I generally dislike voice-overs but sometimes they work. I liked William Holden's voice-over in SUNSET BOULEVARD. What one works for you? THE WONDER YEARS used the voice of the adult Kevin (Daniel Stern) well too.
See my review of THE IMMIGRANT on CRIMESPREE MAGAZINE
Two excellent examples.
ReplyDeleteFor me, Woody Allen's voiceover at the beginning of ANNIE HALL worked. It set the tone and made me laugh.
Jeff M.
I agree with Jeff on ANNIE HALL. I also think Alex (Malcolm McDowell) and his voice-overs work in THE CLOCKWORK ORANGE.
ReplyDeleteDick Powell in MURDER MY SWEET.
ReplyDeleteCeleste Holm's voice-over in the beginning of All About Eve.
ReplyDeleteI'm not really sure what a voice over is.
ReplyDeleteRichard Dreyfuss's voiceover in STAND BY ME.
ReplyDeleteI didn't remember that, Naomi. Have to go look for it. He has a wonderful voice.
ReplyDeleteA voice 0ver is when an unseen voice does narration in a movie. It's often the central character later on in life, telling you about an earlier time. In Celeste Holm's case an observer. As with THE GREAT GATSBY and Nick.
I'll have to go with Woody Allen in Annie Hall, too.
ReplyDeleteI always liked Ray Liotta's (Henry Hill) voiceover in Goodfellas. Great storytelling, right from the get-go: "As far back as I can remember, I always wanted to be a gangster."
ReplyDeleteThat movie got everything right, didn't it. Ray Liotta never got a better part.
ReplyDeleteJean Shepherd as the adult Ralphie in Christmas Story. Ray Liotta in Goodfellas. Wm Holden in Sunset Boulevard. The little girl in Days of Heaven.
ReplyDeleteHe is my favorite. Have all his books. Wish they would make his old radio broadcasts available.
ReplyDeleteSteve Martin in DEAD MEN DON'T WEAR PLAID. What a brilliant parody.
ReplyDeleteWish I'd thought of Jean Shepard. He is so great.
ReplyDeleteJames Stewart in Mr. Hobbs Takes a Vacation.
ReplyDeleteRobert Mitchum in The Big Sleep.
ReplyDeleteSome episodes of Maverick were narrated by James Garner in voice-over. One, "Two Beggars on Horseback," was narrated alternately by Garner, Jack Kelly, and Patricia Barry, with each character giving a contradictory (and self-serving) version of the story.
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