell Woolrich and 
here we see the dark Woolrich influence, especially in the excellent 
"The Candy Skull" (Mexico has long fascinated Bradbury; here it's 
nightmare Mexico), "The Trunk Lady" and (what a title) "Corpse 
Carnival." One of Bradbury's most famous stories is here also, "The 
Small Assassin," written for a penny a word for Dime Mystery Magazine in
 1946.The most interesting story is "The Long Night." I remember the 
editor who bought it writing a piece years later about what a find it 
was. And it is. A story set in the Hispanic area of Los Angeles during 
the war, it deals with race and race riots, with the juvenile 
delinquency that was a major problem for this country in the war years 
(remember The Amboy Dukes?) and the the paternal bonds that teenage boys
 need and reject at the same time. A haunting, powerful story that hints
 at the greatness that was only a few years away from Bradbury.What can I
 tell you? I love this book. At its least it's a pure pulp romp and at 
its best it's the master about to change science fiction forever. And 
making a memorable pass at making his mark on crime fiction as well.
tories
 Bradbury wrote for such pulps as Dime Mystery Magazine and New 
Detective Magazine. Most of the stories appeared between 1944 and 1946. 
I've probably read this book four or five times over the years. It has 
the energy and inventiveness of all good pulp with the bonus of watching
 a young writer struggle to find the voice that is really his. In 
several of the stories we hear the voice that Bradbury will later 
perfect. He's often proclaimed his admiration of Cornell Woolrich and 
here we see the dark Woolrich influence, especially in the excellent 
"The Candy Skull" (Mexico has long fascinated Bradbury; here it's 
nightmare Mexico), "The Trunk Lady" and (what a title) "Corpse 
Carnival." One of Bradbury's most famous stories is here also, "The 
Small Assassin," written for a penny a word for Dime Mystery Magazine in
 1946.The most interesting story is "The Long Night." I remember the 
editor who bought it writing a piece years later about what a find it 
was. And it is. A story set in the Hispanic area of Los Angeles during 
the war, it deals with race and race riots, with the juvenile 
delinquency that was a major problem for this country in the war years 
(remember The Amboy Dukes?) and the the paternal bonds that teenage boys
 need and reject at the same time. A haunting, powerful story that hints
 at the greatness that was only a few years away from Bradbury.What can I
 tell you? I love this book. At its least it's a pure pulp romp and at 
its best it's the master about to change science fiction forever. And 
making a memorable pass at making his mark on crime fiction as well.Yvette Banek, GREY MASK, Patricia Wentworth
Joe Barone, LET'S HEAR IT FOR THE DEAF MAN, Ed McBain
Les Blatt, THE NORTHS MEET MURDER, Frances and Richard Lockridge
Brian Busby, THE WILD OLIVE, Basil King
Bill Crider, THE BOOKMAN'S TALE, Charles Lovett
Martin Edwards, THE KING AGAINST ANNE BICKERTON, Sydney Fowler
Rich Horton, THE LIGHT PRINCESS AND THE GOLDEN KEY, George MacDonald
George Kelley, THE WORLD SWAPPERS, John Brunner
Margot Kinberg, THREE LITTLE PIGS, Apostolos Doxiadis
B.V. Lawson, MAIGRET SETS A TRAP, Georges Simenon
Steve Lewis/Marcia Muller, THE HOUSE OF NUMBERS, Jack Finney
Todd Mason, NIGHT FREIGHT, Bill Pronzini
J.F. Norris, THREE FOR THE CHAIR, Rex Stout
Matt Paust, THE ASHAKIRAN TAPES, Jurgen Fauth
James Reasoner, HERO'S LUST, Kermit Jaedeker
Reactions to Reading, AN AIR THAT KILLS, Margaret Millar
Gerard Saylor, A STAB IN THE DARK, Lawrence Block
Kevin Tipple, THE COUGAR'S PREY, Larry D. Sweazy
TomCat, RESORTING TO MURDER, ed. Martin Edwards
TracyK, THE LOOKING GLASS WAR, John LeCarre

 
 
 
 
 
 
 
 
 
 
 
 

6 comments:
Hi Patti - my book today is a new release, so I reckon it doesn't count - back to normal next week :)
Thanks, as always, Patti, for including my post. Interesting choice of Ray Bradbury, too!
Sergio, there have been a number of New books recognized in this series. George is particularly good for that, and not a few of rest of us have done so, particularly for small-press items and much anticipated re-issues.
Patti, I'm up and at 'em:
Night Freight by Bill Pronzini
Thanks Todd - I should have of course linked to the meme irrespective!
I've got "A memory of Murder" but haven't read it yet. I just picked up a new Gorman book as well, at least new to me.
Hi Patti interesting post thanks
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